{"id":17750,"date":"2016-02-24T01:01:47","date_gmt":"2016-02-24T01:01:47","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17750"},"modified":"2016-02-24T01:03:20","modified_gmt":"2016-02-24T01:03:20","slug":"the-art-of-peter-knoch","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/02\/24\/the-art-of-peter-knoch\/","title":{"rendered":"The art of Peter Knoch"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"knoch1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/02\/knoch1.jpg\" \/><\/p>\n<p><em>Junger Mann.<\/em><\/p>\n<p>You don&#8217;t often see woodcuts like these by German artist Peter Knoch which combine a homoerotic quality with a jagged graphic style familiar from Expressionism. Some were for an AIDS-themed series for which a harsh visual treatment might be thought fitting although the first two here are from a separate series. Knoch&#8217;s work encompasses paintings, ceramics, detailed puppet environments, theatre design and graphic design. There&#8217;s more to see at <a href=\"http:\/\/www.peter-knoch.com\/\" target=\"_blank\">his website<\/a>, and at <a href=\"http:\/\/www.b-e-a-s-t.com\/en\/artists\/painting\/peter-knoch\/140-portfolio-peter\" target=\"_blank\">B-E-A-S-T<\/a>. (Thanks to <a href=\"http:\/\/callumjames.blogspot.co.uk\/2016\/02\/a-pointer-to-peter-knoch.html\" target=\"_blank\">Callum<\/a> for the tip!)<\/p>\n<p><img decoding=\"async\" alt=\"knoch2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/02\/knoch2.jpg\" \/><\/p>\n<p><em>Jean.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"knoch3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/02\/knoch3.jpg\" \/><\/p>\n<p><em>Traum.<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-gay-artists-archive\/\">The gay artists archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Junger Mann. You don&#8217;t often see woodcuts like these by German artist Peter Knoch which combine a homoerotic quality with a jagged graphic style familiar from Expressionism. Some were for an AIDS-themed series for which a harsh visual treatment might be thought fitting although the first two here are from a separate series. Knoch&#8217;s work &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/02\/24\/the-art-of-peter-knoch\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The art of Peter Knoch&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,30,5],"tags":[8039],"class_list":["post-17750","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-gay","tag-peter-knoch"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Ci","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17750"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17750\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17750"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}