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Thin Cities 3: Armilla by Luca Enoch.<\/em><\/p>\n Sergio Bonelli Editore, an\u00a0Italian comics publisher, staged an exhibition of art based on Italo Calvino’s Invisible Cities<\/em> at the Triennale Milano in 2002. The drawings for Le Citt\u00e0 In\/visibili<\/em> head in the opposite direction from Mikhail Viesel’s depictions, and in several pictures push the cities towards generic fantasy and science fiction. These images are from an extinct page<\/a> on the publisher’s website although they may also be seen on the current site with a little searching. The publisher doesn’t offer much information, however, so while the artists are identified it’s less clear which cities are being depicted. I’ve noted the more obvious ones; Calvino obsessives can have fun guessing which the others might be.<\/p>\n Laura Zuccheri.<\/em><\/p>\n Thin Cities 2: Zenobia by Maurizio Dotti.<\/em><\/p>\n <\/p>\n Continuous Cities 1: Leonia by Giancarlo Alessandrini.<\/em><\/p>\n Cities and Desire 4: Fedora by Ivo Milazzo.<\/em><\/p>\n Sergio Toppi.<\/em><\/p>\n Cities and Eyes 3: Baucis by Angelo Stano.<\/em><\/p>\n Roberto De Angelis.<\/em><\/p>\n Corrado Roi.<\/em><\/p>\n Hidden Cities 4: Theodora by Giovanni Ticci.<\/em><\/p>\n Elsewhere on { feuilleton } Previously on { feuilleton } Thin Cities 3: Armilla by Luca Enoch. Sergio Bonelli Editore, an\u00a0Italian comics publisher, staged an exhibition of art based on Italo Calvino’s Invisible Cities at the Triennale Milano in 2002. The drawings for Le Citt\u00e0 In\/visibili head in the opposite direction from Mikhail Viesel’s depictions, and in several pictures push the cities towards generic fantasy … Continue reading “Le Citt\u00e0 In\/visibili”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,51,9,21,48,20],"tags":[7434,7436,7431,7437,407,7432,7429,7427,7430,7426,7435,7428,7433],"class_list":["post-16954","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-cities","category-comics","category-fantasy","category-illustrators","category-science-fiction","tag-angelo-stano","tag-corrado-roi","tag-giancarlo-alessandrini","tag-giovanni-ticci","tag-italo-calvino","tag-ivo-milazzo","tag-laura-zuccheri","tag-luca-enoch","tag-maurizio-dotti","tag-mikhail-viesel","tag-roberto-de-angelis","tag-sergio-bonelli-editore","tag-sergio-toppi"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4ps","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16954","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16954"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16954\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16954"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16954"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16954"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"sbe02.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/06\/sbe02.jpg\")
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\n\u2022 The illustrators archive<\/a><\/p>\n
\n\u2022 Mikhail Viesel\u2019s Invisible Cities<\/a>
\n\u2022 Bookmark: Italo Calvino<\/a>
\n\u2022 Crossed destinies revisted<\/a>
\n\u2022 Crossed destinies: when the Quays met Calvino<\/a>
\n\u2022 Tressants: the Calvino Hotel<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"