{"id":17998,"date":"2016-08-28T01:03:14","date_gmt":"2016-08-28T00:03:14","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17998"},"modified":"2016-08-28T01:03:14","modified_gmt":"2016-08-28T00:03:14","slug":"weekend-links-324","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/08\/28\/weekend-links-324\/","title":{"rendered":"Weekend links 324"},"content":{"rendered":"<p><a href=\"http:\/\/www.dirgemag.com\/depraved-brutality-aleksandra-waliszewska\/\" target=\"_blank\"><img decoding=\"async\" alt=\"waliszewska.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/08\/waliszewska.jpg\" \/><\/a><\/p>\n<p><em>Untitled painting by Aleksandra Waliszewska. The artist is profiled by S. Elizabeth at <a href=\"http:\/\/www.dirgemag.com\/depraved-brutality-aleksandra-waliszewska\/\" target=\"_blank\">Dirge Magazine<\/a>.<\/em><\/p>\n<p>\u2022 &#8220;&#8230;from my point of view, the only thing to do with any genre, any medium, is pretty much to break it, to transcend it, to find out what its limits are, and then go beyond them, and see what happens.&#8221; <a href=\"http:\/\/www.publishersweekly.com\/pw\/by-topic\/authors\/profiles\/article\/71329-no-alan-moore-isn-t-a-recluse.html\" target=\"_blank\">Alan Moore<\/a> (again) talking to Heidi MacDonald about his novel, <em>Jerusalem<\/em>, which is out next month.<\/p>\n<p>\u2022 A Monument to Outlast Humanity: <a href=\"http:\/\/www.newyorker.com\/magazine\/2016\/08\/29\/michael-heizers-city\" target=\"_blank\">Dana Goodyear<\/a> gets the reclusive Michael Heizer to talk about his decade-spanning sculptural project, <em>City<\/em>, work on which is almost finished.<\/p>\n<p>\u2022 <a href=\"http:\/\/realitystudio.org\/bibliographic-bunker\/burroughs-and-beats-in-mens-magazines\/william-burroughs-appearances-in-adult-mens-magazines\/\" target=\"_blank\">William Burroughs&#8217; appearances in adult men\u2019s magazines<\/a>: a catalogue which includes some downloads of uncollected Burroughs essays and other writings.<\/p>\n<p>\u2022 Mixes of the week: Homegirls &amp; Handgrenades Mix by <a href=\"http:\/\/www.thewire.co.uk\/audio\/tracks\/listen-to-exclusive-moor-mother-mix\" target=\"_blank\">Moor Mother<\/a>, Secret Thirteen Mix 194 by <a href=\"http:\/\/secretthirteen.org\/kareem-zhark-music-mix\/\" target=\"_blank\">Kareem<\/a>, and hieroglyphics #014 by <a href=\"https:\/\/www.mixcloud.com\/templesofficial\/temples-hieroglyphics-014\/\" target=\"_blank\">Temples<\/a>.<\/p>\n<p>\u2022 <em><a href=\"http:\/\/houseofmythology.com\/releases\/view\/the-stargazer\u2019s-assistant-\u2013-remoteness-of-light\" target=\"_blank\">Remoteness of Light<\/a><\/em> is a new album by The Stargazer\u2019s Assistant inspired by the depths of the oceans and the vastness of space.<\/p>\n<p>\u2022 RIP <a href=\"http:\/\/www.gillismyth.com\/gillismyth\/index.html\" target=\"_blank\">Gilli Smyth<\/a>. &#8220;The silliness ran deep in Gong, but they could groove like mothers, too,&#8221; says <a href=\"https:\/\/www.theguardian.com\/music\/musicblog\/2016\/aug\/25\/gong-music-gilli-smyth-daevid-allen-appreciation\" target=\"_blank\">Joe Muggs<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.docubyte.co.uk\/projects\/guide-to-computing\/#.V8GyQihZupW\" target=\"_blank\">Guide to Computing<\/a>: historic computers presented by James Ball as though they were new machines.<\/p>\n<p>\u2022 &#8220;Oscar Wilde\u2019s <em>De Profundis<\/em> is one of the greatest love letters ever written,&#8221; says <a href=\"https:\/\/www.theguardian.com\/books\/2016\/aug\/26\/oscar-wilde-de-profundis-greatest-love-letter\" target=\"_blank\">Colm T\u00f3ib\u00edn<\/a>.<\/p>\n<p>\u2022 &#8220;Will You Dance With Me?&#8221; <a href=\"http:\/\/www.hollywoodreporter.com\/review\/will-you-dance-with-me-922569\" target=\"_blank\">Derek Jarman<\/a> films dancers in a gay club in 1984.<\/p>\n<p>\u2022 Snapshots from an editor: <a href=\"http:\/\/www.lambdaliterary.org\/features\/oped\/08\/24\/snapshots-from-an-editor-working-with-edmund-white\/\" target=\"_blank\">Donald Weise<\/a> on working with Edmund White.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=aaQTOiNyM68\" target=\"_blank\"><em>Stupid<\/em><\/a> by Wrangler (Stephen Mallinder, Phil Winter and Benge).<\/p>\n<p>\u2022 <a href=\"https:\/\/airtightinteractive.com\/demos\/js\/ruttetra\/\" target=\"_blank\">The Rutt-Etra-Izer<\/a><\/p>\n<p>\u2022 <em><a href=\"https:\/\/www.youtube.com\/watch?v=fHmnljWSENw\" target=\"_blank\">Dynamite\/I Am Your Animal<\/a><\/em> (1971) by Gong | <em><a href=\"https:\/\/www.youtube.com\/watch?v=AD9FIyhMEO8\" target=\"_blank\">Witch&#8217;s Song\/I Am Your Pussy<\/a><\/em> (1973) by Gong | <em><a href=\"https:\/\/www.youtube.com\/watch?v=LaNJxrEDp38\" target=\"_blank\">Prostitute Poem<\/a><\/em> (1973) by Gong<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Untitled painting by Aleksandra Waliszewska. The artist is profiled by S. Elizabeth at Dirge Magazine. \u2022 &#8220;&#8230;from my point of view, the only thing to do with any genre, any medium, is pretty much to break it, to transcend it, to find out what its limits are, and then go beyond them, and see what &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/08\/28\/weekend-links-324\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 324&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,28,29,7,5,22,43,3,44,12,41,15],"tags":[103,6344,2420,3401,8421,511,7740,8427,901,8425,7100,8368,8426,5414,8423,2660,8422,116,8429,1852,3069,5893,8424,1190,8428],"class_list":["post-17998","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-burroughs","category-electronica","category-film","category-gay","category-horror","category-magazines","category-music","category-painting","category-photography","category-sculpture","category-technology","tag-alan-moore","tag-aleksandra-waliszewska","tag-benge","tag-colm-toibin","tag-dana-goodyear","tag-derek-jarman","tag-dirge-magazine","tag-donald-weise","tag-edmund-white","tag-gilli-smyth","tag-gong-group","tag-heidi-macdonald","tag-james-ball","tag-joe-muggs","tag-kareem-musician","tag-michael-heizer","tag-moor-mother","tag-oscar-wilde","tag-phil-winter","tag-s-elizabeth","tag-stephen-mallinder","tag-temples-group","tag-the-stargazers-assistant","tag-william-burroughs","tag-wrangler-group"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Gi","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17998","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17998"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17998\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}