{"id":17581,"date":"2015-12-24T01:08:16","date_gmt":"2015-12-24T01:08:16","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17581"},"modified":"2016-03-26T17:45:38","modified_gmt":"2016-03-26T17:45:38","slug":"master-musicians","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/12\/24\/master-musicians\/","title":{"rendered":"Master musicians"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"mmob1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/12\/mmob1.jpg\" \/><\/p>\n<p>This year I&#8217;m seeing out December with (among other things) several albums by the Master Musicians of Bukkake, a Seattle group led by producer Randall Dunn. MMOB&#8217;s name started as a joke (and no doubt still catches unawares anyone unfamiliar with Japanese pornography) but now positions the ensemble as indigenous performers from an imaginary country, a persona reflected in the masks and robes the musicians wear, and in their music which blends chants, non-Western instruments, synthesizers and extended wah-wah guitar drones that wouldn&#8217;t be out-of-place on a German album from the 1970s. The music alone would be enough for me but there&#8217;s the added bonus of songs based on Borges texts, Tibetan references (Dunn is a Buddhist) and outfits borrowed from Jodorowsky films. Dunn and some of the other group members have connections with Seattle groups Earth and Sunn O))), and it&#8217;s possible to detect trace elements of both those bands in the MMOB sound, especially on live recordings.<\/p>\n<p><a href=\"https:\/\/vimeo.com\/68261414\" target=\"_blank\"><img decoding=\"async\" alt=\"mmob2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/12\/mmob2.jpg\" \/><\/a><\/p>\n<p>As usual I&#8217;ll be taking my winter break over the next few days so I&#8217;ll activate the blog archive and leave you with <a href=\"https:\/\/vimeo.com\/68261414\" target=\"_blank\">a tremendous 75-minute performance by the Master Musicians of Bukkake<\/a> at Leoncavallo, Milan, in 2013. The stage is rather cramped for the group&#8217;s theatrics, and there&#8217;s only the one camera, but the band raise a considerable cone of power performing extended variations on numbers from their recent <a href=\"http:\/\/importantrecords.com\/imprec\/imprec386\" target=\"_blank\"><em>Far West<\/em><\/a> album. <em>Far West<\/em> and its follow-up, the synth-oriented <a href=\"http:\/\/importantrecords.com\/imprec\/imprec411\" target=\"_blank\"><em>Further West Quad Cult<\/em><\/a>, can be listened to on their own or played together in a mix of your own choosing. MMOB aren&#8217;t the first band to do this but I don&#8217;t know of any album or (albums) that sound so different in isolation. Perfect listening for the darkest weeks of the year.<\/p>\n<p><a href=\"https:\/\/vimeo.com\/68261414\" target=\"_blank\"><img decoding=\"async\" alt=\"mmob3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/12\/mmob3.jpg\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This year I&#8217;m seeing out December with (among other things) several albums by the Master Musicians of Bukkake, a Seattle group led by producer Randall Dunn. MMOB&#8217;s name started as a joke (and no doubt still catches unawares anyone unfamiliar with Japanese pornography) but now positions the ensemble as indigenous performers from an imaginary country, &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/12\/24\/master-musicians\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Master musicians&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7,3],"tags":[718,3316,1483,7887,7888,2147],"class_list":["post-17581","post","type-post","status-publish","format-standard","hentry","category-film","category-music","tag-alejandro-jodorowsky","tag-earth-group","tag-jorge-luis-borges","tag-master-musicians-of-bukkake","tag-randall-dunn","tag-sunn-o"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4zz","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17581"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17581\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17581"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}