{"id":16547,"date":"2015-03-22T03:08:25","date_gmt":"2015-03-22T02:08:25","guid":{"rendered":"http:\/\/www.johncoulthart.com\/feuilleton\/?p=16547"},"modified":"2015-03-22T03:08:25","modified_gmt":"2015-03-22T02:08:25","slug":"weekend-links-251","status":"publish","type":"post","link":"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/03\/22\/weekend-links-251\/","title":{"rendered":"Weekend links 251"},"content":{"rendered":"<p><a href=\"http:\/\/www.varnishfineart.com\/Artwork-Detail.cfm?ArtistsID=750&amp;NewID=5541\" target=\"_blank\"><img decoding=\"async\" alt=\"quintana.jpg\" src=\"https:\/\/www.johncoulthart.com\/feuilleton\/wp-content\/uploads\/2015\/03\/quintana.jpg\" \/><\/a><\/p>\n<p><em>Beliel (2013) by <a href=\"http:\/\/www.varnishfineart.com\/Artist-Detail.cfm?ArtistsID=750\" target=\"_blank\">Dan Quintana<\/a>.<\/em><\/p>\n<p>\u2022 <a href=\"http:\/\/www.rockit.it\/italian-occult-psychedelia-band-thalassa-festival\" target=\"_blank\">Guida essenziale all&#8217;Italian Occult Psychedelia<\/a>. Out next month: <a href=\"http:\/\/www.backwards.it\/releases\/nostra-signora-delle-tenebre\/26\/\" target=\"_blank\"><em>Nostra Signora Delle Tenebre<\/em><\/a>, a tribute to &#8220;movies that&#8230;retained a decidedly Italian flavour, a bizarre mix of nasty violence, lurid sexuality and feverish Catholic mysticism, all filtered through a manic obsession with death, blood and the sins of the flesh.&#8221; In the meantime, try the <a href=\"http:\/\/rocketrecordings.blogspot.co.uk\/2014\/11\/lay-llamas-italian-psych-and-soundtrack.html\" target=\"_blank\"><em>Italic Environments<\/em> mix by Lay Llamas<\/a>.<\/p>\n<p>\u2022 &#8220;His work matters more than ever now because it stands in contrast to all the sequels, the comic-book adaptations, that Hollywood makes to sell lunchboxes.&#8221; <a href=\"http:\/\/www.theguardian.com\/film\/2015\/mar\/19\/robert-altman-genius-who-reinvented-language-of-cinema\" target=\"_blank\">Ryan Gilbey<\/a> looks at a new documentary about the great Robert Altman.<\/p>\n<p>\u2022 Psychedelic Culture at the Crossroads: <a href=\"http:\/\/techgnosis.com\/psychedelic-culture-at-the-crossroads\/\" target=\"_blank\">Erik Davis<\/a> on the ongoing reappraisal of the value of psychedelic drugs. Related: <a href=\"http:\/\/www.wired.com\/2015\/03\/dude-can-draw-magic-mushrooms-oscilloscope\/\" target=\"_blank\">Dude, You Can Draw Magic Mushrooms With an Oscilloscope<\/a>.<\/p>\n<blockquote><p>Like [Ellen Sofie] Lauritzen, what I appreciate about music, writing, and films that vary from dated to downright misogynist is the rawness I see expressed, a sheer energy that can\u2019t toe the line of perfect political obeisance. I join her in hoping that we back down from using \u201cproblematic\u201d as a censorious bludgeon against creative achievements, no matter how problematic they are.<\/p>\n<p><em><a href=\"http:\/\/flavorwire.com\/509157\/lets-stop-telling-women-they-cant-love-misogynist-art\" target=\"_blank\">Sarah Seltzer<\/a> on whether feminists can enjoy misogynist art<\/em><\/p><\/blockquote>\n<p>\u2022 Mixes of the week: <a href=\"https:\/\/soundcloud.com\/bernie-connor\/the-sound-of-music-presents-the-last-last-trumpet-50-cuts-from-the-erics-jukebox\" target=\"_blank\">Roger Eagle&#8217;s jukebox selection<\/a> for Eric&#8217;s club, Liverpool; Switched On! Vol. 4 by <a href=\"https:\/\/www.mixcloud.com\/AnchSounds\/switched-on-vol-4\/\" target=\"_blank\">AnchSounds<\/a>; T-P-F\u00a0Mix 3: Bucolic Intrigue Romance by <a href=\"https:\/\/soundcloud.com\/the-pattern-forms\/t-p-f-mix-3-bucolic-intrigue-romance\" target=\"_blank\">The Pattern Forms<\/a>.