{"id":17425,"date":"2015-11-08T01:09:40","date_gmt":"2015-11-08T01:09:40","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17425"},"modified":"2015-11-08T01:10:18","modified_gmt":"2015-11-08T01:10:18","slug":"weekend-links-283","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/11\/08\/weekend-links-283\/","title":{"rendered":"Weekend links 283"},"content":{"rendered":"

\"wassmann.jpg\"<\/a><\/p>\n

Behind by Lisa Wassmann<\/a>.<\/em><\/p>\n

\u2022 “Without space art, nobody would know what Mars would look like.” Artist David A. Hardy<\/a> talking to Nadja Sayej about a life spent painting the cosmos and\u2014briefly\u2014working for Hawkwind. Visions of Space<\/em><\/a>, an exhibition of astronomical art, is at the Wells & Mendip Museum throughout November.<\/p>\n

\u2022 Mixes of the week: Something Beautiful Happened by Cafe Kaput<\/a>; Autumn Vybes: Mist, Mystery and Motion by Abigail Ward<\/a>; and Secret Thirteen Mix 166 by Ron Morelli<\/a>.<\/p>\n

\u2022 More Ghost Box: Two new singles<\/a> in the Other Voices series will be released next month. And the label is profiled in the latest issue of Electronic Sound<\/em><\/a> magazine.<\/p>\n

It breaks my heart when one writer tells another what she can or cannot do. I once knew a woman, a professor of literature, who said that Flaubert had no right to write Madame Bovary<\/em> because he was a man. Such dangerous foolishness! This is just another form that dogmatic thinking takes. And it seems to me that the imagining mind\u2014which is also a profoundly human mind\u2014must be unfettered, boundless. To write from the perspective of another\u2019s world demands a generous and a rigorous leap of the spirit; it demands empathy and mindfulness. Writing is so much about subverting dogmatisms of all kinds, above all the ones that insist you cannot go there! You must not say that! Writers need to go anywhere, to take anything on. And the only rule is to do it well.<\/p>\n

Rikki Ducornet<\/a> in a retrospective feature at Dennis Cooper’s blog<\/em><\/p><\/blockquote>\n

\u2022 “Horror at its best has always existed outside the mainstream,” says Brian Ennis<\/a> in another celebratory piece about Thomas Ligotti.<\/p>\n

\u2022 Alan Clarke & David Rudkin’s Penda’s Fen<\/em><\/a> receives another cinema screening next week at the Sallis Benney Theatre, Brighton.<\/p>\n

\u2022 “[David] Lynch\u2019s films abound with gnomic pronouncements and incantations,” says Dennis Lim<\/a>.<\/p>\n

\u2022 Stars of the Lid<\/a> play a tremendous hour-long set at St. Agnes Church in Brooklyn.<\/p>\n

\u2022 Drawn in Stereo<\/em><\/a>: a book of music-related art and illustration by Michael Gillette.<\/p>\n

\u2022 At\u00a0Dangerous Minds<\/a>: Only the coolest people get to sit in the wicker peacock chair.<\/p>\n

\u2022 Everything Is Erotic Therefore Everything Is Exhausting<\/em> by Johanna Hedva<\/a>.<\/p>\n

\u2022 Moon Mist<\/a><\/em> (1961) by The Out-Islanders | River Mist<\/a><\/em> (1989) by Brian Eno | Black Mist (Long Version)<\/em><\/a> (2013) by Pye Corner Audio<\/p>\n","protected":false},"excerpt":{"rendered":"

Behind by Lisa Wassmann. \u2022 “Without space art, nobody would know what Mars would look like.” Artist David A. Hardy talking to Nadja Sayej about a life spent painting the cosmos and\u2014briefly\u2014working for Hawkwind. Visions of Space, an exhibition of astronomical art, is at the Wells & Mendip Museum throughout November. \u2022 Mixes of the … Continue reading “Weekend links 283”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[49,52,2,42,1029,47,29,55,7,22,48,26,3,12,20,13,18,1],"tags":[6711,1115,7761,145,1612,3555,7758,265,1114,3109,7762,172,222,7764,7757,7763,7233,1117,4222,7760,7759,5595,7765,3233],"class_list":["post-17425","post","type-post","status-publish","format-standard","hentry","category-abstract-cinema","category-animation","category-art","category-books","category-collage","category-cormac","category-electronica","category-events","category-film","category-horror","category-illustrators","category-lovecraft","category-music","category-photography","category-science-fiction","category-science","category-surrealism","category-uncategorized","tag-abigail-ward","tag-alan-clarke","tag-brian-ennis","tag-brian-eno","tag-cafe-kaput","tag-dangerous-minds","tag-david-a-hardy","tag-david-lynch","tag-david-rudkin","tag-dennis-cooper","tag-dennis-lim","tag-ghost-box","tag-hawkwind","tag-johanna-hedva","tag-lisa-wassmann","tag-michael-gillette","tag-nadja-sayej","tag-pendas-fen","tag-pye-corner-audio","tag-rikki-ducornet","tag-ron-morelli","tag-stars-of-the-lid","tag-the-out-islanders","tag-thomas-ligotti"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4x3","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17425"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17425\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}