{"id":17275,"date":"2015-09-25T01:04:23","date_gmt":"2015-09-25T00:04:23","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17275"},"modified":"2015-09-25T01:04:23","modified_gmt":"2015-09-25T00:04:23","slug":"weird-metal","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/09\/25\/weird-metal\/","title":{"rendered":"Weird metal"},"content":{"rendered":"

\"shadow1.jpg\"<\/p>\n

Weird metal isn’t A Thing, is it? I reckon it ought to be A Thing, especially when so much black\/death\/doom\/drone metal intersects with The Weird. I mentioned last month that British doomsters The Wounded Kings had used my De Profundis<\/em><\/a> piece for the gatefold and poster insert in their reissue of The Shadow Over Atlantis<\/em>. My copy of the album arrived this week; it’s a handsome production that sounds tremendous so I’m very pleased to be associated with it. The relationship to Cthulhu isn’t as overt as more well-known compositions such as The Call of Ktulu<\/em> by Metallica or Cthulhu Dawn<\/em> by Cradle of Filth. But those are one-off pieces whereas The Shadow Over Atlantis<\/em> sustains its atmosphere of cosmic dread throughout. It’s available from V\u00e1n Records<\/a>, and I recommend it highly.<\/p>\n

\"shadow2.jpg\"<\/p>\n

All of which reminded me that my Lovecraftian art has featured sporadically in the metal world over the past few years. In the margins of my discographic work you’ll find the following releases.<\/p>\n

\"otao.jpg\"<\/p>\n

Thought-Cathedral (2000) by Of Trees and Orchids<\/a>.<\/em><\/p>\n

The perennially popular view of R’lyeh is featured on the cover of the second album by a German death metal band who later changed their name to Ingurgitating Oblivion. Inside the CD there’s also a detail from a Cthulhu drawing of mine.<\/p>\n

\"azathoth.jpg\"<\/p>\n

Azathoth (2007) by Azathoth<\/a>.<\/em><\/p>\n

There are many bands named after Lovecraft’s chaotic deity. This group is from the US, and this EP is their only substantial release to date.<\/p>\n

\"portal.jpg\"<\/p>\n

Demonstration 1998 (2009) by Portal<\/a>.<\/em><\/p>\n

And there are many groups named Portal. This lot are Australian, and have been going longer than most. Demonstration 1998<\/em> is a reissue on 7-inch vinyl of a cassette demo from 1998; the sleeve art shows a fuzzy detail from my R’lyeh spread from The Call of Cthulhu<\/em>. Nobody asked permission to use the artwork, I only discovered this release since I get a credit for it on Discogs. So there may well be other releases out there that I haven’t seen yet. If you know of one then leave a comment or send an email.<\/p>\n

Previously on { feuilleton }
\n\u2022 The Shadow Over Atlantis by The Wounded Kings<\/a>
\n\u2022 Rock shirts<\/a>
\n\u2022 De Profundis<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Weird metal isn’t A Thing, is it? I reckon it ought to be A Thing, especially when so much black\/death\/doom\/drone metal intersects with The Weird. I mentioned last month that British doomsters The Wounded Kings had used my De Profundis piece for the gatefold and poster insert in their reissue of The Shadow Over Atlantis. … Continue reading “Weird metal”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,4,22,3,23],"tags":[104,1687,2422,1698,7398],"class_list":["post-17275","post","type-post","status-publish","format-standard","hentry","category-art","category-design","category-horror","category-music","category-work","tag-cthulhu","tag-hp-lovecraft","tag-metallica","tag-rlyeh","tag-the-wounded-kings"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4uD","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17275"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17275\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}