{"id":18077,"date":"2016-10-30T01:49:25","date_gmt":"2016-10-30T00:49:25","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18077"},"modified":"2016-10-30T01:55:34","modified_gmt":"2016-10-30T00:55:34","slug":"weekend-links-333","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/10\/30\/weekend-links-333\/","title":{"rendered":"Weekend links 333"},"content":{"rendered":"

\"timeout.jpg\"<\/a><\/p>\n

Time Out (London), no. 2403. No illustrator or designer credited.<\/em><\/p>\n

\u2022 October isn’t all about the dark, there’s also psychedelia: Ned Raggett<\/a> reviews a new collection of British psych, Let\u2019s Go Down And Blow Our Minds: The British Psychedelic Sounds of 1967<\/em>, while Floodgate Companion<\/em>, a forthcoming collection of art by Robert Beatty, is previewed here<\/a>.<\/p>\n

\u2022 Mixes of the week (aside from my own, of course):\u00a0Samhain Seance 5: Invasion of the Robot Witch by The Ephemeral Man<\/a>, Thee Finders Kreepers Halloween Spezial<\/a>, and Secret Thirteen Mix 199 by Blue Hour<\/a>.<\/p>\n

\u2022 “No diggin’ ‘ere!” Adam Scovell<\/a> revisits the ghostly locations of the BBC’s A Warning to the Curious<\/em>, and presents a short film based on the same.<\/p>\n

\u2022 Stanley Kubrick’s film of The Shining<\/em> has lost its shine through endless quotation and over-familiarity, says Anne Billson<\/a>. Hard to disagree.<\/p>\n

\u2022 Between Ballard’s Ears<\/a>: in which two short stories by JG Ballard\u2014Track 12<\/em> and Venus Smiles<\/em>\u2014are dramatised in binaural sound.<\/p>\n

\u2022 John Carpenter<\/a> talks to Adam Woodward about remakes, his love of early synthesisers and why nostalgia works in mysterious ways.<\/p>\n

\u2022 Next month at the British Library: Brion Gysin: A Centennial Invocation<\/a> with Alan Moore, Iain Sinclair, Barry Miles and others.<\/p>\n

\u2022 Peter Bebergal<\/a> on the Fraternity of the Rosy Cross, “a shadowy medieval brotherhood that probably didn’t exist”.<\/p>\n

\u2022 Until The Hunter<\/em>, a new album by Hope Sandoval and The Warm Inventions, is streaming here<\/a>.<\/p>\n

\u2022 San Fran-disco: Geeta Dayal<\/a> on how Patrick Cowley and Sylvester changed dance music forever.<\/p>\n

\u2022 A small portion of Bill Laswell<\/a>‘s vast back catalogue is now on Bandcamp.<\/p>\n

\u2022 At MetaFilter: The strange history of books bound in human skin<\/a>.<\/p>\n

\u2022 Italian composer Fabio Frizzi<\/a> remembers 50 years of cult horror.<\/p>\n

\u2022 Matthew Cheney<\/a> on the strange horrors of Robert Aickman.<\/p>\n

\u2022 J\u00f3hann J\u00f3hannsson\u2019s favourite records<\/a><\/p>\n

\u2022 Dark Start<\/a><\/em> (1995) by\u00a0ELpH vs Coil | Darkstalker<\/a><\/em> (2000) by Bohren & Der Club Of Gore | Dark<\/a><\/em> (2012) by Moritz Von Oswald Trio<\/p>\n","protected":false},"excerpt":{"rendered":"

Time Out (London), no. 2403. No illustrator or designer credited. \u2022 October isn’t all about the dark, there’s also psychedelia: Ned Raggett reviews a new collection of British psych, Let\u2019s Go Down And Blow Our Minds: The British Psychedelic Sounds of 1967, while Floodgate Companion, a forthcoming collection of art by Robert Beatty, is previewed … Continue reading “Weekend links 333”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,29,7,5,22,3,16,17,20,19],"tags":[7444,8539,103,4179,5674,466,8538,2028,968,2272,8322,6023,5150,1393,553,8540,218,137,7864,680,7338,7422,8542,773,5809,3697,1018,2947,4817,3040,668,8541,5321],"class_list":["post-18077","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-film","category-gay","category-horror","category-music","category-occult","category-psychedelia","category-science-fiction","category-television","tag-adam-scovell","tag-adam-woodward","tag-alan-moore","tag-anne-billson","tag-barry-miles","tag-bill-laswell","tag-blue-hour","tag-bohren-der-club-of-gore","tag-brion-gysin","tag-coil-group","tag-elph","tag-fabio-frizzi","tag-finders-keepers","tag-geeta-dayal","tag-hope-sandoval","tag-hope-sandoval-and-the-warm-inventions","tag-iain-sinclair","tag-jg-ballard","tag-johann-johannsson","tag-john-carpenter","tag-matthew-cheney","tag-moritz-von-oswald","tag-moritz-von-oswald-trio","tag-mr-james","tag-ned-raggett","tag-patrick-cowley","tag-peter-bebergal","tag-robert-aickman","tag-robert-beatty","tag-stanley-kubrick","tag-stephen-king","tag-sylvester","tag-the-ephemeral-man"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Hz","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18077","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18077"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18077\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18077"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18077"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}