{"id":17257,"date":"2015-09-19T01:02:49","date_gmt":"2015-09-19T00:02:49","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17257"},"modified":"2015-09-19T01:02:49","modified_gmt":"2015-09-19T00:02:49","slug":"stone-glory-a-film-by-jiri-lehovec","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/09\/19\/stone-glory-a-film-by-jiri-lehovec\/","title":{"rendered":"Stone Glory, a film by Jir\u00ed Lehovec"},"content":{"rendered":"<p><a href=\"https:\/\/www.youtube.com\/watch?v=fLNwVmLSCMM\" target=\"_blank\"><img decoding=\"async\" alt=\"stoneglory.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/09\/stoneglory.jpg\" \/><\/a><\/p>\n<p>It&#8217;s that city again. <a href=\"https:\/\/www.youtube.com\/watch?v=fLNwVmLSCMM\" target=\"_blank\"><em>Stone Glory<\/em><\/a> (1938) is a 10-minute documentary by Jir\u00ed Lehovec that&#8217;s like a cinematic equivalent of the photos of Karel Plicka. Lehovec shows many of the same streets and buildings as Plicka but has the advantage of motion, and there are several shots taken with the camera mounted on a vehicle driving through the narrow lanes. Glimpses near the end of marching soldiers are an ominous reminder that the Second World War was only a few months away.<\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/09\/17\/the-face-of-prague\/\">The Face of Prague<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/09\/16\/josef-sudek\/\">Josef Sudek<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2006\/09\/02\/karel-plickas-views-of-prague\/\">Karel Plicka\u2019s views of Prague<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s that city again. Stone Glory (1938) is a 10-minute documentary by Jir\u00ed Lehovec that&#8217;s like a cinematic equivalent of the photos of Karel Plicka. Lehovec shows many of the same streets and buildings as Plicka but has the advantage of motion, and there are several shots taken with the camera mounted on a vehicle &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/09\/19\/stone-glory-a-film-by-jiri-lehovec\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Stone Glory, a film by Jir\u00ed Lehovec&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,7],"tags":[7622,3789,146],"class_list":["post-17257","post","type-post","status-publish","format-standard","hentry","category-architecture","category-film","tag-jiri-lehovec","tag-karel-plicka","tag-prague"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4ul","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17257"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17257\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}