{"id":17454,"date":"2015-11-17T01:08:23","date_gmt":"2015-11-17T01:08:23","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17454"},"modified":"2015-11-17T01:08:23","modified_gmt":"2015-11-17T01:08:23","slug":"paul-laffoley-1940-2015","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/11\/17\/paul-laffoley-1940-2015\/","title":{"rendered":"Paul Laffoley, 1940\u20132015"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"laffoley1.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/11\/laffoley1.jpg\" \/><\/p>\n<p><em>Alchemy: The Telnomic Process of the Universe (1973).<\/em><\/p>\n<p>Another week, another incomparable artist gone. This small selection of Laffoley&#8217;s unique art and sculpture manages to combine references to (among other things) alchemy, William Blake, Charles Baudelaire, Oscar Wilde, HP Lovecraft, <em>Mark of the Vampire<\/em>, and <em>Night of the Demon<\/em>. And this is only a fraction of his work. Richard Metzger has a memorial post at <a href=\"http:\/\/dangerousminds.net\/comments\/visionary_artist_and_genius_paul_laffoley_has_died2\" target=\"_blank\">Dangerous Minds<\/a> together with more paintings and some video links. There&#8217;s more at <a href=\"http:\/\/paullaffoley.net\/\" target=\"_blank\">the official website<\/a> and <a href=\"http:\/\/www.kentfineart.net\/artists\/paul-laffoley\/exhibitions\" target=\"_blank\">Kent Fine Art<\/a>. It&#8217;s good to read that the University of Chicago Press will be publishing <a href=\"http:\/\/press.uchicago.edu\/ucp\/books\/book\/chicago\/E\/bo22656888.html\" target=\"_blank\"><em>The Essential Paul Laffoley<\/em><\/a> in March, 2016.<\/p>\n<p><img decoding=\"async\" alt=\"laffoley2.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/11\/laffoley2.jpg\" \/><\/p>\n<p><em>The Death and Life of Monsieur Sebastian Melmoth: Au Th\u00e9\u00e2tre du Grand Guignol (2001\u20132003).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"laffoley3.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/11\/laffoley3.jpg\" \/><\/p>\n<p><em>The Solitron (1997).<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"laffoley4.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/11\/laffoley4.jpg\" \/><\/p>\n<p><em>Pickman&#8217;s Mephitic Models (2004).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"laffoley5.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/11\/laffoley5.jpg\" \/><\/p>\n<p><em>The Flower of Evil (1971).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alchemy: The Telnomic Process of the Universe (1973). Another week, another incomparable artist gone. This small selection of Laffoley&#8217;s unique art and sculpture manages to combine references to (among other things) alchemy, William Blake, Charles Baudelaire, Oscar Wilde, HP Lovecraft, Mark of the Vampire, and Night of the Demon. And this is only a fraction &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/11\/17\/paul-laffoley-1940-2015\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Paul Laffoley, 1940\u20132015&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2,42,22,16,44,31],"tags":[559,2346,3555,1687,116,7611,4772,756],"class_list":["post-17454","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-horror","category-occult","category-painting","category-religion","tag-alchemy","tag-charles-baudelaire","tag-dangerous-minds","tag-hp-lovecraft","tag-oscar-wilde","tag-paul-laffoley","tag-richard-metzger","tag-william-blake"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4xw","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17454"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17454\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}