{"id":18048,"date":"2016-10-02T01:11:46","date_gmt":"2016-10-02T00:11:46","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18048"},"modified":"2016-10-02T01:11:46","modified_gmt":"2016-10-02T00:11:46","slug":"weekend-links-329","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/10\/02\/weekend-links-329\/","title":{"rendered":"Weekend links 329"},"content":{"rendered":"<p><a href=\"https:\/\/posteritati.com\/poster\/14219\/the-immortal-story-1969-czech-a3-poster\" target=\"_blank\"><img decoding=\"async\" alt=\"vyletal.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/10\/vyletal.jpg\" \/><\/a><\/p>\n<p><em><a href=\"https:\/\/posteritati.com\/poster\/14219\/the-immortal-story-1969-czech-a3-poster\" target=\"_blank\">Josef Vyletal<\/a> borrows figures from Aubrey Beardsley&#8217;s Salom\u00e9 for a Czech poster promoting The Immortal Story (1969) by Orson Welles. Vyletal&#8217;s own paintings were often <a href=\"http:\/\/www.artnet.com\/artists\/josef-vyletal\/past-auction-results\" target=\"_blank\">strange and surreal<\/a>.<\/em><\/p>\n<p>\u2022 <em>Pale Fire<\/em> is Nabokov&#8217;s &#8220;great gay comic novel,&#8221; says <a href=\"http:\/\/www.the-tls.co.uk\/articles\/public\/80834\/\" target=\"_blank\">Edmund White<\/a>. A surprising but not inappropriate reappraisal. White has noted in the past that Nabokov &#8220;hated homosexuality&#8221; despite having a <a href=\"http:\/\/www.salon.com\/2000\/05\/17\/nabokov_5\/\" target=\"_blank\">gay brother<\/a> and uncle. The portrayal of Charles Kinbote in <em>Pale Fire<\/em> isn&#8217;t unsympathetic if you overlook his being delusional, and possibly insane&#8230;<\/p>\n<p>\u2022 At <a href=\"https:\/\/folkhorrorrevival.com\/2016\/09\/27\/the-first-years-folk-horror-revival-donations-to-the-wildlife-trust\/\" target=\"_blank\">Folk Horror Revival<\/a>: details of the charity donations raised by sales of the Folk Horror Revival books, <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/11\/23\/folk-horror-revival-field-studies\/\">the first of which<\/a> featured my David Rudkin essay. A one-day Folk Horror Revival event takes place later this month at the <a href=\"http:\/\/www.britishmuseum.org\/whats_on\/events_calendar\/event_detail.aspx?eventId=3173&amp;title=Otherworldly:%20a%20special%20event%20for%20Halloween&amp;eventType=Special%20event\" target=\"_blank\">British Museum<\/a>, London.<\/p>\n<p>\u2022 Mixes of the week: <a href=\"https:\/\/www.rbmaradio.com\/shows\/bug-presents-killing-sound\/episodes\/inner-space\" target=\"_blank\">The Bug<\/a> presents Killing Sound Chapter 2: Inner Space, a 2-hour blend of &#8220;sci-fi scores, expansive atmospheres and synthesized psychedelia&#8221;; Decoded Sundays presents <a href=\"http:\/\/www.decodedmagazine.com\/decoded-sundays-presents-scanner\/\" target=\"_blank\">Scanner<\/a>; Secret Thirteen Mix 197 is by <a href=\"http:\/\/secretthirteen.org\/lxv-anomia-music-mix\/\" target=\"_blank\">LXV<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.factmag.com\/2016\/09\/27\/stars-of-lid-unreleased-track-tour-dates\/\" target=\"_blank\">Stars Of The Lid<\/a> unveil a James Plotkin remix of their <em>Music For Twin Peaks Episode #30 Pt. 1<\/em>. Related: the hype for the new <em>Twin Peaks<\/em> series gets into gear with <a href=\"https:\/\/www.youtube.com\/watch?v=-kdgYzPIugg\" target=\"_blank\">a teaser<\/a>.<\/p>\n<p>\u2022 Robert Aickman&#8217;s only novel, <em>The Late Breakfasters<\/em> (1964), is being given its first US publication by <a href=\"http:\/\/www.valancourtbooks.com\/the-late-breakfasters.html\" target=\"_blank\">Valancourt Books<\/a>.