{"id":17014,"date":"2015-07-11T01:03:25","date_gmt":"2015-07-11T00:03:25","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=17014"},"modified":"2015-07-11T01:12:08","modified_gmt":"2015-07-11T00:12:08","slug":"lvcifer","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/07\/11\/lvcifer\/","title":{"rendered":"LVCIFER"},"content":{"rendered":"

\"lucifer1.jpg\"<\/a><\/p>\n

An engraving of Dante’s encounter with Lucifer\/Satan at the end of the Inferno<\/em>. Illustrators of Dante have given us a number of depictions of Dante’s fallen angel\u2014a monstrous beast with multiple wings and three heads; icy blasts from the wings travel through the circles of Hell\u2014but this is one I’d not seen before. The engraving is by Cornelis Galle the Elder after a drawing<\/a> by Lodovico Cardi (also known as Cigoli), and it’s unusual for showing Lucifer in full rather than the more common partial view<\/a> of the monster imprisoned in the ice.<\/p>\n

\"lucifer2.jpg\"<\/p>\n

The engraving is another of those that depict several events in one image, with the figures of Virgil and Dante shown crossing the plain of ice then climbing down Lucifer’s body; passing the centre of the world Virgil (now carrying Dante) changes direction to account for the reversal of gravity. Climbing a rocky path, they emerge at the foot of Mount Purgatory to find Lucifer’s legs protruding from the stone. The reversal of gravity is one of the more advanced ideas in The Divine Comedy<\/em>, as is the general idea of a spherical Earth. What Dante doesn’t mention, and few artists show, is Lucifer’s sexless groin positioned at the Centrum Mundi<\/em>, a detail accounted for here. (Larger version<\/a>.)<\/p>\n

\"lucifer3.jpg\"<\/p>\n

Elsewhere on { feuilleton }
\n\u2022 The etching and engraving archive<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 Lachman\u2019s Inferno<\/a>
\n\u2022 Hell, a film by Rein Raamat<\/a>
\n\u2022 Inferni<\/a>
\n\u2022 Mirko Racki\u2019s Inferno<\/a>
\n\u2022 Albert Goodwin\u2019s fantasies<\/a>
\n\u2022 Harry Lachman\u2019s Inferno<\/a>
\n\u2022 Melancholy Lucifers<\/a>
\n\u2022 Maps of the Inferno<\/a>
\n\u2022 A TV Dante by Tom Phillips and Peter Greenaway<\/a>
\n\u2022 The last circle of the Inferno<\/a>
\n\u2022 Angels 4: Fallen angels<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

An engraving of Dante’s encounter with Lucifer\/Satan at the end of the Inferno. Illustrators of Dante have given us a number of depictions of Dante’s fallen angel\u2014a monstrous beast with multiple wings and three heads; icy blasts from the wings travel through the circles of Hell\u2014but this is one I’d not seen before. The engraving … Continue reading “LVCIFER”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,31],"tags":[7467,7468,461,164],"class_list":["post-17014","post","type-post","status-publish","format-standard","hentry","category-art","category-religion","tag-cornelis-galle-the-elder","tag-lodovico-cardi","tag-lucifer","tag-tom-phillips"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/sq7rV-lvcifer","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17014","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=17014"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/17014\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=17014"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=17014"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=17014"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}