{"id":17992,"date":"2016-08-21T01:02:46","date_gmt":"2016-08-21T00:02:46","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17992"},"modified":"2016-08-21T01:02:46","modified_gmt":"2016-08-21T00:02:46","slug":"weekend-links-323","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/08\/21\/weekend-links-323\/","title":{"rendered":"Weekend links 323"},"content":{"rendered":"<p><a href=\"http:\/\/i.imgur.com\/XypeSfu.png\" target=\"_blank\"><img decoding=\"async\" alt=\"taylor.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/08\/taylor.jpg\" \/><\/a><\/p>\n<p><em>Mescaline Woods (1969) by Gage Taylor.<\/em><\/p>\n<p>\u2022 The soundtrack to <em>The Man Who Fell to Earth<\/em> will be released for the first time next month in a double-disc set (CD &amp; vinyl). This isn&#8217;t, as some people have hoped, David Bowie&#8217;s unheard music for the film, but a collection of the pre-existing songs and other pieces, plus the original compositions by John Phillips. <a href=\"http:\/\/consequenceofsound.net\/2016\/08\/david-bowies-soundtrack-to-the-man-who-fell-to-earth-to-finally-be-released\/\" target=\"_blank\">Consequence of Sound<\/a> has a track list.<\/p>\n<p>\u2022 At Scream Addicts: <a href=\"http:\/\/www.screamaddicts.com\/the-haunting-with-writer-joe-r-lansdale\/\" target=\"_blank\">Joe R. Lansdale<\/a> talks about the only film adaptation of Shirley Jackson&#8217;s <em>The Haunting of Hill House<\/em> that you need to see: the 1963 version directed by Robert Wise.<\/p>\n<p>\u2022 The new wave of new age: How music\u2019s most maligned genre finally became cool by <a href=\"http:\/\/www.factmag.com\/2016\/08\/16\/new-age-matthewdavid-deadboy-sam-kidel\/\" target=\"_blank\">Adam Bychawski<\/a>.<\/p>\n<p>\u2022 Transmissions From The Abyss: Dark ambient music for the perfect headspace by <a href=\"http:\/\/www.dirgemag.com\/transmissions-abyss-dark-ambient-music\/\" target=\"_blank\">S. Elizabeth<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.theguardian.com\/artanddesign\/2016\/aug\/19\/art-aids-america-review-bronx-museum-gay-artists\" target=\"_blank\">Jason Farrago<\/a> reviews <em>Art Aids America<\/em>, an exhibition at the <a href=\"http:\/\/www.bronxmuseum.org\/exhibitions\/art-aids-america\" target=\"_blank\">Bronx Museum<\/a>, New York.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.stalk.net\/paradigm\/pd31.html\" target=\"_blank\"><em>Curse Go Back<\/em><\/a>: a limited reissue of tape experiments by William Burroughs.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.bfi.org.uk\/news-opinion\/news-bfi\/features\/notorious-70th-anniversary\" target=\"_blank\">Samuel Wigley<\/a> on <em>Notorious<\/em> at 70: toasting Hitchcock&#8217;s dark masterpiece.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=EEzfrRtuT0U\" target=\"_blank\">Toyah Willcox<\/a> remembers working with Derek Jarman on <em>The Tempest<\/em>.<\/p>\n<p>\u2022 &#8220;Why are musicians so obsessed with David Lynch?&#8221; asks <a href=\"http:\/\/www.dazeddigital.com\/music\/article\/32415\/1\/why-do-musicians-keep-going-back-to-david-lynch-s-music\" target=\"_blank\">Selim Bulut<\/a>.<\/p>\n<p>\u2022 Read the original 32-page programme for <a href=\"http:\/\/www.openculture.com\/2016\/08\/read-the-original-32-page-program-for-fritz-langs-metropolis-1927.html\" target=\"_blank\">Fritz Lang&#8217;s <em>Metropolis<\/em><\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.bfi.org.uk\/news-opinion\/news-bfi\/lists\/oliver-reed-10-essential-films\" target=\"_blank\">David Parkinson<\/a> chooses 10 essential films starring Oliver Reed.<\/p>\n<p>\u2022 Mixes of the week: <a href=\"http:\/\/soundsofthedawn.com\/category\/nts-radio\/\" target=\"_blank\">The Sounds of the Dawn NTS radio shows<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/hyperallergic.com\/304132\/keith-haring-envisions-manhattan-as-a-kingdom-of-penises\/\" target=\"_blank\">Keith Haring<\/a> envisions Manhattan as a kingdom of penises.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.vulture.com\/2016\/08\/massive-attacks-blue-lines-keeps-making-sense.html\" target=\"_blank\">Frank Guan<\/a> on Massive Attack&#8217;s <em>Blue Lines<\/em>, 25 years on.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=-fa2ZKzfIP0\" target=\"_blank\"><em>Honky Tonk Pts 1 &amp; 2<\/em><\/a> (1956) by Bill Doggett | <a href=\"https:\/\/www.youtube.com\/watch?v=I6lYDZ8xGVY\" target=\"_blank\"><em>I&#8217;ve Told Every Little Star<\/em><\/a> (1961) by Linda Scott | <a href=\"https:\/\/www.youtube.com\/watch?v=aepBpZ3kXek\" target=\"_blank\"><em>I&#8217;m Deranged<\/em><\/a> (1995) by David Bowie<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mescaline Woods (1969) by Gage Taylor. \u2022 The soundtrack to The Man Who Fell to Earth will be released for the first time next month in a double-disc set (CD &amp; vinyl). This isn&#8217;t, as some people have hoped, David Bowie&#8217;s unheard music for the film, but a collection of the pre-existing songs and other &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/08\/21\/weekend-links-323\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 323&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,7,5,22,3,44,20],"tags":[6523,416,209,8417,1301,265,8415,511,8416,385,8419,8412,1760,8411,3666,8418,812,3267,8393,3175,1852,8413,8414,666,4317,1824,1190],"class_list":["post-17992","post","type-post","status-publish","format-standard","hentry","category-art","category-film","category-gay","category-horror","category-music","category-painting","category-science-fiction","tag-adam-bychawski","tag-alfred-hitchcock","tag-ambient-music","tag-bill-doggett","tag-david-bowie","tag-david-lynch","tag-david-parkinson","tag-derek-jarman","tag-frank-guan","tag-fritz-lang","tag-gage-taylor","tag-jason-farrago","tag-joe-r-lansdale","tag-john-phillips","tag-keith-haring","tag-linda-scott","tag-massive-attack","tag-metropolis-film","tag-oliver-reed","tag-robert-wise","tag-s-elizabeth","tag-samuel-wigley","tag-selim-bulut","tag-shirley-jackson","tag-the-man-who-fell-to-earth","tag-toyah-willcox","tag-william-burroughs"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Gc","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17992","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17992"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17992\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17992"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17992"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}