{"id":1808,"date":"2007-04-29T01:00:07","date_gmt":"2007-04-29T00:00:07","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=1808"},"modified":"2022-01-06T15:03:11","modified_gmt":"2022-01-06T15:03:11","slug":"the-art-of-ejaculation","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/29\/the-art-of-ejaculation\/","title":{"rendered":"The art of ejaculation"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/04\/kwok1.jpg\" alt=\"kwok1.jpg\" \/><\/p>\n<p><em>left: Sperman (2007) by Cary Kwok; right: Here Cums the Spider (2007) by Cary Kwok.<\/em><\/p>\n<p>NSFW, as if you need to be told. It&#8217;s almost a commonplace of contemporary art that there are so many artists around today, producing such a volume of work, that any newcomer (as it were) has to find a niche and stay there if they want their efforts to stand out from the crowd. Cary Kwok&#8217;s niche seems to be the seminal emission which he depicts in a variety of ways, including showing various well-known comic-book characters shooting their respective loads. Kwok&#8217;s work has been shown recently at the <a href=\"http:\/\/www.heraldst.com\/\" target=\"_blank\" rel=\"noopener\">Herald Street<\/a> gallery, London, and <a href=\"http:\/\/www.hard-hat.ch\/\" target=\"_blank\" rel=\"noopener\">Hard Hat<\/a>, Geneva.<\/p>\n<p>I like Kwok&#8217;s drawings, they&#8217;re carefully-done and funny, and serve to remind one that the cum shot is under-represented in art. Despite various Biblical prohibitions, women have been subject to no end of sexual display throughout art history, from <a href=\"http:\/\/www.artrenewal.org\/asp\/database\/image.asp?id=9186\" target=\"_blank\" rel=\"noopener\">copulations with gods in the form of animals<\/a> to <a href=\"http:\/\/www.artrenewal.org\/asp\/database\/image.asp?id=24178\" target=\"_blank\" rel=\"noopener\">Dana\u00eb&#8217;s impregnation by Zeus<\/a> as a literal golden shower. But male sexuality, especially at its most essential moment, has rarely been depicted outside the pages of pornography. The irony of this, as with arguments against erections in art, is that if it wasn&#8217;t for ejaculations we wouldn&#8217;t be here to discuss their pros and cons. Gay artists have been in the vanguard of addressing the sperm-drought, possibly because they have more than a passing interest in these matters; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/16\/michael-petrys-flag\/\">Michael Petry&#8217;s<\/a> work earlier this year took a lateral view. There&#8217;s another sample (as it were) of Cary Kwok&#8217;s work below the fold plus some other seminal (as it were) artworks through the ages.<\/p>\n<p><strong>Update:<\/strong> <a href=\"http:\/\/gawker.com\/5009114\/jack+off-sculpture-sells-for-15-million\" target=\"_blank\" rel=\"noopener\">Jack-Off Sculpture Sells For $15 Million<\/a>.<\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/04\/leonardo.jpg\" alt=\"leonardo.jpg\" \/><\/p>\n<p><em>Coition of Hemisected Man and Woman (1492) by Leonardo da Vinci.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/04\/kubin.jpg\" alt=\"kubin.jpg\" \/><\/p>\n<p><em>Lubricity (1902) by Alfred Kubin. <\/em><\/p>\n<p><a href=\"http:\/\/commons.wikimedia.org\/wiki\/File:Franz_von_Bayros_025.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/04\/bayros.jpg\" alt=\"bayros.jpg\" \/><\/a><\/p>\n<p><em>Der Bote (The Messenger) (1908) from Erzahlungen Am Toilettentische by Franz von Bayros.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/04\/grosz.jpg\" alt=\"grosz.jpg\" \/><\/p>\n<p><em>Self-portrait with Two Women (1920) by George Grosz. <\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/01\/bookplate1.jpg\" alt=\"bookplate1.jpg\" \/><\/p>\n<p><em>Bookplate by and for the library of Angel Mendez (1950).<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/04\/serrano.jpg\" alt=\"serrano.jpg\" \/><\/p>\n<p><em>Untitled XIV (ejaculation in trajectory) (1989) by Andres Serrano. <\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/04\/murakami.jpg\" alt=\"murakami.jpg\" \/><\/p>\n<p><em>My Lonesome Cowboy (1998) by Takashi Murakami.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/04\/murakami3.jpg\" alt=\"murakami3.jpg\" \/><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/04\/murakami2.jpg\" alt=\"murakami2.jpg\" \/><\/p>\n<p><em>Another view, with the painting Spring Liquid in the background. <\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/04\/kwok2.jpg\" alt=\"kwok2.jpg\" \/><\/p>\n<p><em>Eternity (2007) by Cary Kwok.<\/em><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/04\/bisky.jpg\" alt=\"bisky.jpg\" \/><\/p>\n<p><em>Bukkake Tsunami (2007) by Norbert Bisky.<\/em><\/p>\n<p><a href=\"http:\/\/www.flickr.com\/photos\/felixdeon\/3486252861\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/04\/deon.jpg\" alt=\"deon.jpg\" \/><\/a><\/p>\n<p><em>Mis Leches (2009) by Felix D&#8217;Eon.<\/em><\/p>\n<p><a href=\"http:\/\/www.johncoulthart.com\/pantechnicon\/fountain.html\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2011\/10\/fountain.jpg\" alt=\"fountain.jpg\" \/><\/a><\/p>\n<p><em>Fountain (2011) by John Coulthart.<\/em><\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/02\/wildboys1-big.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2014\/02\/wildboys1.jpg\" alt=\"wildboys1.jpg\" \/><\/a><\/p>\n<p><em>Wild Boys (2014) by John Coulthart.<\/em><\/p>\n<p>Mention should perhaps be made of the photographs of Jeff Koons with ex-wife Ilona Staller but I didn&#8217;t include those here since they&#8217;re no different t0 the millions of images you&#8217;ll find on any porn site. Finally, for those desperate to explore the subject further, there&#8217;s Murat Aydemir&#8217;s academic text, <a href=\"http:\/\/www.upress.umn.edu\/Books\/A\/aydemir_images.html\" target=\"_blank\" rel=\"noopener\"><em>Images of Bliss: Ejaculation, Masculinity, Meaning<\/em><\/a>.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-gay-artists-archive\/\">The gay artists archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/16\/michael-petrys-flag\/\">Michael Petry&#8217;s flag<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/05\/10\/super-objects\/\">Super-objects! <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>left: Sperman (2007) by Cary Kwok; right: Here Cums the Spider (2007) by Cary Kwok. NSFW, as if you need to be told. It&#8217;s almost a commonplace of contemporary art that there are so many artists around today, producing such a volume of work, that any newcomer (as it were) has to find a niche &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/29\/the-art-of-ejaculation\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The art of ejaculation&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,30,9,5,44,12,41],"tags":[1592,2009,11995,2940,378,298,2942,2280,2941,2945,2944,2943],"class_list":["post-1808","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-comics","category-gay","category-painting","category-photography","category-sculpture","tag-alfred-kubin","tag-andres-serrano","tag-angel-mendez","tag-cary-kwok","tag-felix-deon","tag-franz-von-bayros","tag-george-grosz","tag-leonardo-da-vinci","tag-michael-petry","tag-murat-aydemir","tag-norbert-bisky","tag-takashi-murakami"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-ta","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/1808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=1808"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/1808\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=1808"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=1808"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=1808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}