{"id":17865,"date":"2016-05-08T01:02:06","date_gmt":"2016-05-08T00:02:06","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17865"},"modified":"2025-09-24T21:14:38","modified_gmt":"2025-09-24T20:14:38","slug":"weekend-links-308","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/05\/08\/weekend-links-308\/","title":{"rendered":"Weekend links 308"},"content":{"rendered":"

\"trochut.jpg\"<\/a><\/p>\n

Frank Herbert’s Dune receives a new cover design by Alex Trochut<\/a> together with other notable works of science fiction and fantasy for a new series from Penguin.<\/em><\/p>\n

\u2022 “…poet, scholar and biographer Sandeep Parmar…has raised the possibility that a long poem by Hope Mirrlees, titled Paris<\/em> and published by the Hogarth Press in 1919, was a strong influence on The Waste Land<\/em>.” Alfred Corn<\/a> on new TS Eliot scholarship.<\/p>\n

\u2022 “[Evolution<\/em>‘s] strain of body horror brings to mind an ethereal HP Lovecraft mixed with David Cronenberg.” Rachel Bowles talks to the film’s director, Lucile Had\u017eihalilovi\u0107<\/a>.<\/p>\n

\u2022 Library music “is a sonic world of ‘weird beats, odd instrumentations, albums full of dark jazzy interludes or bizarre garage rock.'” Adrian Shaughnessy<\/a> on innovation in banality.<\/p>\n

Italy, which EM Forster called \u201cthe beautiful country where they say \u2018yes\u2019\u201d, became another resort, especially the island of Capri, where a French poet staged a ceremonial flogging of his teenage Italian lover before the boy departed to do his military service and became the subject of a novel by his compatriot Roger Peyrefitte. In the Egyptian city of Alexandria, Forster observed the Greek poet Constantine Cavafy \u201cstanding absolutely motionless at a slight angle to the universe\u201d, and the Australian novelist Patrick White met a local man who became his lifelong companion. For decades, the novelists Paul and Jane Bowles presided in Tangier, which Jack Kerouac was to call a \u201csinister international hive of queens\u201d. William Burroughs arrived in 1954 with a teenage Spaniard named Kiki who, Woods writes, \u201cwas, famously, the boy who would blow smoke into his pubic hair and say \u2018Abracadabra\u2019 as his hardening cock emerged from the cloud\u201d. Tangier was to figure in Burroughs\u2019s novel Naked Lunch<\/em> as a phantasmagoric, rubbery walled sex market called the Interzone.<\/p>\n

Caleb Crain<\/a> reviewing Homintern by Gregory Woods<\/em><\/p><\/blockquote>\n

\u2022 Beardsley biographer Matthew Sturgis<\/a> reviews Aubrey Beardsley: A Catalogue Raisonn\u00e9<\/em>, a two-volume collection edited by Linda Gertner Zatlin.<\/p>\n

\u2022 “He was the Bresson of Birkenhead.” Andrew Collins<\/a> reviews the forthcoming collection of BBC dramas directed by Alan Clarke.<\/p>\n

\u2022 “The postwar Hollywood western was more content to let strangeness be strange,” says Michael Newton<\/a>.<\/p>\n

\u2022 “Bosch\u2019s work has always caused trouble for interpreters and critics,” says Morgan Meis<\/a>.<\/p>\n

\u2022 Misplaced New York<\/a>: a project by Anton Repponen and Jon Earle.<\/p>\n

\u2022 Wyrd Daze<\/em>, Lvl2 Issue 6<\/a>, is out, and as before is a free download.<\/p>\n

\u2022 Lessons we can learn from Robert Altman’s 3 Women<\/em><\/a>.<\/p>\n

\u2022 Mix of the week: FACT Mix 548 by Peder Mannerfelt<\/a>.<\/p>\n

\u2022 Paris 1971<\/a><\/em> (1971) by Suzanne Ciani | Paris II<\/a><\/em> (1987) by Jon Hassell | Dreaming Of Paris<\/a><\/em> (2013) by Van Dyke Parks<\/p>\n","protected":false},"excerpt":{"rendered":"

Frank Herbert’s Dune receives a new cover design by Alex Trochut together with other notable works of science fiction and fantasy for a new series from Penguin. \u2022 “…poet, scholar and biographer Sandeep Parmar…has raised the possibility that a long poem by Hope Mirrlees, titled Paris and published by the Hogarth Press in 1919, was … Continue reading “Weekend links 308”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,51,4,57,7,5,22,3,44,20,19],"tags":[3092,1115,4287,8194,8201,8202,94,6019,8197,2207,1407,2891,3402,69,8193,1687,5697,8199,8203,212,7982,8178,8200,4207,4004,8198,893,8204,8196,924,3063,8192,3593,468,3800,1190],"class_list":["post-17865","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-cities","category-design","category-fashion","category-film","category-gay","category-horror","category-music","category-painting","category-science-fiction","category-television","tag-adrian-shaughnessy","tag-alan-clarke","tag-alex-trochut","tag-alfred-corn","tag-andrew-collins","tag-anton-repponen","tag-aubrey-beardsley","tag-caleb-crain","tag-constantine-cavafy","tag-david-cronenberg","tag-em-forster","tag-frank-herbert","tag-gregory-woods","tag-hieronymus-bosch","tag-hope-mirrlees","tag-hp-lovecraft","tag-jack-kerouac","tag-jane-bowles","tag-jon-earle","tag-jon-hassell","tag-linda-gertner-zatlin","tag-lucile-hadzihalilovic","tag-matthew-sturgis","tag-michael-newton","tag-morgan-meis","tag-patrick-white","tag-paul-bowles","tag-peder-mannerfelt","tag-rachel-bowles","tag-robert-altman","tag-roger-peyrefitte","tag-sandeep-parmar","tag-suzanne-ciani","tag-ts-eliot","tag-van-dyke-parks","tag-william-burroughs"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4E9","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17865"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17865\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}