{"id":17881,"date":"2016-05-15T01:05:28","date_gmt":"2016-05-15T00:05:28","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17881"},"modified":"2016-05-15T01:05:28","modified_gmt":"2016-05-15T00:05:28","slug":"weekend-links-309","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/05\/15\/weekend-links-309\/","title":{"rendered":"Weekend links 309"},"content":{"rendered":"

\"witch.jpg\"<\/a><\/p>\n

From What is a Witch<\/a>, “an illuminated manifesto on witchcraft” by Pam Grossman and Tin Can Forest.<\/em><\/p>\n

\u2022 “The other strand of influence for me from dance music was a production house called Savoy in Manchester, England. They were a super underground publishing house that printed cartoons and comic books, and they also released a series of underground dance records. And they were always being shut down by the police and all their stuff was being confiscated, because it was considered ‘anti-society’ in England.” Anohni<\/a> giving a shout to my colleagues at Savoy Books<\/a> in a new interview.<\/p>\n

\u2022 Belladonna of Sadness<\/em> (1973), a feature-length animated film by Eiichi Yamamoto, has been restored, and is being given a premier release in the US. There’s a review here<\/a> and a trailer here<\/a>. No news as yet of a UK release but Finders Keepers<\/a> has the soundtrack album.<\/p>\n

\u2022 Alejandro Jodorowsky<\/a> talks to Daniel Kalder about his new novel, Albina and the Dog-Men<\/em>, while Jodorowsky’s comic-book collaborator, Ladr\u00f6nn<\/a>, talks to Smoky Man about their new graphic novel, The Sons of El Topo<\/em>.<\/p>\n

Pretty little watercolours these are not. Made by bulldozers and dynamite instead of a paintbrush and easel, the works\u2014often sited on baking sandscapes\u2014fuse minimalism and modern industrial aesthetics to evoke the otherworldly structures of ancient civilisations, from Stonehenge to Mayan temples and the Egyptian pyramids.<\/p>\n

Alex Needham<\/a> on America’s land artists. A few years ago I tracked down some of the structures he describes<\/a> using Google Maps.<\/em><\/p><\/blockquote>\n

\u2022 In every dream home a heartache: High Rise<\/em> director Ben Wheatley<\/a> on adapting Ballard, practical special effects and \u201970s parenting.<\/p>\n

\u2022 Tom Phillips: From Prequel To Sequel<\/em><\/a>, an exhibition of pages from A Humument<\/em> at Shandy Hall Gallery.<\/p>\n

\u2022 From fresh food to magic mushrooms: Michael Pollan<\/a> probes the medicinal uses of psychedelic drugs.<\/p>\n

\u2022 “Let\u2019s not forget graphic design is an artistic discipline,” says Jonathan Barnbrook<\/a>.<\/p>\n

\u2022 Supervert<\/a> discusses censorship and related matters at SomethingDark.<\/p>\n

\u2022 “I\u2019ve sung gospel music when in great despair,” says Diamanda Gal\u00e1s<\/a>.<\/p>\n

\u2022 Mix of the week: FACT Mix 550 by James K<\/a>.<\/p>\n

\u2022 Boy Club<\/em><\/a> is a new gay magazine.<\/p>\n

\u2022 Gospel Trane<\/a><\/em> (1968) by Alice Coltrane |\u00a0The Gospel Comes To New Guinea<\/a><\/em> (1981) by 23 Skidoo | Gospel Train<\/a><\/em> (1990) by African Head Charge<\/p>\n","protected":false},"excerpt":{"rendered":"

From What is a Witch, “an illuminated manifesto on witchcraft” by Pam Grossman and Tin Can Forest. \u2022 “The other strand of influence for me from dance music was a production house called Savoy in Manchester, England. They were a super underground publishing house that printed cartoons and comic books, and they also released a … Continue reading “Weekend links 309”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,2,42,9,4,851,7,5,43,3,16,14,41],"tags":[5255,2483,718,8211,637,8207,4936,8213,8209,1392,8208,5150,8212,137,982,8210,6991,3552,151,1878,3803,1037,8088,164],"class_list":["post-17881","post","type-post","status-publish","format-standard","hentry","category-animation","category-art","category-books","category-comics","category-design","category-drugs","category-film","category-gay","category-magazines","category-music","category-occult","category-politics","category-sculpture","tag-23-skidoo","tag-african-head-charge","tag-alejandro-jodorowsky","tag-alex-needham","tag-alice-coltrane","tag-anohni","tag-ben-wheatley","tag-boy-club","tag-daniel-kalder","tag-diamanda-galas","tag-eiichi-yamamoto","tag-finders-keepers","tag-james-k","tag-jg-ballard","tag-jonathan-barnbrook","tag-ladronn","tag-michael-pollan","tag-pam-grossman","tag-savoy-books","tag-smoky-man","tag-stonehenge","tag-supervert","tag-tin-can-forest","tag-tom-phillips"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Ep","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17881","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17881"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17881\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17881"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17881"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}