{"id":17922,"date":"2016-06-19T01:10:50","date_gmt":"2016-06-19T00:10:50","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17922"},"modified":"2016-06-19T01:11:12","modified_gmt":"2016-06-19T00:11:12","slug":"weekend-links-314","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/06\/19\/weekend-links-314\/","title":{"rendered":"Weekend links 314"},"content":{"rendered":"

\"alderslade.jpg\"<\/a><\/p>\n

Avebury Kite (2006) by David Alderslade<\/a>.<\/em><\/p>\n

\u2022 “Klaus Mann, son of Thomas Mann, author of Mephisto<\/em>, was one of the first in Germany to write gay novels and plays.” Walter Holland<\/a> reviews Cursed Legacy: The Tragic Life of Klaus Mann<\/em> by Frederic Spotts.<\/p>\n

\u2022 The Pale Brown Thing<\/em>, a shorter\/alternate version of Fritz Leiber’s supernatural masterwork, Our Lady of Darkness<\/em>, is given a limited reprinting by Swan River Press<\/a> next month.<\/p>\n

\u2022 “Not only is metal not directly harmful to adolescent minds, as the thinking goes, it may actually be helpful.” Christine Ro<\/a> on the reappraisal of a once-suspect musical genre.<\/p>\n

Something of that tension between past and future is visible in Beardsley\u2019s work. It is the art of a dying era peering, with a mixture of excitement and trepidation, into the next. For all the prancing and bravado, Beardsley\u2019s art was really about finding something in which to believe\u2014and if Beardsley came to believe in anything it was the deep black line. Shading held little interest for Beardsley, and color fascinated him not at all. The black line and white space were all he needed.<\/p>\n

Morgan Meis<\/a> on Aubrey Beardsley<\/em><\/p><\/blockquote>\n

\u2022 More of my art for Bruce Sterling’s forthcoming Dieselpunk novella, Pirate Utopia<\/em><\/a>, has been revealed. Tachyon will be publishing the book in November.<\/p>\n

\u2022 “Secretly, though, I frequent junk shops because I am wishing for some kind of transcendence,” says Luc Sante<\/a>.<\/p>\n

\u2022 Mixes of the week: Gizehcast #28 by Christine Ott<\/a>, and a mix for The Wire<\/em> by Asher Levitas<\/a>.<\/p>\n

\u2022 “It took centuries, but we now know the size of the Universe.” Chris Baraniuk<\/a> explains.<\/p>\n

\u2022 Barnbrook Studios<\/a> creates identity for Kubrick exhibition at Somerset House.<\/p>\n

\u2022 Watch a haunting video from Subtext Recordings and Eric Holm<\/a>.<\/p>\n

\u2022 Folklore Tapes: A Rum Music Special by Joseph Burnett<\/a>.<\/p>\n

\u2022 Brion Gysin’s Dreamachine<\/a> is on sale again.<\/p>\n

\u2022 Rhys Chatham’s favourite albums<\/a>.<\/p>\n

\u2022 A Guide to Occult London<\/a><\/p>\n

\u2022 Skulls and Bones<\/a><\/p>\n

\u2022 Zero Time<\/a><\/em> (1979) by Chrome | Zero-Gravity<\/em><\/a> (1996) by Sidewinder |\u00a0 Zero Moment<\/em><\/a> (2016) by Contact<\/p>\n","protected":false},"excerpt":{"rendered":"

Avebury Kite (2006) by David Alderslade. \u2022 “Klaus Mann, son of Thomas Mann, author of Mephisto, was one of the first in Germany to write gay novels and plays.” Walter Holland reviews Cursed Legacy: The Tragic Life of Klaus Mann by Frederic Spotts. \u2022 The Pale Brown Thing, a shorter\/alternate version of Fritz Leiber’s supernatural … Continue reading “Weekend links 314”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,50,30,42,51,4,29,7,22,25,3,16,44,20,13,23],"tags":[8292,94,8294,968,2503,8293,8291,8288,3534,8298,8299,8289,5997,8296,8287,5418,3951,8286,7717,4004,8290,5280,8297,445,3040,8295,8228,383,8177],"class_list":["post-17922","post","type-post","status-publish","format-standard","hentry","category-art","category-beardsley","category-black-white","category-books","category-cities","category-design","category-electronica","category-film","category-horror","category-kubrick","category-music","category-occult","category-painting","category-science-fiction","category-science","category-work","tag-asher-levitas","tag-aubrey-beardsley","tag-barnbrook-studios","tag-brion-gysin","tag-bruce-sterling","tag-chris-baraniuk","tag-christine-ott","tag-christine-ro","tag-chrome-group","tag-contact-group","tag-david-alderslade","tag-dieselpunk","tag-eric-holm","tag-folklore-tapes","tag-frederic-spotts","tag-fritz-leiber","tag-joseph-burnett","tag-klaus-mann","tag-luc-sante","tag-morgan-meis","tag-pirate-utopia","tag-rhys-chatham","tag-sidewinder","tag-skulls","tag-stanley-kubrick","tag-subtext-recordings","tag-swan-river-press","tag-tachyon-publications","tag-walter-holland"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4F4","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17922","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17922"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17922\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17922"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17922"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}