{"id":16819,"date":"2015-05-24T02:16:04","date_gmt":"2015-05-24T01:16:04","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=16819"},"modified":"2015-05-24T02:16:04","modified_gmt":"2015-05-24T01:16:04","slug":"weekend-links-260","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/05\/24\/weekend-links-260\/","title":{"rendered":"Weekend links 260"},"content":{"rendered":"<p><a href=\"http:\/\/zsandh.com\/exhibition\/11\/bachelors\" target=\"_blank\"><img decoding=\"async\" alt=\"burgher.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/05\/burgher.jpg\" \/><\/a><\/p>\n<p><em>Bachelor with &#8220;demons&#8221; (Sleezy) [sic] (2015) by <a href=\"http:\/\/zsandh.com\/artist\/elijahburgher\" target=\"_blank\">Elijah Burgher<\/a>. One of a new series of artworks by Burgher showing at Zieher Smith &amp; Horton, NYC.<\/em><\/p>\n<p>\u2022 The week in HR Giger: <a href=\"http:\/\/www.blastr.com\/2015-5-15\/belinda-sallin-capturing-life-and-art-hr-giger-her-documentary-dark-star-hr-gigers-world\" target=\"_blank\">Belinda Sallin<\/a> on her documentary, <em>Dark Star: HR Giger&#8217;s World<\/em>; <a href=\"http:\/\/dangerousminds.net\/comments\/unseen_cinema_of_hr_giger_1\" target=\"_blank\">Ron Kretsch<\/a> on the unseen cinema of HR Giger; <a href=\"http:\/\/blogs.indiewire.com\/pressplay\/hr-giger-against-the-gigeresque\" target=\"_blank\">Matthew Cheney<\/a> thinks the Gigeresque has become too familiar. I can see his point but originality is always in short supply; asking for something new means setting yourself up for a long wait.<\/p>\n<p>\u2022 <em>Pwdre ser<\/em>, or <a href=\"http:\/\/en.wikipedia.org\/wiki\/Star_jelly\" target=\"_blank\">Star jelly<\/a>, is &#8220;a pale, foul-smelling jelly traditionally associated with meteorite falls&#8221;. <a href=\"http:\/\/www.fig2.co.uk\/#\/21\/50\" target=\"_blank\">The Rot of the Stars<\/a> at the ICA, London, is an audio-visual art collaboration between Jo Fisher and Mark Pilkington dealing with the mysterious substance.<\/p>\n<p>\u2022 Mixes of the week: A Tri Angle Records birthday DJ set by <a href=\"https:\/\/soundcloud.com\/bjork\/bjork-tri-angle-records-birthday-dj-set?linkId=14339309\" target=\"_blank\">Bj\u00f6rk<\/a>; OreCast 196 mix by <a href=\"https:\/\/soundcloud.com\/ilius-1\/orecast-196-mixtape\" target=\"_blank\">Ilius<\/a>; Secret Thirteen Mix 153 by\u00a0<a href=\"http:\/\/secretthirteen.org\/mrm-music-mix-review\/\" target=\"_blank\">M!R!M<\/a>.<\/p>\n<blockquote><p>To assume that a given group of people would be similar because of birthdate, Ryder thought, was to risk committing a fallacy. &#8220;The burden of proof is on those who insist that the cohort acquires the organised characteristics of some kind of temporal community,&#8221; he wrote. &#8220;This may be a fruitful hypothesis in the study of small groups of coevals in artistic or political movements but it scarcely applies to more than a small minority of the cohort in a mass society.&#8221;<\/p>\n<p><em>Generational thinking is a bogus way to understand the world says <a href=\"http:\/\/aeon.co\/magazine\/psychology\/we-need-to-ditch-generational-labels\/\" target=\"_blank\">Rebecca Onion<\/a><\/em><\/p><\/blockquote>\n<p>\u2022 <a href=\"http:\/\/www.core77.com\/posts\/37110\/The-Skyscraper-Topping-Airport-Manhattan-Might-Have-Had\" target=\"_blank\">The plan for an airport<\/a> above the streets of Manhattan. Related: <a href=\"http:\/\/darkestlondon.com\/2011\/10\/23\/kings-cross-airport-1931\/\" target=\"_blank\">Charles Glover<\/a>&#8216;s similar plan for London.