{"id":17037,"date":"2015-07-17T01:06:09","date_gmt":"2015-07-17T00:06:09","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17037"},"modified":"2015-07-16T01:08:12","modified_gmt":"2015-07-16T00:08:12","slug":"james-ellroys-feast-of-death","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/07\/17\/james-ellroys-feast-of-death\/","title":{"rendered":"James Ellroy’s Feast of Death"},"content":{"rendered":"

\"ellroy.jpg\"<\/a><\/p>\n

In which the Demon Dog discusses his obsession with unsolved murders whilst meeting cop friends (and Nick Nolte) over a series of dinners. Vikram Jayanti’s 90-minute film was made for the BBC’s Arena<\/em> strand in 2001, and was later released on DVD. It’s one of the best films I’ve seen about Ellroy whose take-no-prisoners attitude can be gauged from the anecdote at the very beginning. Films about writers are often better when they’re like this, talking about the things that interest them rather than discussing their work in a manner which can get blunted by having to answer to the same questions over and over again. Discussion touches inevitably on the murder of Ellroy’s mother, and the Black Dahlia case. “…with very strong language, and scenes you may find disturbing…” Watch it here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

In which the Demon Dog discusses his obsession with unsolved murders whilst meeting cop friends (and Nick Nolte) over a series of dinners. Vikram Jayanti’s 90-minute film was made for the BBC’s Arena strand in 2001, and was later released on DVD. It’s one of the best films I’ve seen about Ellroy whose take-no-prisoners attitude … Continue reading “James Ellroy’s Feast of Death”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[42,7,19],"tags":[7487,7488,7486],"class_list":["post-17037","post","type-post","status-publish","format-standard","hentry","category-books","category-film","category-television","tag-james-ellroy","tag-nick-nolte","tag-vikram-jayanti"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4qN","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17037","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17037"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17037\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17037"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17037"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17037"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}