{"id":17240,"date":"2015-09-13T01:20:16","date_gmt":"2015-09-13T00:20:16","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17240"},"modified":"2015-09-13T01:20:45","modified_gmt":"2015-09-13T00:20:45","slug":"weekend-links-275","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/09\/13\/weekend-links-275\/","title":{"rendered":"Weekend links 275"},"content":{"rendered":"

\"wessi.jpg\"<\/a><\/p>\n

A painting from the Projekt Babelturm series by Wessi<\/a>.<\/em><\/p>\n

\u2022 “The first thing I would say is that I have no idea what authentic psych music is, and I have no wish to pursue that either. To me the idea of real psych is a paradox. I can’t see how you can have such a thing as real psychedelia when the whole thing is based on a psychedelic drug that gives you hallucinations and illusions and layers and layers of unreality.” Rob Chapman<\/a> talking to Ben Graham about his new book, Psychedelia And Other Colours<\/em><\/a>.<\/p>\n

Elsewhere in a rather psychedelic week: Rob Young<\/a> reviewed Chapman’s book for the New Statesman<\/em>; Dangerous Minds posted “Hypnotic video of how a psychedelic masterpiece is made<\/a>“; and in Germany a homeopathy conference<\/a> “ended in chaos in Germany after dozens of delegates took a LSD-like drug and started suffering from hallucinations.”<\/p>\n

\u2022 Coming soon from Dark Entries (so to speak), another collection of Patrick Cowley<\/a>‘s music for gay porn films.<\/p>\n

\u2022 Jonathan Barnbrook<\/a> works some quotes from JG Ballard into the British Road Sign Project<\/a>.<\/p>\n

\u2022 “Sorcery is more popular than football in Morocco,” says writer and filmmaker Abdellah Ta\u00efa<\/a>.<\/p>\n

\u2022 “If you’re going to make something, you should try and be wild,” says Mica Levi<\/a>.<\/p>\n

\u2022 Coca-Cola Milanese: Patrick Ellis<\/a> considers the state of the world’s fair in 2015.<\/p>\n

\u2022 Hear two pieces from Collapse<\/em>, the forthcoming album by Drew McDowall<\/a>.<\/p>\n

\u2022 Mix of the week: Secret Thirteen Mix 162 by Ketev<\/a> (Yair Elazar Glotman).<\/p>\n

\u2022 Emptyset\u2019s Signal<\/em><\/a> transforms Earth’s ionosphere into sound art.<\/p>\n

\u2022 Paul Laffoley<\/a>: The Force Structure of the Mystical Experience.<\/p>\n

\u2022 Fuck off, Star Wars<\/em>, Ben Wheatley’s High Rise<\/em><\/a> is on its way.<\/p>\n

\u2022 Ideologic Organ<\/a><\/p>\n

\u2022 Psychedelic Ride<\/a><\/em> (1967) by The Ides | Psychedelic Warlords (Disappear In Smoke) <\/a><\/em>(1974) by Hawkwind | Psychedelic Sewing Room<\/a><\/em> (1989) by Bongwater<\/p>\n","protected":false},"excerpt":{"rendered":"

A painting from the Projekt Babelturm series by Wessi. \u2022 “The first thing I would say is that I have no idea what authentic psych music is, and I have no wish to pursue that either. To me the idea of real psych is a paradox. I can’t see how you can have such a … Continue reading “Weekend links 275”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4,851,29,7,5,3,16,17,20],"tags":[7606,7391,4936,5604,3555,8894,7609,3188,222,7612,137,982,7610,124,7607,3697,7608,7611,6900,1124,7613,7605,6689],"class_list":["post-17240","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","category-drugs","category-electronica","category-film","category-gay","category-music","category-occult","category-psychedelia","category-science-fiction","tag-abdellah-taia","tag-ben-graham","tag-ben-wheatley","tag-bongwater","tag-dangerous-minds","tag-dark-entries","tag-drew-mcdowall","tag-emptyset","tag-hawkwind","tag-ideologic-organ","tag-jg-ballard","tag-jonathan-barnbrook","tag-ketev","tag-lsd","tag-mica-levi","tag-patrick-cowley","tag-patrick-ellis","tag-paul-laffoley","tag-rob-chapman","tag-rob-young","tag-the-ides-group","tag-wessi","tag-yair-elazar-glotman"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4u4","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17240","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17240"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17240\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17240"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17240"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}