{"id":17707,"date":"2016-02-04T01:04:09","date_gmt":"2016-02-04T01:04:09","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17707"},"modified":"2016-02-04T01:04:09","modified_gmt":"2016-02-04T01:04:09","slug":"shadowland-covers","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/02\/04\/shadowland-covers\/","title":{"rendered":"Shadowland covers"},"content":{"rendered":"

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Not the horror magazine, this is an earlier American title that ran from 1919 to 1923. Shadowland<\/em> covered the arts in general with a preference for stage and film. The thing that immediately sets it apart from other film magazines of the period is the cover art by\u00a0AM Hopfmuller; many of the paintings resemble theatre backdrops or backgrounds for animated films. The Internet Archive doesn’t have a complete run, unfortunately\u2014the examples here are from volumes 1, 7 and 8<\/a>\u2014but more of Hopfmuller’s work may be found on other sites. The magazine interiors are also worth a browse for their colour plates and art photographs. (Thanks to Kristian for the tip!)<\/p>\n

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Not the horror magazine, this is an earlier American title that ran from 1919 to 1923. Shadowland covered the arts in general with a preference for stage and film. The thing that immediately sets it apart from other film magazines of the period is the cover art by\u00a0AM Hopfmuller; many of the paintings resemble theatre … Continue reading “Shadowland covers”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,56,4,7,43,46],"tags":[7993],"class_list":["post-17707","post","type-post","status-publish","format-standard","hentry","category-art","category-dance","category-design","category-film","category-magazines","category-theatre","tag-am-hopfmuller"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4BB","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17707","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17707"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17707\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17707"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17707"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}