![\"lunar17.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/10\/lunar17.jpg\")
<\/p>\n<\/p>\n
Autumn Moon At Ishiyama Temple (c. 1834) by Hiroshige.<\/em><\/p>\n The moon is a continual feature in Japanese landscape prints, and the following selection is only a small sample of the many beautiful examples that may be found on this print site<\/a>. See also this site<\/a>, and Yoshitoshi’s stunning series, One Hundred Aspects of the Moon<\/em><\/a>.<\/p>\n Rising Moon at Nagase (no date) Artist unknown.<\/em><\/p>\n Rising Moon at Katase River (1907) by Shiron Kasamatsu.<\/em><\/p>\n <\/p>\n Evening Cool on the Sumida River (c. 1910\u201320) by Eijiro Kobayashi.<\/em><\/p>\n Shrine Visit at Night (c. 1910\u201320) by Kiyochika Kobayashi.<\/em><\/p>\n Moonrise at Nezu Shrine, Tokyo (1932). Artist unknown.<\/em><\/p>\n Full Moon at Enoshima Beach (1933) by Toko.<\/em><\/p>\n Moon Over Miyajima (c. 1930s) by Ito Yuhan.<\/em><\/p>\n Maiko Beach (1936) by Koitsu Tsuchiya.<\/em><\/p>\n Kakizaki Bento Shrine, Shimoda (1937) by Hasui Kawase.<\/em><\/p>\n Pleasure Boat Under a Moonlit Pine (c. 1938) by Koho Shoda.<\/em><\/p>\n Pine Tree On Shore by Arai Yoshimune II.<\/em><\/p>\n Suma Beach in Moonlight by Arai Yoshimune II.<\/em><\/p>\n Previously on { feuilleton } Autumn Moon At Ishiyama Temple (c. 1834) by Hiroshige. The moon is a continual feature in Japanese landscape prints, and the following selection is only a small sample of the many beautiful examples that may be found on this print site. See also this site, and Yoshitoshi’s stunning series, One Hundred Aspects of the Moon. … Continue reading “Japanese moons”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2],"tags":[7673,7666,11371,4906,7669,7667,14281,7670,7665,7668,6201],"class_list":["post-17298","post","type-post","status-publish","format-standard","hentry","category-art","tag-arai-yoshimune-ii","tag-eijiro-kobayashi","tag-hasui-kawase","tag-hiroshige","tag-ito-yuhan","tag-kiyochika-kobayashi","tag-koho-shoda","tag-koitsu-tsuchiya","tag-shiron-kasamatsu","tag-toko","tag-tsukioka-yoshitoshi"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4v0","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17298"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17298\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17298"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17298"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"lunar25.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/10\/lunar25.jpg\")
<\/p>\n![\"lunar24.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/10\/lunar24.jpg\")
<\/p>\n![\"lunar27.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/10\/lunar27.jpg\")
<\/p>\n![\"lunar19.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/10\/lunar19.jpg\")
<\/p>\n![\"lunar18.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/10\/lunar18.jpg\")
<\/p>\n![\"lunar20.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/10\/lunar20.jpg\")
<\/p>\n![\"lunar22.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/10\/lunar22.jpg\")
<\/p>\n![\"lunar30.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/10\/lunar30.jpg\")
<\/p>\n![\"lunar23.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/10\/lunar23.jpg\")
<\/p>\n![\"lunar29.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/10\/lunar29.jpg\")
<\/p>\n![\"lunar26.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/10\/lunar26.jpg\")
<\/p>\n![\"lunar28.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/10\/lunar28.jpg\")
<\/p>\n
\n\u2022 Lunar light<\/a>
\n\u2022 Lunar observations<\/a>
\n\u2022 Nocturnes<\/a>
\n\u2022 Lunation: Art on the Moon<\/a>
\n\u2022 Somnium by Steve Moore<\/a>
\n\u2022 Blood on the Moon<\/a>
\n\u2022 Filippo Morghen\u2019s Voyage to the Moon<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"