{"id":17966,"date":"2016-07-31T01:06:53","date_gmt":"2016-07-31T00:06:53","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17966"},"modified":"2016-07-31T01:06:53","modified_gmt":"2016-07-31T00:06:53","slug":"weekend-links-320","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/07\/31\/weekend-links-320\/","title":{"rendered":"Weekend links 320"},"content":{"rendered":"<p><a href=\"https:\/\/www.behance.net\/gallery\/40330515\/Monoliths\" target=\"_blank\"><img decoding=\"async\" alt=\"liefhebber.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/07\/liefhebber.jpg\" \/><\/a><\/p>\n<p><em>Palm Night (2016) by <a href=\"https:\/\/www.behance.net\/gallery\/40330515\/Monoliths\" target=\"_blank\">Nick Liefhebber<\/a>.<\/em><\/p>\n<p>\u2022 &#8220;Gortner includes reference to the little known Hollywood &#8216;sewing circles&#8217; (code word for lesbian communities) of which Marlene became a part. This group included Ann Warner, Lili Damita, Claudette Colbert, and Dolores del R\u00edo.&#8221; <a href=\"http:\/\/www.lambdaliterary.org\/reviews\/fiction\/07\/27\/marlene-by-c-w-gortner\/\" target=\"_blank\">Walter Holland<\/a> reviewing <em>Marlene<\/em>, a &#8220;novelization&#8221; of the life of Marlene Dietrich by CW Gortner.<\/p>\n<p>\u2022 &#8220;Challenges and all, <em>Jerusalem<\/em> ensures Moore\u2019s place as one of the great masters of the English language.&#8221; <a href=\"http:\/\/www.publishersweekly.com\/978-1-63149-134-4\" target=\"_blank\">Heidi MacDonald<\/a> reviewing Alan Moore&#8217;s forthcoming novel. Photos of the <a href=\"https:\/\/www.facebook.com\/OfficialAlanMoore\/posts\/1392105140804551\" target=\"_blank\">slipcased paperback edition<\/a> (a 3-volume set) appeared last week.<\/p>\n<p>\u2022 &#8220;It\u2019s unlikely that a gnawing sense of being unborn tops the neuroses of most writers these days, but I\u2019d argue that Beckett\u2019s Jungian insight is more commonly known today as anxiety.&#8221; <a href=\"http:\/\/www.themillions.com\/2016\/07\/writer-not-nihilism-writing-life.html\" target=\"_blank\">Robert Fay<\/a> on nihilism and the writing life.<\/p>\n<p>\u2022 &#8220;So why would I be &#8216;great for this cover&#8217;? Good chance it\u2019s because the book is aimed at a female audience and I am a female designer.&#8221; <a href=\"http:\/\/lithub.com\/on-gendered-book-covers-and-being-a-woman-designer\/\" target=\"_blank\">Jennifer Heuer<\/a> on gendered book covers and being a woman designer.<\/p>\n<p>\u2022 Mixes of the week: FACT mix 562 by <a href=\"http:\/\/www.factmag.com\/2016\/07\/25\/m-geddes-gengras-mix\/\" target=\"_blank\">M. Geddes Gengras<\/a>, Secret Thirteen Mix 191 by <a href=\"http:\/\/secretthirteen.org\/monica-hits-the-ground-horizontal-ground\/\" target=\"_blank\">Monica Hits The Ground<\/a>, and a mix by <a href=\"https:\/\/www.xlr8r.com\/news\/2016\/07\/download-a-new-mix-from-daniel-miller\/\" target=\"_blank\">Daniel Miller<\/a>.<\/p>\n<p>\u2022 Strange Flesh: The Use of Lovecraftian Archetypes in Queer Fiction, an ongoing series by The Punk Writer: <a href=\"https:\/\/burnttongueblog.wordpress.com\/2016\/07\/08\/strangefleshintro\/\" target=\"_blank\">part 1<\/a> | <a href=\"https:\/\/burnttongueblog.wordpress.com\/2016\/07\/15\/strange-flesh-the-use-of-lovecraftian-archetypes-in-queer-fiction-lovecraft-and-sex\/\" target=\"_blank\">part 2<\/a> | <a href=\"https:\/\/burnttongueblog.wordpress.com\/2016\/07\/22\/strange-flesh-the-use-of-lovecraftian-archetypes-in-queer-fiction-the-shadow-over-innsmouth-1931\/\" target=\"_blank\">part 3<\/a> | <a href=\"https:\/\/burnttongueblog.wordpress.com\/2016\/07\/29\/strange-flesh-the-use-of-lovecraftian-archetypes-in-queer-fiction-mysterium-tremendum-2010\/\" target=\"_blank\">part 4<\/a>.