{"id":17954,"date":"2016-07-17T01:02:56","date_gmt":"2016-07-17T00:02:56","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17954"},"modified":"2016-07-17T01:04:36","modified_gmt":"2016-07-17T00:04:36","slug":"weekend-links-318","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/07\/17\/weekend-links-318\/","title":{"rendered":"Weekend links 318"},"content":{"rendered":"<p><a href=\"http:\/\/www.alice-wellinger.com\/The-meaning-of-life\" target=\"_blank\"><img decoding=\"async\" alt=\"wellinger.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/07\/wellinger.jpg\" \/><\/a><\/p>\n<p><em>The Meaning of Life by <a href=\"http:\/\/www.alice-wellinger.com\/\" target=\"_blank\">Alice Wellinger<\/a>.<\/em><\/p>\n<p>\u2022 A Kickstarter for <a href=\"https:\/\/www.kickstarter.com\/projects\/253164519\/a-hidden-landscape-once-a-week-an-anthology\" target=\"_blank\"><em>A Hidden Landscape Once A Week<\/em><\/a> edited by Mark Sinker: &#8220;How UK music-writing became a space for unruly curiosity, in the words of those who made it happen&#8221;.<\/p>\n<p>\u2022 RIP <a href=\"http:\/\/www.rollingstone.com\/music\/news\/steve-young-of-m-a-r-r-s-pump-up-the-volume-fame-dead-20160713\" target=\"_blank\">Steven Young<\/a>, one of the musicians in a cult group of mine, <a href=\"https:\/\/www.discogs.com\/artist\/13531-Colourbox\" target=\"_blank\">Colourbox<\/a>, and the &#8220;S&#8221; in M|A|R|R|S, creators of <a href=\"http:\/\/www.rollingstone.com\/music\/features\/how-m-a-r-r-s-pump-up-the-volume-became-dance-musics-first-pop-hit-20160714\" target=\"_blank\"><em>Pump Up The Volume<\/em><\/a> in 1987.<\/p>\n<p>\u2022 At Greydogtales: <a href=\"http:\/\/greydogtales.com\/blog\/?p=2434\" target=\"_blank\"><em>The Pale Brown Thing<\/em> &amp; A Dose of De Quincy<\/a>\u2014Fritz Leiber, Dario Argento, Megapolisomancy, and The Three Mothers.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.theransomnote.co.uk\/music\/influences\/influences-pye-corner-audio\/\" target=\"_blank\">Pye Corner Audio<\/a> lists some influences. <a href=\"https:\/\/pyecorneraudio.bandcamp.com\/album\/zones\" target=\"_blank\"><em>Zones<\/em><\/a> by Head Technician, another Martin Jenkins project, has just been reissued on vinyl.<\/p>\n<p>\u2022 Mixes of the week: The Middle Eastern &amp; African playlist For July by <a href=\"http:\/\/thequietus.com\/articles\/20567-african-middle-eastern-music-review-mr-bongo-mix\" target=\"_blank\">John Doran<\/a>, and a <a href=\"http:\/\/www.20jazzfunkgreats.co.uk\/wordpress\/2016\/07\/guest-mix-pye-corner-audios-the-head-technician\/\" target=\"_blank\">Pye Corner Audio<\/a> mix for 20jazzfunkgreats.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.newyorker.com\/books\/page-turner\/how-the-proust-questionnaire-went-from-literary-curio-to-prestige-personality-quiz\" target=\"_blank\">Evan Kindley<\/a> on how the Proust Questionnaire went from literary curio to prestige personality quiz.<\/p>\n<p>\u2022 To Surprise a Voice: <a href=\"https:\/\/thepointmag.com\/2016\/criticism\/to-surprise-a-voice\" target=\"_blank\">Max Nelson<\/a> on the subtitling and translation of foreign-language films.<\/p>\n<p>\u2022 How the \u201970s dethroned the \u201960s as popular music\u2019s Golden Age: <a href=\"http:\/\/pitchfork.com\/thepitch\/1225-how-the-70s-dethroned-the-60s-as-popular-musics-golden-age\/\" target=\"_blank\">Judy Berman<\/a> investigates.<\/p>\n<p>\u2022 &#8220;It puts a spell on people.&#8221; <a href=\"https:\/\/www.theguardian.com\/film\/2016\/jul\/14\/stanley-kubrick-barry-lyndon-put-spell-on-people\" target=\"_blank\">Ryan Gilbey<\/a> on Stanley Kubrick\u2019s <em>Barry Lyndon<\/em>.