{"id":17553,"date":"2015-12-15T01:05:09","date_gmt":"2015-12-15T01:05:09","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17553"},"modified":"2015-12-15T01:05:09","modified_gmt":"2015-12-15T01:05:09","slug":"the-art-of-gisbert-combaz-1869-1941","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/12\/15\/the-art-of-gisbert-combaz-1869-1941\/","title":{"rendered":"The art of Gisbert Combaz, 1869\u20131941"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"combaz08.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/12\/combaz08.jpg\" \/><\/p>\n<p>More from this Belgian artist whose splendid Art Nouveau peacock is a regular feature in books about <em>fin de si\u00e8cle<\/em> art and design. <em>La Libre Esthetique<\/em> was a salon for which Combaz produced a number of posters, a few more of which may be seen below. The salamander postcard seems to be part of another set devoted to the four elements; Combaz may have produced further series as there&#8217;s also a volcano card depicting fire. All of this work dates from the 1890s. A few years later Combaz&#8217;s art took a darker turn with <a href=\"http:\/\/www.bl.uk\/collection-items\/villain-your-work#\" target=\"_blank\">a series of propaganda pieces<\/a> reacting to events during the First World War.<\/p>\n<p><a href=\"http:\/\/41.media.tumblr.com\/tumblr_lxd2x0qwHu1qahuhjo1_540.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"combaz07.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/12\/combaz07.jpg\" \/><\/a><\/p>\n<p><img decoding=\"async\" alt=\"combaz05.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/12\/combaz05.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"combaz06.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/12\/combaz06.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"combaz09.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/12\/combaz09.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"combaz10.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/12\/combaz10.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"combaz11.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/12\/combaz11.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"combaz12.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/12\/combaz12.jpg\" \/><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/12\/14\/the-elements-by-gisbert-combaz\/\">The Elements by Gisbert Combaz<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>More from this Belgian artist whose splendid Art Nouveau peacock is a regular feature in books about fin de si\u00e8cle art and design. La Libre Esthetique was a salon for which Combaz produced a number of posters, a few more of which may be seen below. The salamander postcard seems to be part of another &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/12\/15\/the-art-of-gisbert-combaz-1869-1941\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The art of Gisbert Combaz, 1869\u20131941&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[58,2,4],"tags":[136,1851,444],"class_list":["post-17553","post","type-post","status-publish","format-standard","hentry","category-art-nouveau","category-art","category-design","tag-fin-de-siecle","tag-gisbert-combaz","tag-peacocks"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4z7","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17553","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17553"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17553\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}