{"id":17627,"date":"2016-01-12T01:09:19","date_gmt":"2016-01-12T01:09:19","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17627"},"modified":"2016-01-12T01:13:03","modified_gmt":"2016-01-12T01:13:03","slug":"strange-fascination","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/01\/12\/strange-fascination\/","title":{"rendered":"Strange fascination"},"content":{"rendered":"<p><a href=\"https:\/\/www.youtube.com\/watch?v=v--IqqusnNQ\" target=\"_blank\"><img decoding=\"async\" alt=\"bowie.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/01\/bowie.jpg\" \/><\/a><\/p>\n<p><em>Another single sleeve (and missing the &#8220;?&#8221; in the title). Released 22nd June, 1973.<\/em><\/p>\n<p>Music reinforces memory, and an enduring memory is of discussing the lyrics to <a href=\"https:\/\/www.youtube.com\/watch?v=v--IqqusnNQ\" target=\"_blank\"><em>Life On Mars?<\/em><\/a> with a friend in the blissful summer of 1973, when the song was in the charts after being released to capitalise on Bowie&#8217;s success with his Ziggy Stardust persona. &#8220;Blissful&#8221; here isn&#8217;t rose-tinted nostalgia, that summer gave us two months of heat and sunshine, something British summers don&#8217;t always manage; you can see the evidence in the sunlit evening shots of DA Pennebaker&#8217;s film of the final Ziggy Stardust concert, and in the field scenes in <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/03\/22\/pendas-fen-by-david-rudkin\/\"><em>Penda&#8217;s Fen<\/em><\/a> which was being filmed at the time for broadcast the following year. (And while we&#8217;re forging links, <em>Penda<\/em> director Alan Clarke later directed Bowie in the TV production of <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/03\/21\/brecht-and-bowie\/\">Bertolt Brecht&#8217;s <em>Baal<\/em><\/a>.)<\/p>\n<p>Weather aside, the summer of 1973 was particularly enjoyable for being the one that separated my last year at junior school (which I enjoyed) with my first year at secondary school (which I loathed); in that respect it was the last perfect summer of childhood after which my home and school life went down in flames. I spent most of July and August with friends: climbing trees, playing on bits of waste ground, and going on long bike rides. I don&#8217;t remember much about the bike excursions apart from the one I made with Martin C to Skippool Creek, a tributary of the River Wyre outside Blackpool where old boats are moored. This was the occasion of the <em>Life On Mars?<\/em> discussion, and it was the discussion that lodges the event so persistently in the memory, an unresolved puzzling over the strangest lyrics we&#8217;d ever heard. I mark this moment as the first time I began to regard music as a vehicle for a quality of strangeness that I&#8217;ve been pursuing ever since. And I still think of that afternoon when we went to look at the boats every time I hear the song.<\/p>\n<p>Some links:<br \/>\n\u2022 <a href=\"http:\/\/www.theguardian.com\/music\/2016\/jan\/11\/50-david-bowie-moments\" target=\"_blank\">50 David Bowie moments<\/a><br \/>\n\u2022 <a href=\"http:\/\/mrstsk.tumblr.com\/post\/137085985233\" target=\"_blank\">Some thoughts by Momus<\/a><br \/>\n\u2022 <a href=\"https:\/\/medium.com\/@kidamazo\/the-magic-and-mystery-of-david-bowie-455f1edffa0f#.783i0vm2h\" target=\"_blank\">The Magic and Mystery of David Bowie by Peter Bebergal<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Another single sleeve (and missing the &#8220;?&#8221; in the title). Released 22nd June, 1973. Music reinforces memory, and an enduring memory is of discussing the lyrics to Life On Mars? with a friend in the blissful summer of 1973, when the song was in the charts after being released to capitalise on Bowie&#8217;s success with &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/01\/12\/strange-fascination\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Strange fascination&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[1115,8699,3805,1301,2989,1117,1018],"class_list":["post-17627","post","type-post","status-publish","format-standard","hentry","category-music","tag-alan-clarke","tag-blackpool","tag-da-pennebaker","tag-david-bowie","tag-momus","tag-pendas-fen","tag-peter-bebergal"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4Aj","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17627","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17627"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17627\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17627"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17627"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17627"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}