<\/p>\n<p>\u2022 At Dangerous Minds: <a href=\"http:\/\/dangerousminds.net\/comments\/the_white_bicycle_revolution\" target=\"_blank\">Paul Gallagher<\/a> on the whimsical anarchism of the White Bicycle revolution.<\/p>\n<p>\u2022 Opening the Ghost Box: <a href=\"http:\/\/www.goldminemag.com\/news\/artist-news\/opening-ghost-box-label-filled-hauntological-wonder\" target=\"_blank\">Dave Thompson<\/a> on a record label that&#8217;s mentioned here more than most.<\/p>\n<p>\u2022 <a href=\"https:\/\/archive.org\/details\/Earthrid-AY01MP\" target=\"_blank\"><em>Abominations Of Yondo<\/em><\/a> (2007), a free album inspired by the weird fiction of Clark Ashton Smith.<\/p>\n<p>\u2022 Placards of earthly delight: <a href=\"http:\/\/www.bfi.org.uk\/news-opinion\/sight-sound-magazine\/features\/pictures\/vera-chytilov-film-poster-art\" target=\"_blank\">Isabel Stevens<\/a> on Vera Chytilov\u00e1\u2019s film posters.<\/p>\n<p>\u2022 I&#8217;m an artist to watch according to <a href=\"http:\/\/nakidmagazine.com\/2015\/03\/12\/lovecrafts-monsters-john-coulthart-artist-to-watch\/\" target=\"_blank\">Nakid Magazine<\/a>.<\/p>\n<p>\u2022 <a href=\"http:\/\/katatonia-love.tumblr.com\/\" target=\"_blank\">Tomb of Insomnia<\/a><\/p>\n<p>\u2022 <em><a href=\"https:\/\/www.youtube.com\/watch?v=wnqk44kaQPE\" target=\"_blank\">Death Surf<\/a><\/em> (2012) by\u00a0Heroin In Tahiti | <em><a href=\"https:\/\/www.youtube.com\/watch?v=b8ymW6nsOX4\" target=\"_blank\">Voices Call<\/a><\/em> (2015) by Lay Llamas | <em><a href=\"https:\/\/www.youtube.com\/watch?v=Xbm_zh5QucI\" target=\"_blank\">Averno<\/a><\/em> (2015) by OVO<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Beliel (2013) by Dan Quintana. \u2022 Guida essenziale all&#8217;Italian Occult Psychedelia. Out next month: Nostra Signora Delle Tenebre, a tribute to &#8220;movies that&#8230;retained a decidedly Italian flavour, a bizarre mix of nasty violence, lurid sexuality and feverish Catholic mysticism, all filtered through a manic obsession with death, blood and the sins of the flesh.&#8221; In &hellip; <a href=\"https:\/\/www.johncoulthart.com\/feuilleton\/2015\/03\/22\/weekend-links-251\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Weekend links 251&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2,4,851,29,7,3,16,44,14,17,23],"tags":[7124,7119,1279,7113,7121,7116,1686,172,7125,7122,7114,7115,124,7123,7126,4448,924,7118,6860,7117,7120,6974],"class_list":["post-16547","post","type-post","status-publish","format-standard","hentry","category-art","category-design","category-drugs","category-electronica","category-film","category-music","category-occult","category-painting","category-politics","category-psychedelia","category-work","tag-abominations-of-yondo","tag-anchsounds","tag-clark-ashton-smith","tag-dan-quintana","tag-dave-thompson","tag-ellen-sofie-lauritzen","tag-erik-davis","tag-ghost-box","tag-heroin-in-tahiti","tag-isabel-stevens","tag-italian-occult-psychedelia","tag-lay-llamas","tag-lsd","tag-nakid-magazine","tag-ovo-group","tag-paul-gallagher","tag-robert-altman","tag-roger-eagle","tag-ryan-gilbey","tag-sarah-seltzer","tag-the-pattern-forms","tag-vera-chytilova"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pq7rV-4iT","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/comments?post=16547"}],"version-history":[{"count":0,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/posts\/16547\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/media?parent=16547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/categories?post=16547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.johncoulthart.com\/feuilleton\/wp-json\/wp\/v2\/tags?post=16547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}