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.fastcodesign.com\/3046365\/errol-morris-how-typography-shapes-our-perception-of-truth\" target=\"_blank\">Errol Morris<\/a> on how typography shapes our perception of truth.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.theguardian.com\/books\/2015\/may\/20\/the-vorrh-b-catling-review-michael-moorcock\" target=\"_blank\">Michael Moorcock<\/a> enjoyed <em>The Vorrh<\/em>, a novel by Brian Catling.<\/p>\n<p>\u2022 <a href=\"http:\/\/grantland.com\/hollywood-prospectus\/qa-hellraiser-author-clive-barker-on-almost-dying-hustling-and-killing-pinhead\/\" target=\"_blank\">Clive Barker<\/a> on almost dying, hustling, and killing Pinhead.<\/p>\n<p>\u2022 A new Penguin Books website for <a href=\"http:\/\/usa.angelacarter.co.uk\/\" target=\"_blank\">Angela Carter<\/a>.<\/p>\n<p>\u2022 Callum James on artist <a href=\"http:\/\/callumjames.blogspot.co.uk\/2015\/05\/philip-core.html\" target=\"_blank\">Philip Core<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/www.factmag.com\/2015\/05\/19\/king-tubby-beginners-guide-dub-reggae\/\" target=\"_blank\">A Beginner&#8217;s Guide to King Tubby <\/a><\/p>\n<p>\u2022 <em><a href=\"https:\/\/www.youtube.com\/watch?v=ztq7-kkygZk\" target=\"_blank\">King Tubby Meets Rockers Uptown<\/a><\/em> (1976) by Augustus Pablo | <em><a href=\"https:\/\/www.youtube.com\/watch?v=GRBmdsvz_aw\" target=\"_blank\">Star Cannibal<\/a><\/em> (1982) by Hawkwind | <em><a href=\"https:\/\/www.youtube.com\/watch?v=mChRWff_4kI\" target=\"_blank\">Sleazy<\/a><\/em> (1983) by Jah Wobble, The Edge, Holger Czukay<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bachelor with &#8220;demons&#8221; (Sleezy) [sic] (2015) by Elijah Burgher. One of a new series of artworks by Burgher showing at Zieher Smith &amp; Horton, NYC. \u2022 The week in HR Giger: Belinda Sallin on her documentary, Dark Star: HR Giger&#8217;s World; Ron Kretsch on the unseen cinema of HR Giger; Matthew Cheney thinks the Gigeresque &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/05\/24\/weekend-links-260\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 260&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[8,2,42,7,5,22,3,16,20,10],"tags":[3053,7347,7267,888,7345,771,7343,1215,2996,7344,222,2276,720,7340,3877,7339,7346,7341,955,7338,65,633,1449,843,7342,7337,7348],"class_list":["post-16819","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-film","category-gay","category-horror","category-music","category-occult","category-science-fiction","category-typography","tag-angela-carter","tag-augustus-pablo","tag-belinda-sallin","tag-bjork","tag-brian-catling","tag-callum-james","tag-charles-glover","tag-clive-barker","tag-elijah-burgher","tag-errol-morris","tag-hawkwind","tag-holger-czukay","tag-hr-giger","tag-ilius","tag-jah-wobble","tag-jo-fisher","tag-king-tubby","tag-mrm","tag-mark-pilkington","tag-matthew-cheney","tag-michael-moorcock","tag-penguin-books","tag-peter-christopherson","tag-philip-core","tag-rebecca-onion","tag-ron-kretsch","tag-the-edge-musician"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4nh","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16819"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16819\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16819"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16819"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}