{"id":17595,"date":"2016-01-02T01:05:19","date_gmt":"2016-01-02T01:05:19","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17595"},"modified":"2016-01-02T01:05:19","modified_gmt":"2016-01-02T01:05:19","slug":"the-weekend-artists-2015","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/01\/02\/the-weekend-artists-2015\/","title":{"rendered":"The weekend artists, 2015"},"content":{"rendered":"

\"hermes.jpg\"<\/a><\/p>\n

Fathomless Sounding (1932) by Gertrude Hermes.<\/em><\/p>\n

This should have been the last post of the year but Ken Murphy’s film made a more fitting end. This is still the laziest post of the year, however, being a review of the artists\/designers\/photographers from 50 or so weekend posts. Scroll down to see what caught my attention over the past twelve months.<\/p>\n

\"gourmelin.jpg\"<\/a><\/p>\n

Untitled drawing by Jean Gourmelin<\/a>.<\/em><\/p>\n

\"hugo.jpg\"<\/a><\/p>\n

Cover by Valentine Hugo for Contes Bizarres (1933) by Achim d’Arnim. See Hugo’s interior illustrations here<\/a>.<\/em><\/p>\n

<\/p>\n

\"ahmed.jpg\"<\/a><\/p>\n

One of Faig Ahmed<\/a>‘s melted Azerbaijani rugs.<\/em><\/p>\n

\"molinier.jpg\"<\/a><\/p>\n

Les Hanel I by Pierre Molinier. There’s more at The Forbidden Photo-Collages of Pierre Molinier<\/a>.<\/em><\/p>\n

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Behind by Lisa Wassmann<\/a>.<\/em><\/p>\n

\"ligotti.jpg\"<\/p>\n

Thomas Ligotti photographed by Jennifer Gariepy.<\/em><\/p>\n

\"fini.jpg\"<\/a><\/p>\n

Chim\u00e8re du soir (1961) by Leonor Fini. R\u00e9alisme irr\u00e9el<\/a> is an exhibition of Fini’s work currently running at the Weinstein Gallery, San Francisco.<\/em><\/p>\n

\"crisafi.jpg\"<\/p>\n

Keepers of the Moon by Bill Crisafi<\/a>.<\/em><\/p>\n

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Untitled painting by Jen Ray<\/a>.<\/em><\/p>\n

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El Hotel Satina (2006) by Oscar Sanmartin<\/a>.<\/em><\/p>\n

\"elledge.jpg\"<\/a><\/p>\n

Sunday by Amanda Elledge<\/a>.<\/em><\/p>\n

\"hope.jpg\"<\/a><\/p>\n

Beautiful Void: Holy Void II (2015) by Andy Diaz Hope<\/a>.<\/em><\/p>\n

\"wessi.jpg\"<\/a><\/p>\n

A painting from the Projekt Babelturm series by Wessi<\/a>.<\/em><\/p>\n

\"merchant.jpg\"<\/a><\/p>\n

Lilith Births the Djinn (2015) by Rithika Merchant<\/a>. Via Phantasmaphile<\/a>.<\/em><\/p>\n

\"pelcer.jpg\"<\/a><\/p>\n

Byronic I by Boris Pelcer<\/a>. Via Full Fathom Five<\/a>.<\/em><\/p>\n

\"sage.jpg\"<\/a><\/p>\n

No Passing (1954) by Kay Sage<\/a>.<\/em><\/p>\n

\"flyhead.jpg\"<\/a><\/p>\n

Environment Transformer\/Flyhead Helmet by Haus-Rucker-Co (1968). From Hippie Modernism<\/a> at the Walker Art Center, Minneapolis.<\/em><\/p>\n

\"ufo.jpg\"<\/p>\n

Cover design for UFOs and Extra-Terrestrials in History (four vols, 1978) by Yves Naud.<\/em><\/p>\n

\"cluster.jpg\"<\/p>\n

Grosses Wasser (1979) by Cluster. Cover art by Dieter Moebius.<\/em><\/p>\n

\"paul.jpg\"<\/a><\/p>\n

A City on Pluto<\/a> (1940) by Frank R. Paul<\/a>. Related: Paul’s predictions<\/a> about life on other planets.
\n<\/em><\/p>\n

\"morgan.jpg\"<\/a><\/p>\n

Black Fever (2010) by Polly Morgan<\/a>.<\/em><\/p>\n

\"dune.jpg\"<\/a><\/p>\n

Spine and cover art by John Schoenherr for the first American edition of Dune, 1965.<\/em><\/p>\n

