{"id":17277,"date":"2015-09-26T01:03:49","date_gmt":"2015-09-26T00:03:49","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17277"},"modified":"2015-09-26T01:06:03","modified_gmt":"2015-09-26T00:06:03","slug":"herbert-loebels-crystals","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/09\/26\/herbert-loebels-crystals\/","title":{"rendered":"Herbert Loebel&#8217;s crystals"},"content":{"rendered":"<p><a href=\"https:\/\/vimeo.com\/105724455\" target=\"_blank\"><img decoding=\"async\" alt=\"crystals.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/09\/crystals.jpg\" \/><\/a><\/p>\n<p>Given the year it was made, <a href=\"https:\/\/vimeo.com\/105724455\" target=\"_blank\"><em>Crystals<\/em><\/a> (1968) has unavoidable, if inadvertent, psychedelic connotations, especially when you see these iridescent forms blooming against vivid backdrops. The same can&#8217;t be said for the music that accompanies Herbert Loebel&#8217;s photography, however, so once again I&#8217;d recommend watching this with a soundtrack of your own choosing.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Given the year it was made, Crystals (1968) has unavoidable, if inadvertent, psychedelic connotations, especially when you see these iridescent forms blooming against vivid backdrops. The same can&#8217;t be said for the music that accompanies Herbert Loebel&#8217;s photography, however, so once again I&#8217;d recommend watching this with a soundtrack of your own choosing.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[49,7,13],"tags":[7637],"class_list":["post-17277","post","type-post","status-publish","format-standard","hentry","category-abstract-cinema","category-film","category-science","tag-herbert-loebel"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4uF","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17277"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17277\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}