{"id":16859,"date":"2015-06-03T01:52:43","date_gmt":"2015-06-03T00:52:43","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=16859"},"modified":"2015-06-03T01:52:43","modified_gmt":"2015-06-03T00:52:43","slug":"hell-a-film-by-rein-raamat","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/06\/03\/hell-a-film-by-rein-raamat\/","title":{"rendered":"Hell, a film by Rein Raamat"},"content":{"rendered":"

\"porgu.jpg\"<\/a><\/p>\n

An inferno of a different kind, Hell<\/em><\/a> (1983) is a short film by Estonian animator Rein Raamat based on a series of etchings by Estonian artist Eduard Wiiralt (1898\u20131954). The <\/em>drawings date from around 1930 when Wiiralt was living in Paris so they’re understandably connected to Surrealism. Browse some of the originals at 50 Watts<\/a>. (Thanks to Modzilla for the tip!)<\/p>\n

Previously on { feuilleton }
\n\u2022 Inferni<\/a>
\n\u2022 Mirko Racki\u2019s Inferno<\/a>
\n\u2022 Albert Goodwin\u2019s fantasies<\/a>
\n\u2022 Harry Lachman\u2019s Inferno<\/a>
\n\u2022 Maps of the Inferno<\/a>
\n\u2022 A TV Dante by Tom Phillips and Peter Greenaway<\/a>
\n\u2022 The last circle of the Inferno<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

An inferno of a different kind, Hell (1983) is a short film by Estonian animator Rein Raamat based on a series of etchings by Estonian artist Eduard Wiiralt (1898\u20131954). The drawings date from around 1930 when Wiiralt was living in Paris so they’re understandably connected to Surrealism. Browse some of the originals at 50 Watts. … Continue reading “Hell, a film by Rein Raamat”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[52,7,18],"tags":[7364,7363,164],"class_list":["post-16859","post","type-post","status-publish","format-standard","hentry","category-animation","category-film","category-surrealism","tag-eduard-wiiralt","tag-rein-raamat","tag-tom-phillips"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4nV","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16859","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16859"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16859\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16859"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16859"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16859"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}