{"id":16555,"date":"2015-03-24T03:24:44","date_gmt":"2015-03-24T02:24:44","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=16555"},"modified":"2015-05-18T03:56:13","modified_gmt":"2015-05-18T02:56:13","slug":"john-yunge-batemans-king-lear","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/03\/24\/john-yunge-batemans-king-lear\/","title":{"rendered":"John Yunge-Bateman&#8217;s King Lear"},"content":{"rendered":"<p><img decoding=\"async\" alt=\"yunge01.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/03\/yunge01.jpg\" \/><\/p>\n<p><em>When Majesty turns to folly!<\/em><\/p>\n<p>John Yunge-Bateman (1897\u20131971), aka &#8220;Yunge&#8221;, is another British illustrator whose work I&#8217;d not noticed until now, possibly because this 1930 edition of <em>King Lear<\/em> is an early creation in a derivative style the artist abandoned. The ten black-and-white drawings are closer to Harry Clarke than Aubrey Beardsley, and a couple of them even try to match Clarke&#8217;s more grotesque inventions albeit with variable results. Some of the faces are rather dopey for my taste but I like the use of solid blacks. These samples are taken from a scarce copy currently up for auction at\u00a0<a href=\"http:\/\/www.ebay.co.uk\/usr\/silver-gryph?_trksid=p2047675.l2559\" target=\"_blank\">silver-gryph&#8217;s eBay pages<\/a> should anyone be interested. (Thanks again to Nick for the tip!)<\/p>\n<p><img decoding=\"async\" alt=\"yunge02.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/03\/yunge02.jpg\" \/><\/p>\n<p><em>Than doth, within a dull, stale, tired bed, go to the creating a whole tribe of fops.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"yunge03.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/03\/yunge03.jpg\" \/><\/p>\n<p><em>If you come slack of former services you shall do well.<\/em><\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" alt=\"yunge04.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/03\/yunge04.jpg\" \/><\/p>\n<p><em>Oh Lear, Lear, Lear! Beat at this gate, that let thy folly in, and thy dear judgement out!<\/em><\/p>\n<p><img decoding=\"async\" alt=\"yunge05.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/03\/yunge05.jpg\" \/><\/p>\n<p><em>If only to warm were gorgeous, why, nature needs not what thou gorgeous wearest, which scarcely keeps thee warm.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"yunge06.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/03\/yunge06.jpg\" \/><\/p>\n<p><em>Pr&#8217;ythee, nuncle, be contented; &#8217;tis a naughty night to swim in.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"yunge07.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/03\/yunge07.jpg\" \/><\/p>\n<p><em>Five fiends have been in poor Tom at once.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"yunge08.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/03\/yunge08.jpg\" \/><\/p>\n<p><em>This kiss, if it dare speak, would stretch thy spirits up into the air.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"yunge09.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/03\/yunge09.jpg\" \/><\/p>\n<p><em>But I am bound on a wheel of fire.<\/em><\/p>\n<p><img decoding=\"async\" alt=\"yunge10.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/03\/yunge10.jpg\" \/><\/p>\n<p><em>Howl, howl, howl, howl.<\/em><\/p>\n<p>Elsewhere on { feuilleton }<br \/>\n\u2022 <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/the-illustrators-archive\/\">The illustrators archive<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When Majesty turns to folly! John Yunge-Bateman (1897\u20131971), aka &#8220;Yunge&#8221;, is another British illustrator whose work I&#8217;d not noticed until now, possibly because this 1930 edition of King Lear is an early creation in a derivative style the artist abandoned. The ten black-and-white drawings are closer to Harry Clarke than Aubrey Beardsley, and a couple &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/03\/24\/john-yunge-batemans-king-lear\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;John Yunge-Bateman&#8217;s King Lear&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,30,42,48,46],"tags":[99,7127],"class_list":["post-16555","post","type-post","status-publish","format-standard","hentry","category-art","category-black-white","category-books","category-illustrators","category-theatre","tag-harry-clarke","tag-john-yunge-bateman"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4j1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16555"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16555\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16555"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16555"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}