{"id":17310,"date":"2015-10-06T01:06:06","date_gmt":"2015-10-06T00:06:06","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17310"},"modified":"2015-10-06T01:06:06","modified_gmt":"2015-10-06T00:06:06","slug":"hugo-steiner-prags-ghostly-ballads","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/10\/06\/hugo-steiner-prags-ghostly-ballads\/","title":{"rendered":"Hugo Steiner-Prag&#8217;s Ghostly Ballads"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"steinerprag01.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/10\/steinerprag01.jpg\" \/><\/p>\n<p><em>Mountain Voices.<\/em><\/p>\n<p>In which the illustrator of Gustav Meyrink&#8217;s <em>The Golem<\/em> illustrates six ballads or <em>lieder<\/em> by Heinrich Heine. These etchings don&#8217;t bear comparison to Steiner-Prag&#8217;s peerless <em>Golem<\/em> illustrations, or those for his illustrated Poe, but they&#8217;re good to see even if the meaning remains obscure.<\/p>\n<p><img decoding=\"async\" alt=\"steinerprag02.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/10\/steinerprag02.jpg\" \/><\/p>\n<p><em>Man Behind a Window.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"steinerprag03.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/10\/steinerprag03.jpg\" \/><\/p>\n<p><em>The Dream.<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"steinerprag04.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/10\/steinerprag04.jpg\" \/><\/p>\n<p><em>The Vow.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"steinerprag05.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/10\/steinerprag05.jpg\" \/><\/p>\n<p><em>The Slave Ship.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"steinerprag06.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/10\/steinerprag06.jpg\" \/><\/p>\n<p><em>Palatine Countess Jutta.<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2013\/10\/24\/hugo-steiner-prags-illustrated-poe\/\">Hugo Steiner-Prag\u2019s illustrated Poe<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/08\/26\/hugo-steiner-prags-golem\/\">Hugo Steiner-Prag\u2019s Golem<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mountain Voices. In which the illustrator of Gustav Meyrink&#8217;s The Golem illustrates six ballads or lieder by Heinrich Heine. These etchings don&#8217;t bear comparison to Steiner-Prag&#8217;s peerless Golem illustrations, or those for his illustrated Poe, but they&#8217;re good to see even if the meaning remains obscure. Man Behind a Window. The Dream.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,48],"tags":[402,7683,5312],"class_list":["post-17310","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-illustrators","tag-golem","tag-heinrich-heine","tag-hugo-steiner-prag"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4vc","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17310"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17310\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17310"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17310"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}