{"id":1726,"date":"2007-04-11T00:48:58","date_gmt":"2007-04-10T23:48:58","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=1726"},"modified":"2008-07-21T20:35:12","modified_gmt":"2008-07-21T19:35:12","slug":"joe-orton","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/11\/joe-orton\/","title":{"rendered":"Joe Orton"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2007\/04\/oldman_orton.jpg\" alt=\"oldman_orton.jpg\" \/><\/p>\n<p><em>Gary Oldman as Joe Orton in Prick Up Your Ears (1987). <\/em><\/p>\n<p><strong>Ken:<\/strong> At least you can say you&#8217;ve sat in the same chair as TS Eliot.<br \/>\n<strong>Joe:<\/strong> Yes, I&#8217;m never going to wipe my bum again.<\/p>\n<p>Gay playwright Joe Orton receives a welcome renewal of attention this month with a showing of films at the <a href=\"http:\/\/www.ica.org.uk\/\" target=\"_blank\">ICA<\/a> in London and the 20th anniversary re-release of <a href=\"http:\/\/www.imdb.com\/title\/tt0093776\/\" target=\"_blank\"><em>Prick Up Your Ears<\/em><\/a>, the great Orton biopic by <a href=\"http:\/\/www.imdb.com\/name\/nm0003141\/\" target=\"_blank\">Alan Bennett<\/a> and <a href=\"http:\/\/www.imdb.com\/name\/nm0001241\/\" target=\"_blank\">Stephen Frears<\/a>. <a href=\"http:\/\/www.imdb.com\/name\/nm0000198\/\" target=\"_blank\">Gary Oldman<\/a> is marvellously sexy (and funny) as Orton in Frears&#8217; film, <a href=\"http:\/\/www.imdb.com\/name\/nm0000547\/\" target=\"_blank\">Alfred Molina<\/a> is equally good as his increasingly neurotic lover, Kenneth Halliwell (who eventually murdered Orton before killing himself), and there&#8217;s decent casting throughout, with <a href=\"http:\/\/www.imdb.com\/name\/nm0000603\/\" target=\"_blank\">Vanessa Redgrave<\/a> playing Peggy Ramsay and <a href=\"http:\/\/www.imdb.com\/name\/nm0910278\/\" target=\"_blank\">Julie Walters<\/a> hilarious as Orton&#8217;s mother.<\/p>\n<p><em>Prick Up Your Ears<\/em> was originally Halliwell&#8217;s title for a script Orton was writing for the Beatles (\u201c&#8230;much too good a title to waste on a film,\u201d said Orton.) That film idea, variously titled <em>Up Against It<\/em> and <em>8 Arms To Hold You<\/em>, was deemed \u201ctoo gay\u201d by McCartney and co., not least because Orton had all four Beatles sleeping in the same bed. He <a href=\"http:\/\/byneddiejingo.blogspot.com\/2005\/10\/up-against-what-might-have-been.html\" target=\"_blank\">also wrote that<\/a> \u201c&#8230;the boys, in my script, have been caught <em>in flagrante<\/em>, become involved in dubious political activity, dressed as women, committed murder, been put in prison and committed adultery. And the script isn&#8217;t finished yet.\u201d Now you know why the third Beatles film was an animated one.<\/p>\n<p><a href=\"http:\/\/film.guardian.co.uk\/features\/featurepages\/0,,2053455,00.html\" target=\"_blank\">A feature in <em>The Guardian<\/em><\/a> examining Orton&#8217;s legacy, as well as the film, has this to say of <em>Prick Up Your Ears<\/em>:<\/p>\n<blockquote><p>it was the first mainstream British film to depict the gay underworld of West End toilets and sign language that existed in an age when homosexuality was still illegal.<\/p><\/blockquote>\n<p>And much of it was filmed on location in Orton&#8217;s haunts. Every time I&#8217;ve been through Islington tube station I think of the scene where Gary Oldman picks up a guy he&#8217;s been eying in the lift.<\/p>\n<p>Orton had the misfortune to die in 1967, the year homosexuality was decriminalised in Britain. Well&#8230; decriminalised so long as you were both 21, not members of the Armed Forces and there was no one else in the room with you; Orton could have made a play out of such farcical restrictions. But the film makes it clear that the existence of a stupid law\u2014which caused the downfall of another playwright, Oscar Wilde\u2014did nothing to prevent him enjoying himself. <em>The Guardian<\/em> has another quote from him:<\/p>\n<blockquote><p>[The police] interfere far too much with private morals\u2014whether people are having it off in the backs of cars or smoking marijuana, or doing the interesting little things one does.<\/p><\/blockquote>\n<p>They still do, Joe.<\/p>\n<p>The web doesn&#8217;t serve Orton&#8217;s memory very well; the links below are some of the more interesting finds.<\/p>\n<p>\u2022 <a href=\"http:\/\/ds.dial.pipex.com\/town\/parade\/abj76\/PG\/pieces\/joe_orton.shtml\" target=\"_blank\">An interview from June, 1967<\/a><br \/>\n\u2022 <a href=\"http:\/\/www.bbc.co.uk\/bbcfour\/audiointerviews\/profilepages\/ortonj1.shtml\" target=\"_blank\">Joe Orton at the BBC Sound Archive<\/a><br \/>\n\u2022 <a href=\"http:\/\/www.glbtq.com\/literature\/orton_j.html\" target=\"_blank\">Joe Orton at GLBTQ<\/a><br \/>\n\u2022 <a href=\"http:\/\/youtube.com\/watch?v=LUfLAnA3O1g&amp;mode=related&amp;search=\" target=\"_blank\">The Disappearing Gentlemens&#8217; Lavatories of Old London<\/a><br \/>\n(A hymn to the public convenience by Dudley Sutton, dedicated to Joe Orton.)<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/03\/03\/passion-play\/\">Passion play<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/06\/the-poet-and-the-pope\/\">The Poet and the Pope<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/12\/28\/please-mr-postman\/\">Please Mr. Postman<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/11\/18\/all-you-need-is\/\">All you need is&#8230;<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/07\/04\/queer-noises\/\">Queer Noises<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gary Oldman as Joe Orton in Prick Up Your Ears (1987). Ken: At least you can say you&#8217;ve sat in the same chair as TS Eliot. Joe: Yes, I&#8217;m never going to wipe my bum again. Gay playwright Joe Orton receives a welcome renewal of attention this month with a showing of films at the &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/04\/11\/joe-orton\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Joe Orton&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7,5,3,46],"tags":[1012,5704,1119,2963,2964,116,178,468],"class_list":["post-1726","post","type-post","status-publish","format-standard","hentry","category-film","category-gay","category-music","category-theatre","tag-alan-bennett","tag-alfred-molina","tag-gary-oldman","tag-joe-orton","tag-kenneth-halliwell","tag-oscar-wilde","tag-the-beatles","tag-ts-eliot"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-rQ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/1726","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=1726"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/1726\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=1726"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=1726"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=1726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}