{"id":17470,"date":"2015-11-22T01:07:12","date_gmt":"2015-11-22T01:07:12","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17470"},"modified":"2015-11-22T01:10:26","modified_gmt":"2015-11-22T01:10:26","slug":"weekend-links-285","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/11\/22\/weekend-links-285\/","title":{"rendered":"Weekend links 285"},"content":{"rendered":"

\"graphic.jpg\"<\/a><\/p>\n

Some of the art from my collage adaptation of The Picture of Dorian Gray<\/em><\/a> appears on the cover of The Graphic Canon: Volume 2<\/em>, published this month in a German edition by Verlag Galiani<\/a>. Out next month (although possibly available now) is the same book in a Brazilian edition from Boitempo Editorial<\/a>. One of the disappointments this year was having to abandon plans to contribute to Russ Kick’s forthcoming graphic canon of crime fiction. I was overstretched during the summer, and what with projects slipping their deadlines and the trip to Providence there wasn’t any time left for other things.<\/p>\n

\u2022 For those who missed the first edition, a second and final expanded edition of the Penda’s Fen<\/em> study\/celebration The Edge Is Where The Centre Is<\/em><\/a>.<\/p>\n

\u2022 Whipping up a storm: how Robert Mapplethorpe shocked America; Kevin Moore<\/a> on the photographer’s Perfect Moment<\/em> exhibition.<\/p>\n

In the best scenario, metaphysical art distributes the work of understanding among cultural traditions and symbolic systems, and it is along these lines that Carrington\u2019s work has been described as a productive combination of Mexican, Egyptian, Hebrew, Celtic, Greek, and Mesopotamian elements. Her paintings, plays, and stories mix the symbols of alchemy, astrology, Tarot, herbalism, magic, witchcraft, and a personal iconography.<\/p>\n

Leif Schenstead-Harris<\/a> on the life, art and fiction of Leonora Carrington<\/em><\/p><\/blockquote>\n

\u2022 Mixes of the week: Hieroglyphic Being<\/a> collects favourite cosmic jazz of the 1970s; NTS Radio presents an hour of Annette Peacock<\/a>.<\/p>\n

\u2022 At Kill Your Darlings: Alexandra Heller-Nicholas<\/a> enthuses about Dario Argento’s delirious masterwork, Suspiria<\/em>.<\/p>\n

\u2022 Pye Corner Audio<\/a> releases a new album (only limited vinyl at the moment\u2014boooo!) and remixes Stealing Sheep.<\/p>\n

\u2022 The Trip Planners: Emily Witt<\/a> meets the founders behind Erowid, the online drug encyclopedia.<\/p>\n

\u2022 Woven Processional<\/em><\/a> (1985), music on the Long String Instrument by Ellen Fullman.<\/p>\n

\u2022 “The Paris attacks prove Charlie Hebdo<\/em>\u2019s critics wrong,” says Dorian Lynskey<\/a>.<\/p>\n

\u2022 Photographs by Danila Tkachenko<\/a> of abandoned Soviet technology.<\/p>\n

\u2022 Come Wander With Me \/ Deliverance<\/em><\/a> by Anna von Hausswolff.<\/p>\n

\u2022 The collages of Guy Maddin<\/a>.<\/p>\n

\u2022 CAN HALEN<\/a><\/p>\n

\u2022 Let’s Take A Trip<\/a><\/em> (1965) by Godfrey | Trip On An Orange Bicycle<\/a><\/em> (1968) by The Orange Bicycle | Last Trip<\/a><\/em> (1968) by We Who Are<\/p>\n","protected":false},"excerpt":{"rendered":"

Some of the art from my collage adaptation of The Picture of Dorian Gray appears on the cover of The Graphic Canon: Volume 2, published this month in a German edition by Verlag Galiani. Out next month (although possibly available now) is the same book in a Brazilian edition from Boitempo Editorial. One of the … Continue reading “Weekend links 285”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,1029,9,851,29,7,5,22,3,44,12,14,18,19,23],"tags":[7800,7805,2731,2271,6847,7804,414,1114,117,6244,7803,7801,7802,7807,125,7798,7796,7797,731,116,1117,4222,1185,173,7799,7752,7808,7806,7809],"class_list":["post-17470","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-collage","category-comics","category-drugs","category-electronica","category-film","category-gay","category-horror","category-music","category-painting","category-photography","category-politics","category-surrealism","category-television","category-work","tag-alexandra-heller-nicholas","tag-anna-von-hausswolff","tag-annette-peacock","tag-can-group","tag-charlie-hebdo","tag-danila-tkachenko","tag-dario-argento","tag-david-rudkin","tag-dorian-gray","tag-dorian-lynskey","tag-ellen-fullman","tag-emily-witt","tag-erowid","tag-godfrey-musician","tag-guy-maddin","tag-hieroglyphic-being","tag-kevin-moore","tag-leif-schenstead-harris","tag-leonora-carrington","tag-oscar-wilde","tag-pendas-fen","tag-pye-corner-audio","tag-robert-mapplethorpe","tag-russ-kick","tag-stealing-sheep","tag-suspiria","tag-the-orange-bicycle","tag-van-halen","tag-we-who-are-group"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4xM","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17470"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17470\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}