\"dakin.jpg\"<\/a><\/p>\n

Stonehenge Suite, No.10 (1977) by Malcolm Dakin.<\/em><\/p>\n

\"nakayama.jpg\"<\/a><\/p>\n

Dancing Horse (1972) by Tadashi Nakayama<\/a>.<\/em><\/p>\n

\"rozich.jpg\"<\/a><\/p>\n

You’ll Never Be Alone, Even In Death (2014) by Stacey Rozich<\/a>.<\/em><\/p>\n

\"hardie.jpg\"<\/a><\/p>\n

Salome (2013) by Lucie Hardie<\/a>.<\/em><\/p>\n

\"burgher.jpg\"<\/a><\/p>\n

Bachelor with “demons” (Sleezy) [sic] (2015) by Elijah Burgher<\/a>. One of a new series of artworks by Burgher showing at Zieher Smith & Horton, NYC.<\/em><\/p>\n

\"bennett.jpg\"<\/a><\/p>\n

The Endlessness (2012) by Emma Bennett<\/a>.<\/em><\/p>\n

\"stalenhag.jpg\"<\/a><\/p>\n

Simon St\u00e5lenhag<\/a>‘s SF artwork will be published in book form if funding is secured. In the future everything will be crowdfunded for 15 minutes. <\/em><\/p>\n

\"tarot.jpg\"<\/a><\/p>\n

The Nine of Swords by Pamela Colman Smith, and the same card from The Ghetto Tarot<\/a>, a Haitian deck created by photographer Alice Smits and Haitian art group Atis Rezistans. <\/em><\/p>\n

\"beardsley.jpg\"<\/a><\/p>\n

Of a Neophyte, and How the Black Art Was Revealed unto Him by the Fiend Asomuel. Aubrey Beardsley for the Pall Mall Magazine, 1893.
\n<\/em><\/p>\n

\"farneti.jpg\"<\/p>\n

The Owls by Carlo Farneti for a 1935 edition of Les Fleurs du Mal. Via Beautiful Century<\/a> although the scans probably came originally from 50 Watts<\/a>.<\/em><\/p>\n

\"scdc.jpg\"<\/a><\/p>\n

Gatefold sleeve for Love, Death and the Lady<\/a> (1970) by Shirley & Dolly Collins. Photo by Allan Willmoth. No designer credited.<\/em><\/p>\n

\"mackey.jpg\"<\/a><\/p>\n

A painting by Stephen Mackey<\/a>.<\/em><\/p>\n

\"brizzi.jpg\"<\/a><\/p>\n

Waiting by Liz Brizzi<\/a>.<\/em><\/p>\n

\"quintana.jpg\"<\/a><\/p>\n

Beliel (2013) by Dan Quintana<\/a>.<\/em><\/p>\n

\"gebbie.jpg\"<\/a><\/p>\n

Untitled artwork by Melinda Gebbie.<\/em><\/p>\n

\"ulrich.jpg\"<\/a><\/p>\n

The Philosophers (Homage to Courbet) by Christopher Ulrich<\/a>. Another great tip from Full Fathom Five<\/a>.<\/em><\/p>\n

\"baylay.jpg\"<\/a><\/p>\n

The Dreamers (2013) by Kate Baylay<\/a>, from Seven Gothic Tales by Isak Dinesen.<\/em><\/p>\n

\"buratti.jpg\"<\/a><\/p>\n

Encounter with the Priestess by Robert Buratti<\/a>.<\/em><\/p>\n

\"ngai.jpg\"<\/a><\/p>\n

Love Hunter by Victo Ngai<\/a>.<\/em><\/p>\n

\"htbag.jpg\"<\/p>\n

First English-language edition of Hard to Be a God<\/em>, 1973. Cover design by Alan Peckolick. <\/em><\/p>\n

\"scarpulla.jpg\"<\/a><\/p>\n

MMOB :: Far West (2013) by Alison Scarpulla<\/a>.<\/em><\/p>\n

\"burgoyne.jpg\"<\/a><\/p>\n

Genesia (2011) by Bette Burgoyne<\/a>.<\/em><\/p>\n

\"kroll.jpg\"<\/a><\/p>\n

Ghost in the Machine (2012) by Hope Kroll<\/a>.<\/em><\/p>\n

\"clerc.jpg\"<\/a><\/p>\n

A drawing by Lucille Clerc<\/a>.<\/em><\/p>\n

\"wiley.jpg\"<\/p>\n

The Death of Chatterton (2014) by Kehinde Wiley<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Fathomless Sounding (1932) by Gertrude Hermes. This should have been the last post of the year but Ken Murphy’s film made a more fitting end. This is still the laziest post of the year, however, being a review of the artists\/designers\/photographers from 50 or so weekend posts. Scroll down to see what caught my attention … Continue reading “The weekend artists, 2015”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,30,1029,4,48,44,12,41],"tags":[7256,94,3476,7200,7537,7442,7691,63,2575],"class_list":["post-17595","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-collage","category-design","category-illustrators","category-painting","category-photography","category-sculpture","tag-alice-smits","tag-aubrey-beardsley","tag-beautiful-century","tag-carlo-farneti","tag-haus-rucker-co","tag-john-schoenherr","tag-owls","tag-swords","tag-valentine-hugo"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4zN","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17595","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17595"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17595\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17595"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17595"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}