{"id":16701,"date":"2015-04-29T01:39:24","date_gmt":"2015-04-29T00:39:24","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=16701"},"modified":"2015-04-29T01:39:24","modified_gmt":"2015-04-29T00:39:24","slug":"cocorico-graphics","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/04\/29\/cocorico-graphics\/","title":{"rendered":"Cocorico graphics"},"content":{"rendered":"<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/graphics01-big.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"graphics01.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/graphics01.jpg\" \/><\/a><\/p>\n<p>A final visit to <em>Cocorico<\/em>, the French humour magazine of the <em>fin de si\u00e8cle<\/em>. Where graphics are concerned I&#8217;ve ignored the cartoons to concentrate on the Art Nouveau decoration which is plentiful in the early issues. The star here is Louis Popineau, an artist I only knew from the excessively florid page above which is reprinted sans poem in one of my design books. Popineau enjoyed foliage running riot in this manner but the magazine also features several of his excellent coloured prints. There&#8217;s a lot more of this type of work in the complete run of the magazine which may be found at the <a href=\"https:\/\/archive.org\/details\/gri_33125008639409\" target=\"_blank\">Internet Archive<\/a>.<\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/graphics02-big.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"graphics02.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/graphics02.jpg\" \/><\/a><\/p>\n<p><em>A paean to the poppy by J\u00e9rome Doucet illustrated by\u00a0Adolphe Cossard. Poppies were a very popular plant in the 1890s for obvious naroctic reasons. Cossard made them a feature of his cover for <a href=\"http:\/\/www.theviennasecession.com\/wp-content\/uploads\/2013\/06\/Cocorico1.jpg\" target=\"_blank\">issue 32<\/a><\/em>.<\/p>\n<p><img decoding=\"async\" alt=\"graphics03.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/graphics03.jpg\" \/><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"graphics04.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/graphics04.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"graphics05.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/graphics05.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"graphics06.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/graphics06.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"graphics07.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/graphics07.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"graphics08.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/graphics08.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"graphics09.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/graphics09.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"graphics10.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/graphics10.jpg\" \/><\/p>\n<p><em>F\u00e9licien Rops.<\/em><\/p>\n<p><a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/graphics11-big.jpg\" target=\"_blank\"><img decoding=\"async\" alt=\"graphics11.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/graphics11.jpg\" \/><\/a><\/p>\n<p><img decoding=\"async\" alt=\"graphics12.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/graphics12.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"graphics13.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/graphics13.jpg\" \/><\/p>\n<p><em>A sole entry from <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2010\/10\/18\/the-art-of-marcus-behmer-1879\u20131958\/\">Marcus Behmer<\/a>, an artist whose strange drawings were showcased a few years later in Deutsche Kunst und Dekoration.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"graphics14.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/graphics14.jpg\" \/><\/p>\n<p><img decoding=\"async\" alt=\"graphics15.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/graphics15.jpg\" \/><\/p>\n<p>Previously on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/04\/28\/kupka-in-cocorico\/\">Kupka in Cocorico<\/a><br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/04\/27\/cocorico-covers\/\">Cocorico covers<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A final visit to Cocorico, the French humour magazine of the fin de si\u00e8cle. Where graphics are concerned I&#8217;ve ignored the cartoons to concentrate on the Art Nouveau decoration which is plentiful in the early issues. The star here is Louis Popineau, an artist I only knew from the excessively florid page above which is &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/04\/29\/cocorico-graphics\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Cocorico graphics&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[58,2,4,43],"tags":[7246,7244,7247,7245,7241,1870],"class_list":["post-16701","post","type-post","status-publish","format-standard","hentry","category-art-nouveau","category-art","category-design","category-magazines","tag-adolphe-cossard","tag-cocorico","tag-deutsche-kunst-und-dekoration","tag-jerome-doucet","tag-louis-popineau","tag-marcus-behmer"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4ln","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16701","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16701"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16701\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16701"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16701"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}