![\"cocteau1.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/05\/cocteau1.jpg\")
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Some of the drawings by Jean Cocteau that comprise a new exhibition at Wessel + O’Connor Fine Art<\/a>, Lambertville, New Jersey. A third of these are untitled pencil drawings from the 1950s that look like unused illustrations from the first edition of Genet’s Querelle de Brest<\/em><\/a> (1947): matelots posing in various states of undress, masturbating or having sex. Among the other works there are several lithographs in the Cocteau-does-Picasso style. Everything is for sale but no prices are listed on the website.<\/p>\n Les Amoureux (1956).<\/em><\/p>\n Previously on { feuilleton } Some of the drawings by Jean Cocteau that comprise a new exhibition at Wessel + O’Connor Fine Art, Lambertville, New Jersey. A third of these are untitled pencil drawings from the 1950s that look like unused illustrations from the first edition of Genet’s Querelle de Brest (1947): matelots posing in various states of undress, masturbating … Continue reading “Cocteau drawings”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,5],"tags":[132,751,4260],"class_list":["post-16772","post","type-post","status-publish","format-standard","hentry","category-art","category-gay","tag-jean-cocteau","tag-jean-genet","tag-wessel-oconnor"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4mw","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16772","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16772"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16772\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16772"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"cocteau2.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/05\/cocteau2.jpg\")
<\/p>\n![\"cocteau3.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/05\/cocteau3.jpg\")
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\n\u2022 Querelle de Brest<\/a>
\n\u2022 Halsman and Cocteau<\/a>
\n\u2022 La Belle et la B\u00eate posters<\/a>
\n\u2022 The writhing on the wall<\/a>
\n\u2022 Le livre blanc by Jean Cocteau<\/a>
\n\u2022 Cocteau\u2019s sword<\/a>
\n\u2022 Cristalophonics: searching for the Cocteau sound<\/a>
\n\u2022 Cocteau at the Louvre des Antiquaires<\/a>
\n\u2022 La Villa Santo Sospir by Jean Cocteau<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"