<\/p>\n<p>\u2022 &#8220;Don&#8217;t dream it, bet it.&#8221; <a href=\"http:\/\/boingboing.net\/2016\/09\/30\/the-rocky-horror-picture-show.html\" target=\"_blank\">Evan J. Peterson<\/a> on 40 years of <em>The Rocky Horror Picture Show<\/em>.<\/p>\n<p>\u2022 Anna von Hausswolff&#8217;s sister, Maria, directs a video for <a href=\"https:\/\/www.youtube.com\/watch?v=q2vCXAcppi4\" target=\"_blank\"><em>Come Wander With Me \/ Deliverance<\/em><\/a>.<\/p>\n<p>\u2022 RIP <a href=\"http:\/\/www.bfi.org.uk\/news-opinion\/sight-sound-magazine\/comment\/obituaries\/michael-opray-obituary-umbrella-artists-film-video\" target=\"_blank\">Michael O&#8217;Pray<\/a>, film writer and curator of many festivals of experimental cinema.<\/p>\n<p>\u2022\u00a0<a href=\"http:\/\/www.factmag.com\/2016\/09\/26\/the-genius-of-don-buchla-suzanne-ciani-morton-subotnick-surgeon-alessandro-cortini\/\" target=\"_blank\">Oli Warwick<\/a> talks to electronic musicians about the influence of the late Don Buchla.<\/p>\n<p>\u2022 <em><a href=\"https:\/\/www.youtube.com\/watch?v=ixcpwHJKCh0\" target=\"_blank\">Breakfast In Bed<\/a><\/em> (1969) by Dusty Springfield | <em><a href=\"https:\/\/www.youtube.com\/watch?v=V9dK-r0htXI\" target=\"_blank\">Alan&#8217;s Psychedelic Breakfast<\/a> <\/em>(1970) by Pink Floyd | <em><a href=\"https:\/\/www.youtube.com\/watch?v=lRJd3cUB_8c\" target=\"_blank\">Another Breakfast With You<\/a><\/em> (2001) by Ladytron<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Josef Vyletal borrows figures from Aubrey Beardsley&#8217;s Salom\u00e9 for a Czech poster promoting The Immortal Story (1969) by Orson Welles. Vyletal&#8217;s own paintings were often strange and surreal. \u2022 Pale Fire is Nabokov&#8217;s &#8220;great gay comic novel,&#8221; says Edmund White. A surprising but not inappropriate reappraisal. White has noted in the past that Nabokov &#8220;hated &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/10\/02\/weekend-links-329\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 329&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,30,42,4,29,7,5,22,3,20,19],"tags":[7805,94,1114,3592,8502,901,1035,8496,8499,415,4210,8498,8501,513,5211,762,177,2947,123,8497,5595,6404,2021,8500,807],"class_list":["post-18048","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-books","category-design","category-electronica","category-film","category-gay","category-horror","category-music","category-science-fiction","category-television","tag-anna-von-hausswolff","tag-aubrey-beardsley","tag-david-rudkin","tag-don-buchla","tag-dusty-springfield","tag-edmund-white","tag-evan-j-peterson","tag-folk-horror-revival","tag-james-plotkin","tag-josef-vyletal","tag-ladytron","tag-lxv","tag-maria-von-hausswolff","tag-michael-opray","tag-oli-warwick","tag-orson-welles","tag-pink-floyd","tag-robert-aickman","tag-salome","tag-scanner-musician","tag-stars-of-the-lid","tag-the-bug-musician","tag-twin-peaks","tag-valancourt-books","tag-vladimir-nabokov"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4H6","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18048","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18048"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18048\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18048"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18048"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18048"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}