<\/p>\n<p>\u2022 &#8220;For the Sake of the Prospect&#8221;: <a href=\"http:\/\/publicdomainreview.org\/2016\/07\/20\/for-the-sake-of-the-prospect-experiencing-the-world-from-above-in-the-late-18th-century\/\" target=\"_blank\">Lily Ford<\/a> on the ways in which balloon flight transformed ideas about landscape in the 18th century.<\/p>\n<p>\u2022 &#8220;Why did Google erase Dennis Cooper&#8217;s beloved literary blog?&#8221; asks <a href=\"http:\/\/www.newyorker.com\/culture\/culture-desk\/why-did-google-erase-dennis-coopers-beloved-literary-blog\" target=\"_blank\">Jennifer Krasinski<\/a>.<\/p>\n<p>\u2022 From Leeds to London: portraits of English cities in the 1970s by <a href=\"https:\/\/www.theguardian.com\/cities\/gallery\/2016\/jul\/28\/fading-england-1970s-snapshot-people-and-places-in-pictures\" target=\"_blank\">Peter Mitchell<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.blumhouse.com\/2016\/07\/25\/phantasm-is-dune\/\" target=\"_blank\"><em>Phantasm<\/em> is <em>Dune<\/em><\/a><\/p>\n<p>\u2022 RIP <a href=\"http:\/\/www.madmagazine.com\/blog\/2016\/07\/27\/mad-remembers-jack-davis-artist\" target=\"_blank\">Jack Davis<\/a><\/p>\n<p>\u2022 <em><a href=\"https:\/\/www.youtube.com\/watch?v=KxBkmMOh0Uc\" target=\"_blank\">Palm Grease<\/a><\/em> (live, 1974) by\u00a0Herbie Hancock &amp; The Headhunters | <em><a href=\"https:\/\/www.youtube.com\/watch?v=KWn50lu0Dj0\" target=\"_blank\">Phantasm<\/a><\/em> (1994) by Biosphere | <em><a href=\"https:\/\/www.youtube.com\/watch?v=J8MBOAGpKEY\" target=\"_blank\">Fizzy Flesh<\/a><\/em> (1996) by Spacer<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Palm Night (2016) by Nick Liefhebber. \u2022 &#8220;Gortner includes reference to the little known Hollywood &#8216;sewing circles&#8217; (code word for lesbian communities) of which Marlene became a part. This group included Ann Warner, Lili Damita, Claudette Colbert, and Dolores del R\u00edo.&#8221; Walter Holland reviewing Marlene, a &#8220;novelization&#8221; of the life of Marlene Dietrich by CW &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/07\/31\/weekend-links-320\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 320&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[8,2,42,9,4,29,7,5,22,26,3,12,14,20,13],"tags":[103,883,8367,2541,3109,8368,3252,8376,8370,8374,8373,7268,8366,8371,8365,8375,8369,410,8377,4180,8372,8177],"class_list":["post-17966","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-comics","category-design","category-electronica","category-film","category-gay","category-horror","category-lovecraft","category-music","category-photography","category-politics","category-science-fiction","category-science","tag-alan-moore","tag-biosphere-musician","tag-cw-gortner","tag-daniel-miller","tag-dennis-cooper","tag-heidi-macdonald","tag-herbie-hancock","tag-jack-davis","tag-jennifer-heuer","tag-jennifer-krasinski","tag-lily-ford","tag-m-geddes-gengras","tag-marlene-dietrich","tag-monica-hits-the-ground","tag-nick-liefhebber","tag-peter-mitchell","tag-robert-fay","tag-samuel-beckett","tag-spacer","tag-the-headhunters","tag-the-punk-writer","tag-walter-holland"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4FM","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17966","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17966"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17966\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17966"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17966"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}