{"id":16748,"date":"2015-05-10T02:20:15","date_gmt":"2015-05-10T01:20:15","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=16748"},"modified":"2015-05-10T02:45:48","modified_gmt":"2015-05-10T01:45:48","slug":"weekend-links-258","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/05\/10\/weekend-links-258\/","title":{"rendered":"Weekend links 258"},"content":{"rendered":"

\"stalenhag.jpg\"<\/a><\/p>\n

Simon St\u00e5lenhag<\/a>‘s SF artwork will be published in book form if funding is secured. In the future everything will be crowdfunded for 15 minutes. <\/em><\/p>\n

\u2022 Mixes of the week: FACT Mix 494 is a fantastic dub selection by Colleen<\/a>; Secret Thirteen Mix 151 is by Sally Dige<\/a>; Stephen Mallinder<\/a>‘s return to the doom-laden Industrial music of the 1980s suits the post-election mood. Mallinder’s mix is helping promote Industrial Soundtrack for the Urban Decay<\/em>, a documentary by Am\u00e9lie Ravalec<\/a>.<\/p>\n

\u2022 “…it felt more like real life to me than the average hour-long television show.” Sopranos<\/em> creator David Chase<\/a> on what he enjoyed about Twin Peaks<\/em>. Related: Twin Peaks<\/em> Tarot cards<\/a>.<\/p>\n

\u2022 Sound & Song in the Natural World<\/em><\/a> edited by Tobias Fischer & Lara Cory. A book about animal music and communication with a 60-minute CD of field recordings.<\/p>\n

\u2022 “The psychedelic renaissance has already begun, and for the most part I welcome it,” says Erik Davis<\/a> in a wide-ranging interview with Sean Matharoo.<\/p>\n

\u2022 It rumbles on: Brown Pundits<\/a> on “An Embarrassment at PEN”. A useful collection of stories, reactions and polemic from the past two weeks.<\/p>\n

\u2022 Fanny and Stella: The Shocking True Story<\/em><\/a>, a play by Glenn Chandler about Victorian London’s scandalous pair of cross-dressing men.<\/p>\n

\u2022 Artist Charles Ray<\/a> causes a problem for the Whitney Museum of American Art with his sculpture of a naked Jim and Huckleberry Finn.<\/p>\n

\u2022 “Don\u2019t believe Orson Welles,” says his biographer Simon Callow<\/a>, “especially when he calls himself a failure.”<\/p>\n

\u2022 A return to Adolph Sutro’s Cliff House<\/a> features several photos I’d not seen before.<\/p>\n

\u2022 More Tarot: Arcana: The Tarot Poetry Anthology<\/em><\/a> is looking for funding.<\/p>\n

\u2022 At Dangerous Minds: The ancient magic of the record label<\/a>.<\/p>\n

\u2022 Foreign Movie Posters<\/a><\/p>\n

\u2022 Tarot<\/a><\/em> (Ace of Wands<\/em> theme, 1970) by Andy Bown |\u00a0Distant Dreams (Part Two)<\/em><\/a> (1980) by Throbbing Gristle | The Devil In Me<\/a><\/em> (1982) by Stephen Mallinder<\/p>\n","protected":false},"excerpt":{"rendered":"

Simon St\u00e5lenhag‘s SF artwork will be published in book form if funding is secured. In the future everything will be crowdfunded for 15 minutes. \u2022 Mixes of the week: FACT Mix 494 is a fantastic dub selection by Colleen; Secret Thirteen Mix 151 is by Sally Dige; Stephen Mallinder‘s return to the doom-laden Industrial music … Continue reading “Weekend links 258”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,4,851,29,7,5,3,16,12,14,17,20,41,19],"tags":[7296,7303,7300,7301,6847,7294,3555,7209,1686,1975,7298,762,7295,7299,848,7293,3069,552,7210,512,7297,2021],"class_list":["post-16748","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-design","category-drugs","category-electronica","category-film","category-gay","category-music","category-occult","category-photography","category-politics","category-psychedelia","category-science-fiction","category-sculpture","category-television","tag-amelie-ravalec","tag-andy-bown","tag-brown-pundits","tag-charles-ray","tag-charlie-hebdo","tag-colleen-musician","tag-dangerous-minds","tag-david-chase","tag-erik-davis","tag-glenn-chandler","tag-lara-cory","tag-orson-welles","tag-sally-dige","tag-sean-matharoo","tag-simon-callow","tag-simon-stalenhag","tag-stephen-mallinder","tag-tarot","tag-the-sopranos","tag-throbbing-gristle","tag-tobias-fischer","tag-twin-peaks"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4m8","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16748","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16748"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16748\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16748"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16748"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}