![\"ruscha.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/03\/ruscha.jpg\")
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The Music from the Balconies (1984) by Edward Ruscha<\/a>.<\/em><\/p>\n \u2022 At The Quietus: High-Rise<\/em> director Ben Wheatley<\/a> runs through his favourite films. Kudos for mentioning Elem Klimov’s Come and See<\/em><\/a> (1985) among the more familiar fare, a nightmarish masterwork that everyone should watch at least once. On the same site, author Joe R. Lansdale<\/a> also lists some favourite films while discussing the new TV series<\/a> of his Hap and Leonard<\/em> books.<\/p>\n \u2022 Electric Hintermass (Sound Apart)<\/em><\/a> by Hintermass, a track from The Apple Tree<\/em><\/a>, their debut album on the Ghost Box label.<\/p>\n \u2022 Michael Mann’s Heat<\/em><\/a>: “A complex, stylistically supreme candidate for one of the most impressive films of the Nineties”.<\/p>\n \u2022 Despair Fatigue: David Graeber<\/a> on how [political] hopelessness grew boring, and what happens next.<\/p>\n \u2022 Mix of the week: FACT Mix 541 by Tortoise<\/a>, and Blowing Up The Workshop 56 by Eric Lanham<\/a>.<\/p>\n \u2022 At Dennis Cooper’s<\/a>: “Some books (1961\u20131975) that either faked ingesting LSD or did”.<\/p>\n \u2022 David Litvinoff again: “Was he only an opportunistic hustler?” asks David Collard<\/a>.<\/p>\n \u2022 John Carpenter’s The Thing<\/em><\/a> rescored with one of the director’s Lost Themes<\/em>.<\/p>\n \u2022 Overlooked<\/em><\/a>: a book by Marina Willer about the manhole covers of London.<\/p>\n \u2022 Pam Grossman (words) and Tin Can Forest (art) ask What is a Witch?<\/em><\/a><\/p>\n \u2022 A long way down: Oliver Wainwright<\/a> on JG Ballard and High-Rise<\/em>.<\/p>\n \u2022 A conversation with designer and typographer Erik Spiekermann<\/a>.<\/p>\n \u2022 The BFI compiles a list of “The 30 Best LGBT Films of All Time<\/a>“.<\/p>\n \u2022 Decoding the spiritual symbolism of artist Hilma af Klint<\/a>.<\/p>\n \u2022 Sabat Magazine<\/a><\/p>\n \u2022 Heat<\/a><\/em> (1983) by Soft Cell | The Heat<\/em><\/a> (1985) by Peter Gabriel | Heat Miser<\/a><\/em> (1994) by Massive Attack<\/p>\n","protected":false},"excerpt":{"rendered":" The Music from the Balconies (1984) by Edward Ruscha. \u2022 At The Quietus: High-Rise director Ben Wheatley runs through his favourite films. Kudos for mentioning Elem Klimov’s Come and See (1985) among the more familiar fare, a nightmarish masterwork that everyone should watch at least once. On the same site, author Joe R. Lansdale also … Continue reading “Weekend links 301”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,4,851,29,7,5,22,3,16,44,14,19,10],"tags":[4936,3517,5202,3155,7962,3109,8084,8085,8086,8089,172,4961,4666,137,1760,680,124,8087,812,2848,8075,3552,3599,3066,2439,8088,7150],"class_list":["post-17785","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-design","category-drugs","category-electronica","category-film","category-gay","category-horror","category-music","category-occult","category-painting","category-politics","category-television","category-typography","tag-ben-wheatley","tag-bfi","tag-david-collard","tag-david-graeber","tag-david-litvinoff","tag-dennis-cooper","tag-edward-ruscha","tag-elem-klimov","tag-eric-lanham","tag-erik-spiekermann","tag-ghost-box","tag-hilma-af-klint","tag-hintermass","tag-jg-ballard","tag-joe-r-lansdale","tag-john-carpenter","tag-lsd","tag-marina-willer","tag-massive-attack","tag-michael-mann","tag-oliver-wainwright","tag-pam-grossman","tag-peter-gabriel","tag-soft-cell","tag-the-quietus","tag-tin-can-forest","tag-tortoise-group"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4CR","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17785","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17785"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17785\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17785"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17785"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17785"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}