![\"blanco.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/03\/blanco.jpg\")
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Starman (2016) by Nyahzul Blanco<\/a>. From the Saint Bowie<\/a> exhibition at Stephen Romano Gallery, NY.<\/em><\/p>\n \u2022 “…[Dashiel] Hammett\u2019s first-hand experience of political sleaze, industrial violence and the everyday routine of an agent allowed for a realism that brought hard-boiled fiction to new heights.” Oliver Harris<\/a> reviews a new life of Hammett, a history of the American detective, and a study of film noir.<\/p>\n \u2022 Mixes of the week: Secret Thirteen Mix 177 by\u00a0Vladislav Dobrovolski<\/a>,\u00a0The After-School Club by Melmoth The Wanderer<\/a>, and Perfect Monolake by Rich Ears<\/a>.<\/p>\n \u2022 Inside High-Rise<\/em><\/a>: product designs by Michael Eaton and Felicity Hickson for Ben Wheatley’s feature film.<\/p>\n Yeats is not the only respected writer to make use of the tarot: Italo Calvino, Salvador Dal\u00ed, and even Charles Williams, a novelist and theologian who belonged to the Inklings literary circle, also drew on the cards. Still, the cards remain firmly associated with the occult\u2014and, while [Jessa] Crispin is sympathetic to that tradition, she aims to bring tarot to those who may be skeptical of that way of thinking. Her references are more literary than arcane.<\/p>\n Peter Bebergal<\/a> talks to Jessa Crispin about making the Tarot literary again<\/em><\/p><\/blockquote>\n \u2022 Legowelt<\/a>\u2019s best free paranormal synth samples, occult instruments and lo-fi effects.<\/p>\n \u2022 At Dangerous Minds<\/a>: a smorgasbord of sorcerous bad taste via Vintage Occult<\/a>.<\/p>\n \u2022 Free download: Cavern of Anti-Matter<\/a> live at Acad, Berlin, 2015.<\/p>\n \u2022 Conversing with your Subconscious: The Art of Adrian Cherry<\/a>.<\/p>\n \u2022 Diagonal Science<\/em><\/a> is the debut album from Black Helicopters.<\/p>\n \u2022 111 Photographs of 111 Westminster Street in Providence, RI<\/a>.<\/p>\n \u2022 More magick: occult documentaries of the 1970s<\/a>.<\/p>\n \u2022 A Bosch-themed fashion feature by Tim Walker<\/a>.<\/p>\n \u2022 Cycloid Drawing Machine<\/a><\/p>\n \u2022 Dark Star<\/em><\/a> (1984) by Harold Budd | Dark Start<\/em><\/a> (1994) by ELpH vs Coil | Dark Star Blues<\/em><\/a> (2004) by Acid Mothers Temple & The Melting Paraiso U.F.O.<\/p>\n","protected":false},"excerpt":{"rendered":" Starman (2016) by Nyahzul Blanco. From the Saint Bowie exhibition at Stephen Romano Gallery, NY. \u2022 “…[Dashiel] Hammett\u2019s first-hand experience of political sleaze, industrial violence and the everyday routine of an agent allowed for a realism that brought hard-boiled fiction to new heights.” Oliver Harris reviews a new life of Hammett, a history of the … Continue reading “Weekend links 299”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,4,29,57,3,16,44,12,19],"tags":[1474,8806,8062,4936,8063,7997,2413,3555,8053,1301,8322,8059,802,69,407,8060,137,8061,8056,8058,880,8052,8054,1018,8057,87,552,4724,8055,1087],"class_list":["post-17763","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-electronica","category-fashion","category-music","category-occult","category-painting","category-photography","category-television","tag-acid-mothers-temple","tag-acid-mothers-temple-the-melting-paraiso-u-f-o","tag-adrian-cherry","tag-ben-wheatley","tag-black-helicopters-group","tag-cavern-of-anti-matter","tag-charles-williams","tag-dangerous-minds","tag-dashiel-hammett","tag-david-bowie","tag-elph","tag-felicity-hickson","tag-harold-budd","tag-hieronymus-bosch","tag-italo-calvino","tag-jessa-crispin","tag-jg-ballard","tag-legowelt","tag-melmoth-the-wanderer","tag-michael-eaton","tag-monolake","tag-nyahzul-blanco","tag-oliver-harris","tag-peter-bebergal","tag-rich-ears","tag-salvador-dali","tag-tarot","tag-tim-walker","tag-vladislav-dobrovolski","tag-wb-yeats"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Cv","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17763","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17763"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17763\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17763"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17763"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}