{"id":16572,"date":"2015-03-29T02:45:06","date_gmt":"2015-03-29T02:45:06","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=16572"},"modified":"2015-03-29T02:50:31","modified_gmt":"2015-03-29T02:50:31","slug":"weekend-links-252","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/03\/29\/weekend-links-252\/","title":{"rendered":"Weekend links 252"},"content":{"rendered":"

\"brizzi.jpg\"<\/a><\/p>\n

Waiting by Liz Brizzi<\/a>.<\/em><\/p>\n

\u2022 “Music, politics, sex, and art were also widely represented by Evergreen<\/em>. Gerald Ford famously maligned the magazine on the floor of Congress for printing the likeness of Richard Nixon next to a nude photo.” Jonathon Sturgeon<\/a> on the return of an avant-garde institution.<\/p>\n

\u2022 “The hallucinogenic properties of language are widely recognized by all repressive societies…which treat words like other tightly controlled substances.” Askold Melnyczuk <\/a>reviews Where the Bird Sings Best<\/em>, a novel by Alejandro Jodorowsky.<\/p>\n

\u2022 Mixes of the week: A Mix For Thomas Carnacki by Jon Brooks<\/a> whose Music for Thomas Carnacki<\/em> has been reissued on vinyl<\/a>; Solid Steel Radio Show 27\/3\/2015 by DJ Food<\/a>.<\/p>\n

One of the few vice-friendly cities left in the US, New Orleans remains his spiritual home, or whatever the atheist equivalent is. Waters\u2019 supposed favourite bar in the world is here in the historic French Quarter. The Corner Pocket is a gay dive bar with tattooed strippers\u2014filthy in exactly the way Waters likes.<\/p>\n

“Trash and camp just don\u2019t cut it any more,” he told a rapt audience at his interview panel on Friday. “Filth still has a punch to it. The right kind of people understand it and it frightens away the timid.”<\/p>\n

John Waters<\/a> growing older disgracefully
\n<\/em><\/p><\/blockquote>\n

\u2022 Songs of a Dead Dreamer<\/em> and Grimscribe<\/em> by Thomas Ligotti<\/a> are being republished in a single edition by Penguin. Jeff VanderMeer wrote the foreword.<\/p>\n

\u2022 “The film is brimming with Bacchanalian revelry, arcane mystery and mortal dread.” Robert Bright<\/a> on The Saragossa Manuscript<\/em> by Wojciech Has.<\/p>\n

\u2022 Alistair Livingston<\/a> has posted page scans from\u00a0When Darkness Dawns<\/em>, volume two of his zine from the early 80s, The Encyclopedia of Ecstasy<\/em>.<\/p>\n

\u2022 “Without first understanding the fl\u00e2neur we cannot understand the development of arcades,” says Aaron Cot\u00e9<\/a>.<\/p>\n

\u2022 At A Journey Round My Skull: Jo Daemen<\/a> cover designs; at 50 Watts: the art of Manuel Bujados<\/a>.<\/p>\n

\u2022 Vast spacecraft and megastructures: Jeff Love<\/a> on the science-fiction art of Chris Foss.<\/p>\n

\u2022 At Dangerous Minds: RE\/Search\u2019s Vale<\/a> on JG Ballard and William Burroughs.<\/p>\n

\u2022 RIP John Renbourn<\/a><\/p>\n

\u2022 Pentangling<\/em><\/a> (1968) by Pentangle | Lyke-Wake Dirge<\/em><\/a> (1969) by Pentangle | Lord Franklin<\/em><\/a> (1970) by Pentangle<\/p>\n","protected":false},"excerpt":{"rendered":"

Waiting by Liz Brizzi. \u2022 “Music, politics, sex, and art were also widely represented by Evergreen. Gerald Ford famously maligned the magazine on the floor of Congress for printing the likeness of Richard Nixon next to a nude photo.” Jonathon Sturgeon on the return of an avant-garde institution. \u2022 “The hallucinogenic properties of language are … Continue reading “Weekend links 252”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,2,42,28,4,29,7,5,22,48,43,3,44,20],"tags":[2329,1041,7144,718,7042,7142,4104,721,3555,4941,7141,7146,142,137,7128,7147,1812,1017,7140,7139,7145,7148,7143,6551,3233,2369,1190,219],"class_list":["post-16572","post","type-post","status-publish","format-standard","hentry","category-architecture","category-art","category-books","category-burroughs","category-design","category-electronica","category-film","category-gay","category-horror","category-illustrators","category-magazines","category-music","category-painting","category-science-fiction","tag-50-watts","tag-a-journey-round-my-skull","tag-aaron-cote","tag-alejandro-jodorowsky","tag-alistair-livingston","tag-askold-melnyczuk","tag-carnacki","tag-chris-foss","tag-dangerous-minds","tag-dj-food","tag-evergreen-magazine","tag-jeff-love","tag-jeff-vandermeer","tag-jg-ballard","tag-jo-daemen","tag-john-renbourn","tag-john-waters","tag-jon-brooks","tag-jonathon-sturgeon","tag-liz-brizzi","tag-manuel-bujados","tag-pentangle","tag-robert-bright","tag-the-saragossa-manuscript","tag-thomas-ligotti","tag-v-vale","tag-william-burroughs","tag-wojciech-has"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4ji","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16572"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16572\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}