{"id":16867,"date":"2015-06-05T02:21:41","date_gmt":"2015-06-05T01:21:41","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=16867"},"modified":"2015-06-05T02:21:41","modified_gmt":"2015-06-05T01:21:41","slug":"a-few-more-salomes","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/06\/05\/a-few-more-salomes\/","title":{"rendered":"A few more Salom\u00e9s"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"benner.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/06\/benner.jpg\" \/><\/p>\n<p><em>Jean Benner (1899).<\/em><\/p>\n<p>I&#8217;ve not done a Salom\u00e9 post for a while so here&#8217;s another handful of different interpretations. The most interesting ones are the two most recent: a drawing by Barry Windsor Smith I&#8217;d not seen before (undated but it looks like his work from the 1980s), and a great piece by Paula Andrade that can also be seen in a black-and-white version <a href=\"http:\/\/navaja-de-ockham.blogspot.co.uk\/2010\/09\/salome-b.html\" target=\"_blank\">here<\/a>.<\/p>\n<p><img decoding=\"async\" alt=\"fuller.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/06\/fuller.jpg\" \/><\/p>\n<p><em>Georges De Feure (1900).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"eder.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/06\/eder.jpg\" \/><\/p>\n<p><em>Gyula Eder (1907).<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"smith.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/06\/smith.jpg\" \/><\/p>\n<p><em>Barry Windsor Smith (no date).<\/em><\/p>\n<p><img decoding=\"async\" alt=\"derrewyn.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/06\/derrewyn.jpg\" \/><\/p>\n<p><em>Paula Andrade aka Derrewyn (2010).<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-salome-archive\/\">The Salom\u00e9 archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jean Benner (1899). I&#8217;ve not done a Salom\u00e9 post for a while so here&#8217;s another handful of different interpretations. The most interesting ones are the two most recent: a drawing by Barry Windsor Smith I&#8217;d not seen before (undated but it looks like his work from the 1980s), and a great piece by Paula Andrade &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/06\/05\/a-few-more-salomes\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;A few more Salom\u00e9s&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,48,44],"tags":[2551,7368,2221,7366,7365,256,7367,123],"class_list":["post-16867","post","type-post","status-publish","format-standard","hentry","category-art","category-illustrators","category-painting","tag-barry-windsor-smith","tag-derrewyn","tag-georges-de-feure","tag-gyula-eder","tag-jean-benner","tag-loie-fuller","tag-paula-andrade","tag-salome"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4o3","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16867"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16867\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}