{"id":17903,"date":"2016-06-05T01:22:28","date_gmt":"2016-06-05T00:22:28","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17903"},"modified":"2016-06-05T01:36:45","modified_gmt":"2016-06-05T00:36:45","slug":"weekend-links-312","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/06\/05\/weekend-links-312\/","title":{"rendered":"Weekend links 312"},"content":{"rendered":"

\"nelson.jpg\"<\/a><\/p>\n

The Shadow by Kenton Nelson<\/a>.<\/em><\/p>\n

\u2022 The week in Coil: An interview by Derek de Koff<\/a>, plus an extract from the new edition of England’s Hidden Reverse<\/em> by David Keenan. Opening later this month at Ludwig, Berlin, is Chaostrophy<\/em><\/a>, a Coil-related exhibition\/celebration.<\/p>\n

\u2022 Strange Flowers<\/a> remembers the incomparable Marchesa Casati, a woman who happens to feature in the book I’ve been designing and illustrating for the past few weeks. (More about that later.)<\/p>\n

\u2022 “It wasn\u2019t about how we could meet the demands of the book, but rather how the book meets us.” Ben Wheatley<\/a> (again) talking to Jamie Sherry about bringing High-Rise<\/em> to the screen.<\/p>\n

\u2022 The latest release from Hawthonn<\/a> is Sea-Spiral Spirit<\/em>. The album has two accompanying videos: Pan Laws<\/a> and Last Chimes From A Dormant Moon<\/a>.<\/p>\n

\u2022 Alan Moore<\/a> celebrates Chris Petit\u2019s The Psalm Killer<\/em>\u2014a nerve-shredding Irish noir.<\/p>\n

\u2022 Not a mix but a reading guide: The Brit Horror Mixtape<\/a> collated by Mark West.<\/p>\n

\u2022 More Penda’s Fen<\/em>: Graham Fuller<\/a> on the Romantic tradition in British film.<\/p>\n

\u2022 Previews of Tooth<\/em> by Raime<\/a>, “a steadfast concoction of brooding dystopia”.<\/p>\n

\u2022 “How big an issue is the nausea problem for Virtual Reality products<\/a>?”<\/p>\n

\u2022 FACT chooses 16 of the best songs powered by Sly and Robbie<\/a>.<\/p>\n

\u2022 Geeta Dayal<\/a> on the pioneering computer music of Bell Labs.<\/p>\n

\u2022 Mix of the week: Finders Keepers’ Space Rock Special<\/a>.<\/p>\n

\u2022 Paul Sch\u00fctze: The True Art of Fine Fragrance<\/a><\/p>\n

\u2022 The Surrealist Legacy of Claude Lalanne<\/a><\/p>\n

\u2022 Les illustrateurs de Baudelaire<\/a><\/p>\n

\u2022 RIP publisher Peter Owen<\/a><\/p>\n

\u2022\u00a0Perfumed Garden Of Gulliver Smith<\/a><\/em> (1967) by John’s Children | Perfumed Metal<\/a><\/em> (1981) by Chrome | Fragrance (Ode To Perfume)<\/a><\/em> (1981) by Holger Czukay<\/p>\n","protected":false},"excerpt":{"rendered":"

The Shadow by Kenton Nelson. \u2022 The week in Coil: An interview by Derek de Koff, plus an extract from the new edition of England’s Hidden Reverse by David Keenan. Opening later this month at Ludwig, Berlin, is Chaostrophy, a Coil-related exhibition\/celebration. \u2022 Strange Flowers remembers the incomparable Marchesa Casati, a woman who happens to … Continue reading “Weekend links 312”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,29,7,22,48,3,16,44,41,18,15,19],"tags":[103,4936,2346,8248,3534,8252,2272,8035,8245,8814,1393,3329,7372,2276,8247,6839,8244,8246,8249,465,1117,2696,8250,8251,2419],"class_list":["post-17903","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-electronica","category-film","category-horror","category-illustrators","category-music","category-occult","category-painting","category-sculpture","category-surrealism","category-technology","category-television","tag-alan-moore","tag-ben-wheatley","tag-charles-baudelaire","tag-chris-petit","tag-chrome-group","tag-claude-lalanne","tag-coil-group","tag-david-keenan","tag-derek-de-koff","tag-englands-hidden-reverse","tag-geeta-dayal","tag-graham-fuller","tag-hawthonn","tag-holger-czukay","tag-jamie-sherry","tag-johns-children","tag-kenton-nelson","tag-marchesa-casati","tag-mark-west","tag-paul-schutze","tag-pendas-fen","tag-peter-owen","tag-raime","tag-sly-and-robbie","tag-strange-flowers"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4EL","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17903","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17903"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17903\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17903"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17903"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17903"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}