{"id":16964,"date":"2015-07-02T01:12:56","date_gmt":"2015-07-02T00:12:56","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=16964"},"modified":"2015-07-02T01:22:41","modified_gmt":"2015-07-02T00:22:41","slug":"gerard-trignacs-invisible-cities","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/07\/02\/gerard-trignacs-invisible-cities\/","title":{"rendered":"G\u00e9rard Trignac’s Invisible Cities"},"content":{"rendered":"

\"trignac09.jpg\"<\/p>\n

I wrote a short appreciation of French artist G\u00e9rard Trignac back in 2006, and he’s been mentioned a few times since, so it would be remiss of me to not include his etchings in this week’s illustration series. Trignac is a favourite of mine among the current crop of French etchers and engravers for his superb renderings of fantastic architecture. Most of this work is from his own imagination but he’s also illustrated Borges (The Immortal<\/em>) and Calvino, producing plates for expensive limited volumes. Les Villes Invisibles<\/em> was published in 1993 by Les Amis du Livre, Paris, in an edition of 200. The combination of a small print run with a series of ten etchings makes this a costly volume; the cheapest edition on Abe.com just now is going for \u20ac1500.<\/p>\n

Scarcity aside, these are marvellous depictions of Calvino’s cities, as detailed and meticulous as any of Trignac’s other works. One thing that becomes apparent when you start looking at illustrations of Calvino’s novel is that artists tend to pick the same few cities. So in Trignac’s case we have more views of Armilla, Octavia, Zenobia and so on. All of these may be seen at Trignac’s website<\/a>, while one of the expensive volumes is for sale here<\/a>. For those who can’t afford the latter I recommend Les Portes du Silence<\/em> (2004), a collection of Trignac’s work that includes all the plates for Les Villes Invisibles<\/em>, the Borges’ illustrations, and much more besides.<\/p>\n

\"trignac03.jpg\"<\/p>\n

Thin Cities 2: Zenobia.<\/em><\/p>\n

\"trignac02.jpg\"<\/p>\n

Trading Cities 5: Esmeralda.<\/em><\/p>\n

<\/p>\n

\"trignac04.jpg\"<\/p>\n

Continuous Cities 1: Leonia.<\/em><\/p>\n

\"trignac05.jpg\"<\/p>\n

Thin Cities 3: Armilla.<\/em><\/p>\n

\"trignac06.jpg\"<\/p>\n

Thin Cities 5: Octavia.<\/em><\/p>\n

\"trignac07.jpg\"<\/p>\n

Cities and Eyes 2: Zemrude.<\/em><\/p>\n

\"trignac08.jpg\"<\/p>\n

Continuous Cities 5: Penthesilea.<\/em><\/p>\n

\"trignac10.jpg\"<\/p>\n

Cities and the Dead 4: Argia.<\/em><\/p>\n

\"trignac01.jpg\"<\/p>\n

Cities and Signs 2: Zirma.<\/em><\/p>\n

Elsewhere on { feuilleton }
\n\u2022 The etching and engraving archive<\/a>
\n\u2022 The illustrators archive<\/a><\/p>\n

Previously on { feuilleton }
\n\u2022 Colleen Corradi Brannigan\u2019s Invisible Cities<\/a>
\n\u2022 Le Citt\u00e0 In\/visibili<\/a>
\n\u2022 Mikhail Viesel\u2019s Invisible Cities<\/a>
\n\u2022 Bookmark: Italo Calvino<\/a>
\n\u2022 Crossed destinies revisted<\/a>
\n\u2022 Crossed destinies: when the Quays met Calvino<\/a>
\n\u2022 Tressants: the Calvino Hotel<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

I wrote a short appreciation of French artist G\u00e9rard Trignac back in 2006, and he’s been mentioned a few times since, so it would be remiss of me to not include his etchings in this week’s illustration series. Trignac is a favourite of mine among the current crop of French etchers and engravers for his … Continue reading “G\u00e9rard Trignac’s Invisible Cities”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,51,21,48],"tags":[4655,407,1483],"class_list":["post-16964","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-cities","category-fantasy","category-illustrators","tag-gerard-trignac","tag-italo-calvino","tag-jorge-luis-borges"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4pC","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16964"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16964\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}