![\"haines1.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/haines1.jpg\")
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Meatboy and Alien I (2015).<\/em><\/p>\n I’ve not added much to the gay artists archive<\/a> recently even though it continues to be the most popular destination for all the silent visitors. David Haines is a recent discovery who fits the bill, a British artist resident in Amsterdam who specialises in meticulous pencil drawings and watercolours of homoerotic scenarios, many of which are coercive and implicitly violent. There’s a selection at the Upstream Gallery<\/a> and more at the artist’s website<\/a>.<\/p>\n Crane (2012).<\/em><\/p>\n Boy with a Veil (2011).<\/em><\/p>\n <\/p>\n Angel Face (2013).<\/em><\/p>\n Boy in the Woods (2009).<\/em><\/p>\n Previously on { feuilleton } Meatboy and Alien I (2015). I’ve not added much to the gay artists archive recently even though it continues to be the most popular destination for all the silent visitors. David Haines is a recent discovery who fits the bill, a British artist resident in Amsterdam who specialises in meticulous pencil drawings and watercolours of … Continue reading “The art of David Haines”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,5],"tags":[7225],"class_list":["post-16681","post","type-post","status-publish","format-standard","hentry","category-art","category-gay","tag-david-haines"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4l3","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16681","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16681"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16681\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"haines2.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/haines2.jpg\")
<\/p>\n![\"haines3.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/haines3.jpg\")
<\/p>\n![\"haines4.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/haines4.jpg\")
<\/p>\n![\"haines5.jpg\"](\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/04\/haines5.jpg\")
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\n\u2022 The gay artists archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"