{"id":16930,"date":"2015-06-23T01:02:14","date_gmt":"2015-06-23T00:02:14","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=16930"},"modified":"2023-12-17T13:45:31","modified_gmt":"2023-12-17T13:45:31","slug":"after-beardsley-by-ryan-cho","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/06\/23\/after-beardsley-by-ryan-cho\/","title":{"rendered":"After Beardsley by Ryan Cho"},"content":{"rendered":"<p><a href=\"http:\/\/1.bp.blogspot.com\/-LFdr6BMokgI\/Us66U1wqIhI\/AAAAAAAAAmQ\/yS-Uo4JOJsw\/s1600\/gayledc038+2.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" alt=\"cho.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/06\/cho.jpg\" \/><\/a><\/p>\n<p>One of the posts last week concerned <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/06\/18\/copying-clarke\/\">a swipe from Harry Clarke<\/a> by an unknown illustrator. This Beardsley pastiche came to my attention shortly after the Clarke discovery, not a swipe but a deliberate exercise by American illustrator Ryan Cho in adopting the Beardsley style. It took some effort to trace the origin of Cho&#8217;s drawing since this is one of many similar works proliferating via Tumblr and Pinterest in which the credit goes to Beardsley himself. Cho&#8217;s exercise was <a href=\"http:\/\/ryanchoart.blogspot.co.uk\/2011\/04\/gayles-drawing-concepts.html\" target=\"_blank\" rel=\"noopener\">one of a series<\/a> following the styles of different artists and illustrators. In addition to another Beardsley drawing there&#8217;s also a couple of less successful attempts to pastiche Harry Clarke; having attempted a Clarke pastiche myself I can testify to the scale of the challenge. More of Ryan Cho&#8217;s work may be seen <a href=\"http:\/\/cargocollective.com\/ryancho\/About-Ryan-Cho\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-aubrey-beardsley-archive\/\">The Aubrey Beardsley archive<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>One of the posts last week concerned a swipe from Harry Clarke by an unknown illustrator. This Beardsley pastiche came to my attention shortly after the Clarke discovery, not a swipe but a deliberate exercise by American illustrator Ryan Cho in adopting the Beardsley style. It took some effort to trace the origin of Cho&#8217;s &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/06\/23\/after-beardsley-by-ryan-cho\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;After Beardsley by Ryan Cho&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,50,30,48],"tags":[94,99,7414,123,493],"class_list":["post-16930","post","type-post","status-publish","format-standard","hentry","category-art","category-beardsley","category-black-white","category-illustrators","tag-aubrey-beardsley","tag-harry-clarke","tag-ryan-cho","tag-salome","tag-the-savoy"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4p4","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16930"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16930\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16930"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}