{"id":17980,"date":"2016-08-14T01:05:10","date_gmt":"2016-08-14T00:05:10","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17980"},"modified":"2016-08-14T01:05:10","modified_gmt":"2016-08-14T00:05:10","slug":"weekend-links-322","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/08\/14\/weekend-links-322\/","title":{"rendered":"Weekend links 322"},"content":{"rendered":"

\"quays.jpg\"<\/p>\n

\u2022 Cover art by the Quays for Inner Sanctums\u2014Quay Brothers: The Collected Animated Films 1979\u20132013<\/em>, a Blu-ray collection which will be released by the BFI next month. Being something of an obsessive where the Quays are concerned I have a lot of this material already (some of the films in multiple copies), but I’ve been hankering for a BR collection for some time. The new set will include everything that’s on the BFI’s DVD collection plus more recent films, some of which have been the subject of previous { feuilleton } posts.<\/p>\n

\u2022 Aubrey Beardsley: “The subjects were quite mad and a little indecent. Strange hermaphroditic creatures wandering about in Pierrot costumes or modern dress; quite a new world of my own creation.” Alan Hollinghurst<\/a> reviews the catalogue raisonn\u00e9<\/em> of Beardsley’s work.<\/p>\n

\u2022 How to find the spirit of HP Lovecraft<\/a> in Providence. Related: there’s now a funding page<\/a> for the statue of Lovecraft by Gage Prentiss being proposed for downtown Providence. Read about it here<\/a>.<\/p>\n

\u2022 At The Quietus: Robert Barry<\/a> on KPM and the history of library music, and James De Carteret<\/a> on Mike Hodges’ underrated The Terminal Man<\/em> (1974).<\/p>\n

\u2022 Michael Newton<\/a> reviews Erica Wagner\u2019s First Light<\/em>, “a festschrift<\/em> of essays, reminiscences, poems and stories dedicated to Alan Garner and his work”.<\/p>\n

\u2022 Cosey Fanni Tutti<\/a>‘s forthcoming memoir Art Sex Music<\/em> should prove more interesting than some of the recent music business autobiographies.<\/p>\n

\u2022 Mixes of the week: A New Age mix by Matthewdavid<\/a>, FACT mix 563 by Deerhoof<\/a>, and Secret Thirteen Mix 193 by Nite Fields<\/a>.<\/p>\n

\u2022 Underground music, echoes of war<\/a>: using the vast Inchindown storage chamber for its resonant properties.<\/p>\n

\u2022 Totally Lost<\/a>: a photographic and video exploration of abandoned European totalitarian architecture.<\/p>\n

\u2022 More animation: Nonsense, Cartoons, and My Post-Soviet Adolescence by Nar\u00e9 Navasardyan<\/a>.<\/p>\n

\u2022 Annie Rose<\/a> on the allure of the predatory lesbian vampire in film.<\/p>\n

\u2022 “Let\u2019s write an encyclopedia of things blue,” says Bernd Brunner<\/a>.<\/p>\n

\u2022 Ferrets can be gods: Katherine Rundell<\/a> on the inimitable Saki.<\/p>\n

\u2022 The Mystery of Hieronymus Bosch by Ingrid D. Rowland<\/a>.<\/p>\n

\u2022 iO-808<\/a>: A TR-808 drum machine for browsers.<\/p>\n

\u2022 A Good Book<\/a><\/p>\n

\u2022 Terminal Hotel<\/a><\/em> (1981) by Synergy | Sataan Is Real<\/a><\/em> (1992) by Terminal Cheesecake | Terminal<\/a> <\/em>(1999) by Monolake<\/p>\n","protected":false},"excerpt":{"rendered":"

\u2022 Cover art by the Quays for Inner Sanctums\u2014Quay Brothers: The Collected Animated Films 1979\u20132013, a Blu-ray collection which will be released by the BFI next month. Being something of an obsessive where the Quays are concerned I have a lot of this material already (some of the films in multiple copies), but I’ve been … Continue reading “Weekend links 322”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,8,2,50,42,4,29,7,5,22,3,20,41,15],"tags":[634,8398,8405,94,8406,3517,399,1986,8402,8400,7565,69,1687,8407,8399,7204,8401,4207,5159,880,8404,8403,1607,133,7648,8408,2439,3590],"class_list":["post-17980","post","type-post","status-publish","format-standard","hentry","category-animation","category-architecture","category-art","category-beardsley","category-books","category-design","category-electronica","category-film","category-gay","category-horror","category-music","category-science-fiction","category-sculpture","category-technology","tag-alan-garner","tag-alan-hollinghurst","tag-annie-rose","tag-aubrey-beardsley","tag-bernd-brunner","tag-bfi","tag-brothers-quay","tag-cosey-fanni-tutti","tag-deerhoof","tag-erica-wagner","tag-gage-prentiss","tag-hieronymus-bosch","tag-hp-lovecraft","tag-ingrid-d-rowland","tag-james-de-carteret","tag-katherine-rundell","tag-matthewdavid","tag-michael-newton","tag-mike-hodges","tag-monolake","tag-nare-navasardyan","tag-nite-fields","tag-robert-barry","tag-saki","tag-synergy-group","tag-terminal-cheesecake","tag-the-quietus","tag-tr-808"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4G0","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17980","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17980"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17980\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17980"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17980"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}