{"id":17203,"date":"2015-09-04T01:01:20","date_gmt":"2015-09-04T00:01:20","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17203"},"modified":"2015-09-04T01:01:20","modified_gmt":"2015-09-04T00:01:20","slug":"fleurs-by-serge-gladky","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/09\/04\/fleurs-by-serge-gladky\/","title":{"rendered":"Fleurs by Serge Gladky"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"gladky01.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/09\/gladky01.jpg\" \/><\/p>\n<p>More from the Glasgow School of Art book collection at the Internet Archive. <a href=\"https:\/\/archive.org\/details\/fleurstexteetvin00glad\" target=\"_blank\"><em>Fleurs<\/em><\/a> (1929) by Serge Gladky might be described as flowers \u00e0 la mode, with the mode being Art Deco on the one hand and late Cubism on the other. Twenty-six plates present a variety of floral motifs and designs with some very striking arrangements of shapes and colours. Gladky produced a lot of work in this style, examples of which can be found in a Dover collection, <a href=\"http:\/\/store.doverpublications.com\/0486998835.html\" target=\"_blank\"><em>Jazz Age Art Deco<\/em><\/a>.<\/p>\n<p><img decoding=\"async\" alt=\"gladky02.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/09\/gladky02.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"gladky03.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/09\/gladky03.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"gladky04.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/09\/gladky04.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"gladky05.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/09\/gladky05.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"gladky06.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/09\/gladky06.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"gladky07.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/09\/gladky07.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"gladky08.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/09\/gladky08.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"gladky09.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/09\/gladky09.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"gladky10.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/09\/gladky10.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"gladky11.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/09\/gladky11.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"gladky12.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/09\/gladky12.jpg\" \/><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2011\/01\/05\/art-deco-bindings\/\">Art Deco bindings<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2009\/03\/13\/prismes\/\">Prismes<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/08\/09\/the-art-of-thayaht-1893-1959\/\">The art of Thayaht, 1893\u20131959<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/06\/18\/the-mentor\/\">The Mentor<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2008\/02\/23\/the-art-of-cassandre-1901\u20131968\/\">The art of Cassandre, 1901\u20131968<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/29\/the-decorative-age\/\">The Decorative Age<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2007\/01\/25\/the-world-in-2030\/\">The World in 2030<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>More from the Glasgow School of Art book collection at the Internet Archive. Fleurs (1929) by Serge Gladky might be described as flowers \u00e0 la mode, with the mode being Art Deco on the one hand and late Cubism on the other. Twenty-six plates present a variety of floral motifs and designs with some very &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/09\/04\/fleurs-by-serge-gladky\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Fleurs by Serge Gladky&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,42,4],"tags":[277,7581],"class_list":["post-17203","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-design","tag-art-deco","tag-serge-gladky"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4tt","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17203"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17203\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17203"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}