{"id":18040,"date":"2016-09-25T01:08:29","date_gmt":"2016-09-25T00:08:29","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=18040"},"modified":"2016-09-25T01:08:29","modified_gmt":"2016-09-25T00:08:29","slug":"weekend-links-328","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/09\/25\/weekend-links-328\/","title":{"rendered":"Weekend links 328"},"content":{"rendered":"

\"jamison.jpg\"<\/a><\/p>\n

Feathers and Weights (2016) by Susan Jamison<\/a>.<\/em><\/p>\n

\u2022 The latest release from A Year In The Country is No More Unto The Dance<\/em><\/a>, “a reflection of nightlife memories and the search for the perfect transportative electronic beat”.<\/p>\n

\u2022 Depero Futurista<\/em> (1927), the bolted book showcasing the artistic work of Fortunato Depero, returns in a facsimile edition<\/a>.<\/p>\n

\u2022 This week in the occult: Sam Kean<\/a> on 21st-century alchemists, and a second volume of The Occult Activity Book<\/em><\/a>.<\/p>\n

How could so many jazz critics have overlooked Davis\u2019s powerful trumpet playing on Bitches Brew<\/em>, and its continuities with his previous work? The reason for their bewilderment was, in large part, the brew, the music\u2019s muddy electric bottom, which bore no resemblance to the jazz they knew. Davis had never been a pure bopper, but his music had always made allusion, however oblique, to the grammar of Parker and Gillespie. On Bitches Brew<\/em>, Davis decisively broke with his roots in bop. As [George] Grella argues, building on the pivotal work of Greg Tate and Paul Tingen, the more revealing points of comparison were no longer to be found in jazz but in the psychedelic guitar of Jimi Hendrix, the warbled vocals of Sly Stone, and the bass lines of James Brown.<\/p>\n

Adam Shatz<\/a> on Miles Davis<\/em><\/p><\/blockquote>\n

\u2022 Daniel Wenger<\/a> on Bob Mizer, “the obsessive photographer behind America\u2019s first gay magazine”.<\/p>\n

\u2022 The Hauntings at Tankerton Park<\/em><\/a>, a book of words and very detailed drawings by Reggie Oliver.<\/p>\n

\u2022 A 40-minute performance by Pentangle<\/a> for Norwegian television in 1968.<\/p>\n

\u2022 Maisie Skidmore<\/a> on ten things you may not know about Ren\u00e9 Magritte.<\/p>\n

\u2022 Shirley Collins is the secret queen of England, says Nick Abrahams<\/a>.<\/p>\n

\u2022 Eighth Climate<\/a>: ethnographic recordings from the imaginal world.<\/p>\n

\u2022 Pasquale Iannone<\/a> on five ways to recognise a Pasolini film.<\/p>\n

\u2022 The greatest record sleeves, as chosen by the designers<\/a>.<\/p>\n

\u2022 Cosmic Horror<\/em><\/a>, new comics work by Ibrahim R. Ineke.<\/p>\n

\u2022 Mix of the week: FACT mix 569 by S U R V I V E<\/a>.<\/p>\n

\u2022 At Dennis Cooper’s: 47 unmade films<\/a>.<\/p>\n

\u2022 Cosmic Dancer<\/a><\/em> (1971) by T. Rex | Cosmic Slop<\/a><\/em> (1973) by Funkadelic | Cosmic Tango<\/a> <\/em>(1973) by Ash Ra Tempel<\/p>\n","protected":false},"excerpt":{"rendered":"

Feathers and Weights (2016) by Susan Jamison. \u2022 The latest release from A Year In The Country is No More Unto The Dance, “a reflection of nightlife memories and the search for the perfect transportative electronic beat”. \u2022 Depero Futurista (1927), the bolted book showcasing the artistic work of Fortunato Depero, returns in a facsimile … Continue reading “Weekend links 328”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,42,9,4,29,7,5,3,16,12,41,18,19],"tags":[6350,8482,4660,5345,8483,3109,8486,8068,1470,1462,6653,8484,1515,8485,8487,7148,2953,1493,8489,115,8488,8481,5350,8480,4530],"class_list":["post-18040","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-comics","category-design","category-electronica","category-film","category-gay","category-music","category-occult","category-photography","category-sculpture","category-surrealism","category-television","tag-a-year-in-the-country","tag-adam-shatz","tag-ash-ra-tempel","tag-bob-mizer","tag-daniel-wenger","tag-dennis-cooper","tag-eighth-climate","tag-fortunato-depero","tag-funkadelic","tag-greg-tate","tag-ibrahim-r-ineke","tag-maisie-skidmore","tag-miles-davis","tag-nick-abrahams","tag-pasquale-iannone","tag-pentangle","tag-pentangle-group","tag-pier-paolo-pasolini","tag-reggie-oliver","tag-magritte","tag-s-u-r-v-i-v-e","tag-sam-kean","tag-shirley-collins","tag-susan-jamison","tag-t-rex"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4GY","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18040","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=18040"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/18040\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=18040"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=18040"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=18040"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}