{"id":17893,"date":"2016-05-29T01:05:11","date_gmt":"2016-05-29T00:05:11","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17893"},"modified":"2016-05-29T01:05:11","modified_gmt":"2016-05-29T00:05:11","slug":"weekend-links-311","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/05\/29\/weekend-links-311\/","title":{"rendered":"Weekend links 311"},"content":{"rendered":"<p><a href=\"http:\/\/www.lupevision.com\/\" target=\"_blank\"><img decoding=\"async\" alt=\"vasconcelos.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/05\/vasconcelos.jpg\" \/><\/a><\/p>\n<p><em>Sphinx (2015) by <a href=\"http:\/\/www.lupevision.com\/\" target=\"_blank\">Lupe Vasconcelos<\/a>.<\/em><\/p>\n<p>\u2022 I&#8217;ve been reading my way through Patricia Highsmith&#8217;s Ripley novels for the past couple of weeks, and may well progress to some of her other books once I&#8217;m finished. Highsmith had a long career so there&#8217;s a lot to read on the web. Catching my eye this week were <a href=\"http:\/\/www.publishersweekly.com\/pw\/by-topic\/industry-news\/tip-sheet\/article\/63724-10-best-patricia-highsmith-books.html\" target=\"_blank\">10 Best Patricia Highsmith Books<\/a> recommended by her biographer, Joan Schenkar; <a href=\"http:\/\/chooseyourhighsmith.com\/\" target=\"_blank\">The Patricia Highsmith Recommendation Engine<\/a>; Highsmith on <a href=\"https:\/\/www.youtube.com\/watch?v=GNYb0sbqSnQ\" target=\"_blank\"><em>Desert Island Discs<\/em><\/a> in 1979 (the book she said she&#8217;d take,\u00a0<em>Moby-Dick<\/em>, is the same one chosen by JG Ballard, albeit for different reasons); and a prickly interview late in her life with <a href=\"https:\/\/quartetbooks.wordpress.com\/2014\/01\/10\/patricia-highsmith\/\" target=\"_blank\">Naim Attalah<\/a>.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.bl.uk\/20th-century-literature\/collection-items?page=0\" target=\"_blank\">Discovering 20th-century literature<\/a>: books, manuscripts and other documents in the collection of the British Library.<\/p>\n<p>\u2022 Signed copies of Paul Gorman&#8217;s Barney Bubbles monograph, <em>Reasons To Be Cheerful<\/em>, may be <a href=\"http:\/\/www.barneybubbles.com\/blog\/archives\/5970\" target=\"_blank\">ordered from the author<\/a>.<\/p>\n<p>\u2022 How a mysterious ghost ship brought <a href=\"https:\/\/www.theguardian.com\/music\/2016\/may\/24\/space-echo-mystery-behind-cosmic-sound-cabo-verde\" target=\"_blank\">cosmic disco<\/a> to Cape Verde. Related: <a href=\"http:\/\/www.thevinylfactory.com\/vinyl-factory-news\/the-cosmic-sound-of-cape-verde-analog-africa-compilation-vinyl\/\" target=\"_blank\"><em>Quirino Do Canto<\/em><\/a> by Mino Di Mama.<\/p>\n<p>\u2022 Zombi drummer AE Paterra and composer Paul Lawler make prog-synth epics as <a href=\"http:\/\/www.factmag.com\/2016\/05\/26\/zombi-ae-paterra-paul-lawler-contact\/\" target=\"_blank\">Contact<\/a>.<\/p>\n<p>\u2022 Mix of the week: Secret Thirteen Mix 185, a locked-groove mix by <a href=\"http:\/\/secretthirteen.org\/massimo-carozzi-zimmerfrei-music-mix\/\" target=\"_blank\">Massimo Carozzi<\/a>.<\/p>\n<p>\u2022 In London next weekend: <a href=\"https:\/\/www.ianvisits.co.uk\/blog\/2016\/05\/09\/ticket-alert-alchemy-and-magic-at-brompton-cemetery\/\" target=\"_blank\">Alchemy and Magic at Brompton Cemetery<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/dieordiy2.blogspot.co.uk\/\" target=\"_blank\">Die or DIY?<\/a>: scarcities from the post-punk outer limits.<\/p>\n<p>\u2022 More <em>Penda&#8217;s Fen<\/em>: a lengthy appraisal by <a href=\"http:\/\/cineoutsider.com\/reviews\/bluray\/p\/pendas_fen_br.html\" target=\"_blank\">Jerry Whyte<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/denniscooper-theweaklings.blogspot.co.uk\/2016\/05\/james-coburn-day.html\" target=\"_blank\">Dennis Cooper salutes James Coburn<\/a><\/p>\n<p>\u2022 <a href=\"https:\/\/blog.bandcamp.com\/2016\/05\/19\/bandcamp-downloads-streaming-and-the-inescapably-bright-future\/\" target=\"_blank\">Bandcamp<\/a> is good for musicians.<\/p>\n<p>\u2022 <a href=\"https:\/\/www.theguardian.com\/books\/gallery\/2016\/may\/26\/vladimir-nabokov-butterfly-art-illustrations\" target=\"_blank\">Vladimir Nabokov&#8217;s butterfly art<\/a>.<\/p>\n<p>\u2022 This Heat: <em><a href=\"https:\/\/www.youtube.com\/watch?v=smNqlFUwlMA\" target=\"_blank\">Rimp Ramp Romp<\/a><\/em> (1977) | <em><a href=\"https:\/\/www.youtube.com\/watch?v=PDluEia22oA\" target=\"_blank\">24 Track Loop<\/a><\/em> (1979) | <em><a href=\"https:\/\/www.youtube.com\/watch?v=nsbMhKWesbs\" target=\"_blank\">Health And Efficiency<\/a><\/em> (1980) | <em><a href=\"https:\/\/www.youtube.com\/watch?v=lzZMhAM2SqU\" target=\"_blank\">Makeshift Swahili<\/a><\/em> (1981)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sphinx (2015) by Lupe Vasconcelos. \u2022 I&#8217;ve been reading my way through Patricia Highsmith&#8217;s Ripley novels for the past couple of weeks, and may well progress to some of her other books once I&#8217;m finished. Highsmith had a long career so there&#8217;s a lot to read on the web. Catching my eye this week were &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/05\/29\/weekend-links-311\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 311&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,29,7,3,16,13,19],"tags":[8239,559,86,3109,7072,8242,137,8236,8234,8241,8238,601,8237,8235,1467,8240,1117,7964,807,6021],"class_list":["post-17893","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-electronica","category-film","category-music","category-occult","category-science","category-television","tag-ae-paterra","tag-alchemy","tag-barney-bubbles","tag-dennis-cooper","tag-james-coburn","tag-jerry-whyte","tag-jg-ballard","tag-joan-schenkar","tag-lupe-vasconcelos","tag-massimo-carozzi","tag-mino-di-mama","tag-moby-dick","tag-naim-attalah","tag-patricia-highsmith","tag-paul-gorman","tag-paul-lawler","tag-pendas-fen","tag-this-heat","tag-vladimir-nabokov","tag-zombi-group"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4EB","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17893"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17893\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17893"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17893"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}