<\/p>\n<p>\u2022 &#8220;<a href=\"https:\/\/www.theguardian.com\/books\/2016\/jul\/14\/dennis-cooper-google-censorship-dc-blog\" target=\"_blank\">Dennis Cooper<\/a> fears censorship as Google erases blog without warning.&#8221;<\/p>\n<p>\u2022 <a href=\"http:\/\/www.indiewire.com\/2016\/07\/charlie-kaufman-interview-anomalisa-synecdoche-adaptation-1201702465\/\" target=\"_blank\">Charlie Kaufman<\/a> on freedom, the future, and the failure of <em>Anomalisa<\/em>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.neh.gov\/humanities\/2016\/summer\/feature\/why-nabokov\u2019s-speak-memory-still-speaks-us\" target=\"_blank\">Danny Heitman<\/a> on why Nabokov\u2019s <em>Speak, Memory<\/em> still speaks to us.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.factmag.com\/2016\/07\/13\/daphne-oram-still-point-turntables-orchestra-performance\/\" target=\"_blank\">Daphne Oram<\/a>&#8216;s radical turntable experiments finally come to life.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.prospectmagazine.co.uk\/arts-and-books\/flights-of-the-dream-bird\" target=\"_blank\">Adam Kirsch<\/a> on Walter Benjamin\u2019s genius for surreal visions.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.youtube.com\/watch?v=qh-HfwQWvXY\" target=\"_blank\">Shotgun<\/a> (1983) by Colourbox | <a href=\"https:\/\/www.youtube.com\/watch?v=o0h2zVmxutA\" target=\"_blank\"><em>Baby I Love You So<\/em><\/a> (1986) by Colourbox | <a href=\"https:\/\/www.youtube.com\/watch?v=uCRRIflz764\" target=\"_blank\"><em>Looks Like We&#8217;re Shy One Horse\/Shoot Out<\/em><\/a> (1986) by Colourbox<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Meaning of Life by Alice Wellinger. \u2022 A Kickstarter for A Hidden Landscape Once A Week edited by Mark Sinker: &#8220;How UK music-writing became a space for unruly curiosity, in the words of those who made it happen&#8221;. \u2022 RIP Steven Young, one of the musicians in a cult group of mine, Colourbox, and &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/07\/17\/weekend-links-318\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 318&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,29,7,22,25,3,44,14],"tags":[8351,8339,8349,8342,8350,5814,414,3109,8347,5418,7744,8345,3594,8348,8343,2045,8340,6626,8346,7966,4222,6860,3040,8341,8344,807,1241],"class_list":["post-17954","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-electronica","category-film","category-horror","category-kubrick","category-music","category-painting","category-politics","tag-adam-kirsch","tag-alice-wellinger","tag-charlie-kaufman","tag-colourbox","tag-danny-heitman","tag-daphne-oram","tag-dario-argento","tag-dennis-cooper","tag-evan-kindley","tag-fritz-leiber","tag-greydogtales","tag-head-technician","tag-john-doran","tag-judy-berman","tag-marrs","tag-marcel-proust","tag-mark-sinker","tag-martin-jenkins","tag-martin-jenkins-project","tag-max-nelson","tag-pye-corner-audio","tag-ryan-gilbey","tag-stanley-kubrick","tag-steven-young","tag-thomas-de-quincy","tag-vladimir-nabokov","tag-walter-benjamin"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4FA","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17954","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17954"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17954\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17954"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17954"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17954"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}