{"id":17592,"date":"2016-01-01T01:07:41","date_gmt":"2016-01-01T01:07:41","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17592"},"modified":"2016-01-01T01:07:41","modified_gmt":"2016-01-01T01:07:41","slug":"02016","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2016\/01\/01\/02016\/","title":{"rendered":"02016"},"content":{"rendered":"<p><a href=\"http:\/\/www.wikiart.org\/en\/constantin-brancusi\/princess-x\" target=\"_blank\"><img decoding=\"async\" alt=\"brancusi.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/01\/brancusi.jpg\" \/><\/a><\/p>\n<p><em>Princess X (1916) by Constantin Brancusi.<\/em><\/p>\n<p>Happy new year. 02016? Read <a href=\"http:\/\/longnow.org\/about\/\" target=\"_blank\">this<\/a>.<\/p>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/File:The_Melancholy_of_Departure.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"dechirico.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/01\/dechirico.jpg\" \/><\/a><\/p>\n<p><em>The Melancholy of Departure (1916) by Giorgio de Chirico.<\/em><\/p>\n<p><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Mark_Gertler_-_Merry-Go-Round_-_Google_Art_Project.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"gertler.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/01\/gertler.jpg\" \/><\/a><\/p>\n<p><em>Merry-Go-Round (1916) by Mark Gertler.<\/em><\/p>\n<p><!--more--><\/p>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Moise_Kisling,_1916,_La_Sieste_\u00e0_Saint-Tropez,_Kisling_avec_Ren\u00e9e.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"kisling.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/01\/kisling.jpg\" \/><\/a><\/p>\n<p><em>La Sieste \u00e0 Saint-Tropez (1916) by Moise Kisling.<\/em><\/p>\n<p><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Gustav_Klimt_-_Death_and_Life_-_Google_Art_Project.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"klimt.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/01\/klimt.jpg\" \/><\/a><\/p>\n<p><em>Death and Life (1916) by Gustav Klimt.<\/em><\/p>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Fernand_L\u00e9ger,_1916,_Soldier_with_a_pipe_(Le_Soldat_\u00e0_la_Pipe),_oil_on_canvas,_130_x_97_cm,_Kunstsammlung_Nordrhein-Westfalen,_D\u00f9sseldorf.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"leger.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/01\/leger.jpg\" \/><\/a><\/p>\n<p><em>Soldier with a Pipe (1916) by Fernand L\u00e9ger.<\/em><\/p>\n<p><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Suprematist_Composition_-_Kazimir_Malevich.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"malevich.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/01\/malevich.jpg\" \/><\/a><\/p>\n<p><em>Suprematist Composition (1916) by Kazimir Malevich.<\/em><\/p>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Jean_Metzinger,_1916,_Femme_au_miroir_(Femme_\u00e0_sa_toilette,_Lady_at_her_Dressing_Table),_oil_on_canvas,_92.4_x_65.1_cm,_private_collection.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"metzinger.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2016\/01\/metzinger.jpg\" \/><\/a><\/p>\n<p><em>Femme au miroir (1916) by Jean Metzinger.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Princess X (1916) by Constantin Brancusi. Happy new year. 02016? Read this. The Melancholy of Departure (1916) by Giorgio de Chirico. Merry-Go-Round (1916) by Mark Gertler.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,11,44],"tags":[6040,3259,693,1209,7900,6818,7898,7899],"class_list":["post-17592","post","type-post","status-publish","format-standard","hentry","category-art","category-miscellaneous","category-painting","tag-constantin-brancusi","tag-fernand-leger","tag-giorgio-de-chirico","tag-gustav-klimt","tag-jean-metzinger","tag-kazimir-malevich","tag-mark-gertler","tag-moise-kisling"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/sq7rV-02016","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17592"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17592\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}