{"id":17219,"date":"2015-09-07T01:11:28","date_gmt":"2015-09-07T00:11:28","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17219"},"modified":"2015-09-07T11:25:39","modified_gmt":"2015-09-07T10:25:39","slug":"harry-clarke-and-others-in-the-studio","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/09\/07\/harry-clarke-and-others-in-the-studio\/","title":{"rendered":"Harry Clarke and others in The Studio"},"content":{"rendered":"

\"odle.jpg\"<\/a><\/p>\n

The Swing by Alan Odle.<\/em><\/p>\n

The University of Heidelberg has for some time now had several years of British art magazine The Studio<\/em><\/a> in its archive but I’ve yet to delve fully into the later issues. These illustrations are from two articles from the volumes covering the year 1925, both of which feature the exceptional Irish artist Harry Clarke. In the first piece Clarke is present along with two contemporaries, John Austen and Alan Odle; the second is a review by novelist Dorothy M. Richardson (Alan Odle’s wife) of Clarke’s illustrations for Goethe’s Faust<\/em>. All three artists owed an artistic debt to Aubrey Beardsley, and an earlier number of The Studio<\/em> features a drawing by John Austen of Scheherazade in his Beardsley-derived style. (Thanks to Nick for the tip!)<\/p>\n

\"clarke2.jpg\"<\/a><\/p>\n

Columbine by Harry Clarke.<\/em><\/p>\n

\"austen2.jpg\"<\/a><\/p>\n

Atalanta in Calydon by John Austen.<\/em><\/p>\n

<\/p>\n

\"clarke1.jpg\"<\/a><\/p>\n

One of the colour plates from Faust by Harry Clarke.<\/em><\/p>\n

\"austen1.jpg\"<\/a><\/p>\n

Scheherazade by John Austen.<\/em><\/p>\n

Elsewhere on { feuilleton }
\n\u2022 The illustrators archive<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 Harry Clarke\u2019s Fairy Tales of Charles Perrault<\/a>
\n\u2022 Harry Clarke in colour<\/a>
\n\u2022 The Tinderbox<\/a>
\n\u2022 Harry Clarke and the Elixir of Life<\/a>
\n\u2022 Cardwell Higgins versus Harry Clarke<\/a>
\n\u2022 Modern book illustrators, 1914<\/a>
\n\u2022 Illustrating Poe #3: Harry Clarke<\/a>
\n\u2022 Strangest Genius: The Stained Glass of Harry Clarke<\/a>
\n\u2022 Harry Clarke\u2019s stained glass<\/a>
\n\u2022 Harry Clarke\u2019s The Year\u2019s at the Spring<\/a>
\n\u2022 The art of Harry Clarke, 1889\u20131931<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The Swing by Alan Odle. The University of Heidelberg has for some time now had several years of British art magazine The Studio in its archive but I’ve yet to delve fully into the later issues. These illustrations are from two articles from the volumes covering the year 1925, both of which feature the exceptional … Continue reading “Harry Clarke and others in The Studio”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,50,30,42,48,43],"tags":[7597,2116,7598,5127,99,2140,2373],"class_list":["post-17219","post","type-post","status-publish","format-standard","hentry","category-art","category-beardsley","category-black-white","category-books","category-illustrators","category-magazines","tag-alan-odle","tag-cardwell-higgins","tag-dorothy-m-richardson","tag-faust","tag-harry-clarke","tag-john-austen","tag-stained-glass"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4tJ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17219"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17219\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17219"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}